ISBN: 9781904764342 - screen methods: comparative readings in film studies (25 risultati)

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Paperback. Condizione: new. Paperback. Screen Methods: Comparative Readings in Film Studies is a collection of essays that explores the progression of film studies, an increasingly popular subject at universities, and how it has been approached theoretically, culturally and historically. In doing so, the contributors provide invaluable insight into many of the theories at the heart of film studies. The book focuses on classical theories, culture-based approaches, early and modern theory, statistical approaches and the (potential) future of critical film theory. Divided into three sections, the essays discuss 'film form and method', including notions of time, space and sound in cinema; 'theory and method', including the idea of spectatorship and portrayals of sex, sexuality and family; and 'new technology and method', which includes digital cinema, the influence of special effects and audience studies.Films featured include Went the Day Well? (1942), Rear Window (1954), Star Wars (1977), A Room with a View (1985), Philadelphia (1993), Twelve Monkeys (1995), Romance (1999), American Beauty (1999) and Gladiator (2000), as well as the films of Jacques-Louis David and Ridley Scott. "Screen Methods: Comparative Readings in Film Studies" is a collection of essays that explores the progression of film studies, an increasingly popular subject at universities, and how it has been approached theoretically, culturally and historically. In doing so, the contributors provide invaluable insight into many of the theories at the heart of film studies. The book focuses on classical theories, culture-based approaches, early and modern theory, statistical approaches and the (potential) future of critical film theory. Divided into three sections, the essays discuss 'film form and method', including notions of time, space and sound in cinema; 'theory and method', including the idea of spectatorship and portrayals of sex, sexuality and family; and 'new technology and method', which includes digital cinema, the influence of special effects and audience studies. Films featured include "Went the Day Well?" (1942), "Rear Window" (1954), "Star Wars" (1977), "A Room with a View" (1985), "Philadelphia" (1993), "Twelve Monkeys" (1995), "Romance" (1999), "American Beauty" (1999) and "Gladiator" (2000), as well as the films of Jacques-Louis David and Ridley Scott. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New.

Condizione: new.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Editor(s): Furby, Jacqueline; Randell, Karen. Num Pages: 144 pages, Illustrations. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 280 x 216 x 13. Weight in Grams: 354. . 2006. annotated edition. Paperback. . . . .

Condizione: New. pp. 224.

Condizione: New. Editor(s): Furby, Jacqueline; Randell, Karen. Num Pages: 144 pages, Illustrations. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 280 x 216 x 13. Weight in Grams: 354. . 2006. annotated edition. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. annotated edition. 224 pages. 9.00x6.00x0.75 inches. In Stock.

Condizione: New. In English.

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Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 224.

Taschenbuch. Condizione: Neu. Neuware - Screen Methods: Comparative Readings in Film Studies is a collection of essays that explores the progression of film studies, an increasingly popular subject at universities, and how it has been approached theoretically, culturally and historically. In doing so, the contributors provide invaluable insight into many of the theories at the heart of film studies. The book focuses on classical theories, culture-based approaches, early and modern theory, statistical approaches and the (potential) future of critical film theory. Divided into three sections, the essays discuss 'film form and method', including notions of time, space and sound in cinema; 'theory and method', including the idea of spectatorship and portrayals of sex, sexuality and family; and 'new technology and method', which includes digital cinema, the influence of special effects and audience studies.…

Kartoniert / Broschiert. Condizione: New. &Uumlber den AutorrnrnEdited by Jacqueline Furby and Karen RandellKlappentextrnrn Screen Methods: Comparative Readings in Film Studies is a collection of essays that explores the progression of film studies, an increasing.

Paperback. Condizione: new. Paperback. Screen Methods: Comparative Readings in Film Studies is a collection of essays that explores the progression of film studies, an increasingly popular subject at universities, and how it has been approached theoretically, culturally and historically. In doing so, the contributors provide invaluable insight into many of the theories at the heart of film studies. The book focuses on classical theories, culture-based approaches, early and modern theory, statistical approaches and the (potential) future of critical film theory. Divided into three sections, the essays discuss 'film form and method', including notions of time, space and sound in cinema; 'theory and method', including the idea of spectatorship and portrayals of sex, sexuality and family; and 'new technology and method', which includes digital cinema, the influence of special effects and audience studies.Films featured include Went the Day Well? (1942), Rear Window (1954), Star Wars (1977), A Room with a View (1985), Philadelphia (1993), Twelve Monkeys (1995), Romance (1999), American Beauty (1999) and Gladiator (2000), as well as the films of Jacques-Louis David and Ridley Scott. "Screen Methods: Comparative Readings in Film Studies" is a collection of essays that explores the progression of film studies, an increasingly popular subject at universities, and how it has been approached theoretically, culturally and historically. In doing so, the contributors provide invaluable insight into many of the theories at the heart of film studies. The book focuses on classical theories, culture-based approaches, early and modern theory, statistical approaches and the (potential) future of critical film theory. Divided into three sections, the essays discuss 'film form and method', including notions of time, space and sound in cinema; 'theory and method', including the idea of spectatorship and portrayals of sex, sexuality and family; and 'new technology and method', which includes digital cinema, the influence of special effects and audience studies. Films featured include "Went the Day Well?" (1942), "Rear Window" (1954), "Star Wars" (1977), "A Room with a View" (1985), "Philadelphia" (1993), "Twelve Monkeys" (1995), "Romance" (1999), "American Beauty" (1999) and "Gladiator" (2000), as well as the films of Jacques-Louis David and Ridley Scott. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: New.