Isbn: 9781911054306 - i want to be a machine: andy warhol & eduardo paolozzi (16 risultati)

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  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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  • Lingua: Inglese

    Editore: National Galleries of Scotland, GB, 2018

    1911054309 / 9781911054306

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    Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA

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    Paperback. Condizione: New. Through the early works of Andy Warhol and Eduardo Paolozzi, this book traces the development of their deep obsession with the machine. Looking at the way that both artists began in the late 1940s and the years following, the book illustrates their fascination with popular culture and the methods that they used in creating their art. Common to all their methods of making works was their hand-made quality. Only in the 1960s did the artists make the step to mechanical means to create their own artworks, resulting in the iconic images that are integral to our culture. As Warhol said of himself, there is only surface, with nothing underneath.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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    Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices

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    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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    Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US

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    PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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    Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks

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    Condizione: Usato - Molto buono

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    Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, Edinburgh, 2018

    1911054309 / 9781911054306

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    Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail

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    Paperback. Condizione: new. Paperback. Through the early works of Andy Warhol and Eduardo Paolozzi, this book traces the development of their deep fascination with the machine. Looking at the way that both artists began in the late 1940s and the years following, the book illustrates their fascination with popular culture and the methods that they used in creating their art. Common to all their methods of making works was their hand-made quality. Only in the 1960s did the artists make the step to mechanical means to create their own artworks, resulting in the iconic images that are integral to our culture. As Warhol said of himself, there is only surface, with nothing underneath. AUTHOR: Keith Hartley is Chief Curator and Deputy Director at the Scottish National Gallery of Modern Art in Edinburgh. His recent publications include From Death to Death and other Small Tales: Masterpieces from the Scottish National Gallery of Modern Art and the D.Daskalopoulos Collection (2013) and Surreal Encounters: Collecting the Marvellous (2016). SELLING POINTS: . Fascinating compare-and-contrast examination of Eduardo Paolozzi and Andy Warhol and their fascination with the machine in their art. A great introduction to the work of both artists . Beautifully illustrated . Particularly concentrates on the artists' earlier works . Accompanies exhibition taking place in the National Galleries of Scotland in November 2018, running until June 2019 25 colour images Fascinating compare-and-contrast examination of Eduardo Paolozzi and Andy Warhol and their fascination with the machine in their art. A great introduction to the work of both artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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    Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK

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    PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

  • Lingua: Inglese

    Editore: Natl Galleries of Scotland, 2019

    1911054309 / 9781911054306

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    Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books

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    Paperback. Condizione: Brand New. 36 pages. 8.00x9.00x0.25 inches. In Stock.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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    Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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    Da: Chiron Media, Wallingford, Regno UnitoChiron Media

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    paperback. Condizione: New.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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    Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE

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    Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, Edinburgh, 2018

    1911054309 / 9781911054306

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    Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller

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    Paperback. Condizione: new. Paperback. Through the early works of Andy Warhol and Eduardo Paolozzi, this book traces the development of their deep fascination with the machine. Looking at the way that both artists began in the late 1940s and the years following, the book illustrates their fascination with popular culture and the methods that they used in creating their art. Common to all their methods of making works was their hand-made quality. Only in the 1960s did the artists make the step to mechanical means to create their own artworks, resulting in the iconic images that are integral to our culture. As Warhol said of himself, there is only surface, with nothing underneath. AUTHOR: Keith Hartley is Chief Curator and Deputy Director at the Scottish National Gallery of Modern Art in Edinburgh. His recent publications include From Death to Death and other Small Tales: Masterpieces from the Scottish National Gallery of Modern Art and the D.Daskalopoulos Collection (2013) and Surreal Encounters: Collecting the Marvellous (2016). SELLING POINTS: . Fascinating compare-and-contrast examination of Eduardo Paolozzi and Andy Warhol and their fascination with the machine in their art. A great introduction to the work of both artists . Beautifully illustrated . Particularly concentrates on the artists' earlier works . Accompanies exhibition taking place in the National Galleries of Scotland in November 2018, running until June 2019 25 colour images Fascinating compare-and-contrast examination of Eduardo Paolozzi and Andy Warhol and their fascination with the machine in their art. A great introduction to the work of both artists. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Lingua: Inglese

    Editore: National Galleries of Scotland, 2018

    1911054309 / 9781911054306

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    Kartoniert / Broschiert. Condizione: New. Fascinating compare-and-contrast examination of Eduardo Paolozzi and Andy Warhol and their fascination with the machine in their art. A great introduction to the work of both artists.&Uumlber den AutorKeith Hartley is Chief Curator .

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    Lingua: Inglese

    Editore: National Galleries of Scotland, GB, 2018

    1911054309 / 9781911054306

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    Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK

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    Paperback. Condizione: New. Through the early works of Andy Warhol and Eduardo Paolozzi, this book traces the development of their deep obsession with the machine. Looking at the way that both artists began in the late 1940s and the years following, the book illustrates their fascination with popular culture and the methods that they used in creating their art. Common to all their methods of making works was their hand-made quality. Only in the 1960s did the artists make the step to mechanical means to create their own artworks, resulting in the iconic images that are integral to our culture. As Warhol said of himself, there is only surface, with nothing underneath.