Isbn: 9781914414862 - this is architecture: writing on buildings (17 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

hardcover. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

hardcover. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: New. Alongside writing on architecture by practitioners such as Le Corbusier, Louis Kahn and Denys Lasdun, this anthology includes contributions from critics Ruskin, William Morris and Nikolaus Pevsner and travel writers Jan Morris and Bruce Chatwin. Also featured are novelists DH Lawrence on Etruscan temples, Virginia Woolf on London's docks, Evelyn Waugh on Gaudí, and an extract from Italo Calvino's Invisible Cities.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. We all consume architecture - it's the one artform we can't avoid. So it's hardly surprising that the finest writers have applied their minds to it. Most of them aren't architects, but their powers of perception are such that what they say gets under the skin of a building - and gives us a lesson in how to look at architecture. You'll be entertained and enlightened as you find out why Goethe went from being dismissive of Strasbourg Cathedral to being an awed admirer; why Ruskin was offended by decorated shopfronts; why D.H. Lawrence loved Etruscan temples; why Tom Wolfe ridiculed the Seagram Building; why Vita Sackville-West saw Chatsworth as an alien interloper; why Rose Macaulay was passionate about ruins; And what Evelyn Waugh thought of Gaudí. The answers, and plenty more, are all here. Knowing them will transform the way you see buildings and deepen your understanding of architecture.…

Hardcover. Condizione: Brand New. 180 pages. 8.25x8.50x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New.

Hardcover. Condizione: new. Hardcover. We all consume architecture - it's the one artform we can't avoid. So it's hardly surprising that the finest writers have applied their minds to it. Most of them aren't architects, but their powers of perception are such that what they say gets under the skin of a building - and gives us a lesson in how to look at architecture. You'll be entertained and enlightened as you find out why Goethe went from being dismissive of Strasbourg Cathedral to being an awed admirer; why Ruskin was offended by decorated shopfronts; why D.H. Lawrence loved Etruscan temples; why Tom Wolfe ridiculed the Seagram Building; why Vita Sackville-West saw Chatsworth as an alien interloper; why Rose Macaulay was passionate about ruins; And what Evelyn Waugh thought of Gaudi. The answers, and plenty more, are all here. Knowing them will transform the way you see buildings and deepen your understanding of architecture. What happens when great writers meet great buildings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Buch. Condizione: Neu. Neuware - We all consume architecture it's the one artform we can't avoid. So it's hardly surprising that the finest writers have applied their minds to it. Most of them aren't architects, but their powers of perception are such that what they say gets under the skin of a building and gives us a lesson in how to look at architecture. You'll be entertained and enlightened as you find out why Goethe went from being dismissive of Strasbourg Cathedral to being an awed admirer; why Ruskin was offended by decorated shopfronts; why D.H. Lawrence loved Etruscan temples; why Tom Wolfe ridiculed the Seagram Building; why Vita Sackville-West saw Chatsworth as an alien interloper; why Rose Macaulay was passionate about ruins; And what Evelyn Waugh thought of Gaudí. The answers, and plenty more, are all here. Knowing them will transform the way you see buildings and deepen your understanding of architecture.…

Hardcover. Condizione: new. Hardcover. We all consume architecture - it's the one artform we can't avoid. So it's hardly surprising that the finest writers have applied their minds to it. Most of them aren't architects, but their powers of perception are such that what they say gets under the skin of a building - and gives us a lesson in how to look at architecture. You'll be entertained and enlightened as you find out why Goethe went from being dismissive of Strasbourg Cathedral to being an awed admirer; why Ruskin was offended by decorated shopfronts; why D.H. Lawrence loved Etruscan temples; why Tom Wolfe ridiculed the Seagram Building; why Vita Sackville-West saw Chatsworth as an alien interloper; why Rose Macaulay was passionate about ruins; And what Evelyn Waugh thought of Gaudi. The answers, and plenty more, are all here. Knowing them will transform the way you see buildings and deepen your understanding of architecture. What happens when great writers meet great buildings. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condizione: New. We all consume architecture - it's the one artform we can't avoid. So it's hardly surprising that the finest writers have applied their minds to it. Most of them aren't architects, but their powers of perception are such that what they say gets under the skin of a building - and gives us a lesson in how to look at architecture. You'll be entertained and enlightened as you find out why Goethe went from being dismissive of Strasbourg Cathedral to being an awed admirer; why Ruskin was offended by decorated shopfronts; why D.H. Lawrence loved Etruscan temples; why Tom Wolfe ridiculed the Seagram Building; why Vita Sackville-West saw Chatsworth as an alien interloper; why Rose Macaulay was passionate about ruins; And what Evelyn Waugh thought of Gaudí. The answers, and plenty more, are all here. Knowing them will transform the way you see buildings and deepen your understanding of architecture.…