Da: -OnTimeBooks-, Phoenix, AZ, U.S.A.
Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
EUR 4,01
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover. Condizione: Fine. First Edition. We're always buying collectible book collections. Contact us for details. We're happy to provide pictures of all books, please just ask! Canadian SOFT COVERED first edition, first printing. Virtually no wear to covers. The book itself is in Near Fine condition. The binding is straight and tight. NO remainder mark.
EUR 17,95
Quantità: 5 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Italian Baroque painting is often discussed in terms of theatre and the creation of powerful visual spectacle through the dramatic use of light. Seventeenth-century painters pushed the limits of artistic expression to reshape the relationship between the illusionistic image and its audience with contrasting styles, new techniques, and by deploying extraordinary optical effects. Featuring some of Canada's foremost Baroque paintings, "Illuminations" examines how the functional and symbolic representation of light was the expression of a culture captivated by theatrical display. Set in the context of Italy's dynamic and international cultural capitals, "Illuminations" compares and contrasts religious, mythological, and popular imagery. Through a detailed examination of works by Nicolas Poussain, Luca Giordano, Orazio Gentileschi and Guido Reni amongst others, the book explores how 17th-century audiences were confronted with pictures that frequently broke conventions by manipulating the sources and meaning of light, while depicting all types of subjects; painters were able to transform light, controlling its role as a signifier of demeanour, emotion, or religious symbolism.The use of light coloured the historical legends and social mythologies of this extravagant world.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 15,28
Quantità: 10 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Condizione: new. Paperback. Italian Baroque painting is often discussed in terms of theatre and the creation of powerful visual spectacle through the dramatic use of light. Seventeenth-century painters pushed the limits of artistic expression to reshape the relationship between the illusionistic image and its audience with contrasting styles, new techniques, and by deploying extraordinary optical effects. Featuring some of Canada's foremost Baroque paintings, 'Illuminations: Italian Baroque Masterworks in Canadian Collections' examines how the functional and symbolic representation of light was the expression of a culture captivated by theatrical display. Set in the context of Italy's dynamic and international cultural capitals, 'Illuminations' compares and contrasts religious, mythological, and popular imagery. Through a detailed examination of fourteen masterworks by Nicolas Poussin, Luca Giordano, Orazio Gentileschi and Guido Reni, amongst others, the book explores how seventeenth-century audiences were confronted with pictures that frequently broke conventions by manipulating the sources and meaning of light, while depicting all types of subjects; painters were able to transform light, controlling its role as a signifier of demeanour, emotion, or religious symbolism. The use of light coloured the historical legends and social mythologies of this extravagant world. AUTHOR: Benedict Leca is director of Curatorial Affairs, Art Gallery of Hamilton, Ontario, Canada Devin Therien is Guest Curator, Art Gallery of Hamilton C.D. Dickerson is curator of European Art at the Kimbell Art Museum, Fort Worth, TX Lloyd DeWitt is curator of European Art, Art Gallery of Ontario, Canada 66 colour Investigates how Italian Baroque painting demonstrates an unprecedented ability to create powerful spectacles through pictorial illumination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Revaluation Books, Exeter, Regno Unito
EUR 12,70
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 120 pages. 7.00x7.25x0.50 inches. In Stock.
EUR 19,21
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
Da: Majestic Books, Hounslow, Regno Unito
EUR 17,83
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. 96.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 16,49
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Investigates how Italian Baroque painting demonstrates an unprecedented ability to create powerful spectacles through pictorial illumination. Editor(s): Leca, Benedict. Num Pages: 96 pages, 66 colour. BIC Classification: 1DST; 1KBC; ACQB; AFC; AGC. Category: (G) General (US: Trade). Dimension: 183 x 182 x 11. Weight in Grams: 288. . 2015. Paperback. . . . .
