9781907372322 - mondrian / nicholson: in parallel di bowness, sophie; beard, lee (23 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Good. The story of the creative relationship between the Dutch artist Piet Mondrian (18721944) and the British artist Ben Nicholson (18941982) is largely untold, yet during the 1930s they were leading forces of avant-garde art in Europe and their work was profoundly connected.

Paperback. Condizione: Good. bumped/creased, some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Standard-sized.

Paperback. Condizione: New. 1. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Paperback. Condizione: New. 1. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Paperback. Condizione: Fine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condizione: New. No Dust Jacket. 1st Edition. A new copy. 150 pages.

paperback. Condizione: near fine. 8 1/2 x 10 1/8" 252 pages. tiny bump to upper front cover corner essays by Christopher Green Sophie Bowness Lee Beard. Catalogue by Christopher Green & Barnaby Wright.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condizione: Fine. No Jacket as issued. 1st Edition. Published on the occasion of the exhibition 16th February to 20th May 2012. Virtually as new.

paperback. Condizione: Used-Very Good. 1st Edition. Pbk. 4to. Profusely illus. Some shelf-wear. Else bright, clean copy.

Soft cover. Condizione: Fine. 1st Edition. Book is in fine condition. 152pp with colour and b/w photographs.

Soft cover. Condizione: Fine. 1st Edition. Qto., 150 pages, illustrated. Looks unused, a Fine copy.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: Good. Paperback, numerous (full page) illustrations (including photographs) in colour and b/w, 4to.

SOFTCOVER. Condizione: New. 1st Edition. 4to in colour printed stiff card covers, 149pp, colour plates, etc. . [CONDITION: NEW unread and unmarked copy (minute speck of shelf rub to cover corner tips) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

paperback. Condizione: Fine.

Condizione: Neuf.

Condizione: as new. London : Paul Holberton Pub., 2011. Paperback. 152 pp. Ills. - The story of the creative relationship between the Dutch artist Piet Mondrian (1872-1944) and the British artist Ben Nicholson (1894-1982) is largely untold, yet during the 1930s they were leading forces of avant-garde art in Europe and their work was profoundly connected. This book accompanies an exhibition at the Courtauld Gallery, London, that will be the first to offer a comprehensive account of the parallel artistic paths charted by Mondrian and Nicholson during this remarkable decade. It will bring together an extraordinary group of paintings and reliefs to show how each artist was driven by a profound belief in the potential of abstract art to attain the highest aesthetic and spiritual power. Nicholson's visit in 1934 to Mondrian's studio in Paris, where they were both involved with the Abstraction-Creation group, inspired a friendship that would last until Mondrian's death ten years later and would see them working in neighboring London studios for two years from 1938. Together they contributed to a number of groundbreaking exhibitions and avant-garde publications, in which their work was often presented side by side, expressing their shared commitment to creating new forms of abstract art. The friendship spanned a highly productive period for both artists who, in their different ways, were determined to refine and intensify their abstract work. Nicholson found powerful confirmation of his artistic convictions through Mondrian's example, which emboldened his approach and led him to produce some of the very greatest works of his career. At the same time Mondrian was taking new directions in his painting, making greater use of expanded areas of white space in combination with restrained but intensive areas of vibrant color. He also renewed the possibilities of his famous horizontal and vertical black lines leading to his development of the 'double line', which greatly enhanced the visual dynamism of his compositions and are recognized today as being among his most iconic painting. This publication will reunite paintings and reliefs which were exhibited or published together in the 1930s as well as the Mondrian works originally bought by collectors from Nicholson's circle. It will explore in depth the importance of the relationship and the shared artistic sensibilities of the two artists, shedding new light upon this vital episode in the history of abstract art. Condition : as new copy. ISBN 9781907372322. Keywords : ART, Mondrian, Piet, 1872-1944.…

Paperback. Condizione: New. The story of the creative relationship between the Dutch artist Piet Mondrian (1872-1944) and the British artist Ben Nicholson (1894-1982) is largely untold, yet during the 1930s they were leading forces of avant-garde art in Europe and their work was profoundly connected. This book accompanies an exhibition at the Courtauld Gallery, London, that will be the first to offer a comprehensive account of the parallel artistic paths charted by Mondrian and Nicholson during this remarkable decade. It will bring together an extraordinary group of paintings and reliefs to show how each artist was driven by a profound belief in the potential of abstract art to attain the highest aesthetic and spiritual power.Nicholson's visit in 1934 to Mondrian's studio in Paris, where they were both involved with the Abstraction-Cre'ation group, inspired a friendship that would last until Mondrian's death ten years later and would see them working in neighboring London studios for two years from 1938. Together they contributed to a number of groundbreaking exhibitions and avant-garde publications, in which their work was often presented side by side, expressing their shared commitment to creating new forms of abstract art.The friendship spanned a highly productive period for both artists who, in their different ways, were determined to refine and intensify their abstract work. Nicholson found powerful confirmation of his artistic convictions through Mondrian's example, which emboldened his approach and led him to produce some of the very greatest works of his career. At the same time Mondrian was taking new directions in his painting, making greater use of expanded areas of white space in combination with restrained but intensive areas of vibrant color. He also renewed the possibilities of his famous horizontal and vertical black lines leading to his development of the 'double line', which greatly enhanced the visual dynamism of his compositions and are recognized today as being among his most iconic painting.This publication will reunite paintings and reliefs which were exhibited or published together in the 1930s as well as the Mondrian works originally bought by collectors from Nicholson's circle. It will explore in depth the importance of the relationship and the shared artistic sensibilities of the two artists, shedding new light upon this vital episode in the history of abstract art.…