Isbn: 9781932698114 - cabinet: the average (15) (16 risultati)

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. Coined by the Belgian statistician Adolphe Quetelet in 1835, the term "average man" evokes both contentment and anxiety. In some sense an inverted history of the genius, the story of the average has had a formative influence on modern aesthetics, politics and philosophy. For the artist, to be mediocre is a greater fault than to have failed spectacularly. For the politician, the battle for the heart of the average Joe determines both message and mode of address. For the philosopher, the consideration of everyday life and the ordinary demands a redefinition of philosophy itself. Edited with Paul Fleming (German Department, New York University), this issue features Francis Galton's late nineteenth-century composite photographs of criminals; a compilation of political paeans to the common man; an interview with German scholar Juergen Link on the reign of normalcy; the postwar search in the U.S. for the perfect Norm and Norma; actuarial tables, risk management, and the insurance industry; and Frances Richard on Diderot's analysis of hack painting. The issue also includes Matthew Klam on the color purple and art projects by Jason Salavon, Aleksandra Mir, Pedro Reyes and more. Coined by the Belgian statistician Adolphe Quetelet in 1835, the term "average man" evokes both contentment and anxiety. In some sense an inverted history of the genius, the story of the average has had a formative influence on modern aesthetics, politics, and philosophy. For the artist, to be mediocre is a greater fault than to have failed spectacularly. For the politician, the battle for the heart of the average Joe determines both message and mode of address. For the philosopher, the consideration ol everyday life and the ordinary demands a redefinition of philosophy itself. Edited with Paul Fleming (German Department, New York University), this issue features Francis Galton's late 19th-century composite photographs of criminals; a compilation of political paeans to the common man: an interview with German scholar Jurgen Link on the reign of normalcy; the postwar search in the U.S. for the perfect Norm and Norma; actuarial tables, risk management, and the insurance industry; and Frances Richard on Diderot's analysis of hack painting. The issue also includes Matthew Klam on the color purple and art projects by Jason Salavon, Aleksandra Mir, Pedro Reyes and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover. Condizione: Good. No Jacket. Edited by Sina Najafi and Paul Fleming. Essays by Eva Geulen, Paul Fleming and Matthew Klam. Interviews with Jurgen Link and Theodore Porter. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Paperback. Condizione: Near Fine. Cabinet , A Quarterly of Art And Culture: Issue 16, THE AVERAGE. Includes 2 postcards and an insert. 112 pages, paper with stiff cover. Color and black and white reproductions. Near fine condition.

Paperback. Condizione: Brand New. 103 pages. 9.75x7.75x0.50 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: new. Paperback. Coined by the Belgian statistician Adolphe Quetelet in 1835, the term "average man" evokes both contentment and anxiety. In some sense an inverted history of the genius, the story of the average has had a formative influence on modern aesthetics, politics and philosophy. For the artist, to be mediocre is a greater fault than to have failed spectacularly. For the politician, the battle for the heart of the average Joe determines both message and mode of address. For the philosopher, the consideration of everyday life and the ordinary demands a redefinition of philosophy itself. Edited with Paul Fleming (German Department, New York University), this issue features Francis Galton's late nineteenth-century composite photographs of criminals; a compilation of political paeans to the common man; an interview with German scholar Juergen Link on the reign of normalcy; the postwar search in the U.S. for the perfect Norm and Norma; actuarial tables, risk management, and the insurance industry; and Frances Richard on Diderot's analysis of hack painting. The issue also includes Matthew Klam on the color purple and art projects by Jason Salavon, Aleksandra Mir, Pedro Reyes and more. Coined by the Belgian statistician Adolphe Quetelet in 1835, the term "average man" evokes both contentment and anxiety. In some sense an inverted history of the genius, the story of the average has had a formative influence on modern aesthetics, politics, and philosophy. For the artist, to be mediocre is a greater fault than to have failed spectacularly. For the politician, the battle for the heart of the average Joe determines both message and mode of address. For the philosopher, the consideration ol everyday life and the ordinary demands a redefinition of philosophy itself. Edited with Paul Fleming (German Department, New York University), this issue features Francis Galton's late 19th-century composite photographs of criminals; a compilation of political paeans to the common man: an interview with German scholar Jurgen Link on the reign of normalcy; the postwar search in the U.S. for the perfect Norm and Norma; actuarial tables, risk management, and the insurance industry; and Frances Richard on Diderot's analysis of hack painting. The issue also includes Matthew Klam on the color purple and art projects by Jason Salavon, Aleksandra Mir, Pedro Reyes and more. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - Coined by the Belgian statistician Adolphe Quetelet in 1835, the term 'average man' evokes both contentment and anxiety. In some sense an inverted history of the genius, the story of the average has had a formative influence on modern aesthetics, politics and philosophy. For the artist, to be mediocre is a greater fault than to have failed spectacularly. For the politician, the battle for the heart of the average Joe determines both message and mode of address. For the philosopher, the consideration of everyday life and the ordinary demands a redefinition of philosophy itself. Edited with Paul Fleming (German Department, New York University), this issue features Francis Galton's late nineteenth-century composite photographs of criminals; a compilation of political paeans to the common man; an interview with German scholar Jürgen Link on the reign of normalcy; the postwar search in the U.S. for the perfect Norm and Norma; actuarial tables, risk management, and the insurance industry; and Frances Richard on Diderot's analysis of hack painting. The issue also includes Matthew Klam on the color purple and art projects by Jason Salavon, Aleksandra Mir, Pedro Reyes and more.…

Condizione: New. KlappentextrnrnCoined by the Belgian statistician Adolphe Quetelet in 1835, the term average man evokes both contentment and anxiety. In some sense an inverted history of the genius, the story of the average has had a formative influence on mo.