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 19,69
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Investigates how Italian Baroque painting demonstrates an unprecedented ability to create powerful spectacles through pictorial illumination. Editor(s): Leca, Benedict. Num Pages: 96 pages, 66 colour. BIC Classification: 1DST; 1KBC; ACQB; AFC; AGC. Category: (G) General (US: Trade). Dimension: 183 x 182 x 11. Weight in Grams: 288. . 2015. Paperback. . . . . Books ship from the US and Ireland.
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. 96.
EUR 15,68
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 22,74
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. 96.
Da: Pearlydewdrops, Streat, Regno Unito
EUR 7,62
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.
Da: Pearlydewdrops, Streat, Regno Unito
EUR 8,83
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Shipped from the UK within 2 business days of order being placed.
EUR 30,27
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. Italian Baroque painting is often discussed in terms of theatre and the creation of powerful visual spectacle through the dramatic use of light. Seventeenth-century painters pushed the limits of artistic expression to reshape the relationship between the illusionistic image and its audience with contrasting styles, new techniques, and by deploying extraordinary optical effects. Featuring some of Canada's foremost Baroque paintings, 'Illuminations: Italian Baroque Masterworks in Canadian Collections' examines how the functional and symbolic representation of light was the expression of a culture captivated by theatrical display. Set in the context of Italy's dynamic and international cultural capitals, 'Illuminations' compares and contrasts religious, mythological, and popular imagery. Through a detailed examination of fourteen masterworks by Nicolas Poussin, Luca Giordano, Orazio Gentileschi and Guido Reni, amongst others, the book explores how seventeenth-century audiences were confronted with pictures that frequently broke conventions by manipulating the sources and meaning of light, while depicting all types of subjects; painters were able to transform light, controlling its role as a signifier of demeanour, emotion, or religious symbolism. The use of light coloured the historical legends and social mythologies of this extravagant world. AUTHOR: Benedict Leca is director of Curatorial Affairs, Art Gallery of Hamilton, Ontario, Canada Devin Therien is Guest Curator, Art Gallery of Hamilton C.D. Dickerson is curator of European Art at the Kimbell Art Museum, Fort Worth, TX Lloyd DeWitt is curator of European Art, Art Gallery of Ontario, Canada 66 colour Investigates how Italian Baroque painting demonstrates an unprecedented ability to create powerful spectacles through pictorial illumination. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 20,10
Quantità: Più di 20 disponibili
Aggiungi al carrelloKartoniert / Broschiert. Condizione: New. Über den AutorrnrnBenedict Leca is director of Curatorial Affairs, Art Gallery of Hamilton, Ontario, CanadaDevin Therien is Guest Curator, Art Gallery of HamiltonC.D. Dickerson is curator of European Art at the Kimbell Art .
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 23,30
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Featuring some of Canada's foremost Baroque paintings, Illuminations studies the Baroque fascination with theatricality and visual spectacle in religious, mythological, and popular imagery. It explores how seventeenth-century audiences were confronted with pictures that frequently broke conventions by manipulating the sources and meaning of light while depicting all types of subjects.
EUR 13,92
Quantità: 5 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Italian Baroque painting is often discussed in terms of theatre and the creation of powerful visual spectacle through the dramatic use of light. Seventeenth-century painters pushed the limits of artistic expression to reshape the relationship between the illusionistic image and its audience with contrasting styles, new techniques, and by deploying extraordinary optical effects. Featuring some of Canada's foremost Baroque paintings, "Illuminations" examines how the functional and symbolic representation of light was the expression of a culture captivated by theatrical display. Set in the context of Italy's dynamic and international cultural capitals, "Illuminations" compares and contrasts religious, mythological, and popular imagery. Through a detailed examination of works by Nicolas Poussain, Luca Giordano, Orazio Gentileschi and Guido Reni amongst others, the book explores how 17th-century audiences were confronted with pictures that frequently broke conventions by manipulating the sources and meaning of light, while depicting all types of subjects; painters were able to transform light, controlling its role as a signifier of demeanour, emotion, or religious symbolism.The use of light coloured the historical legends and social mythologies of this extravagant world.