Isbn: 9781933045405 - mastering the melon (7 risultati)

Hardcover. Condizione: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condizione: Very Good. Hardcover. 121pp. Lightly edgeworn, else very good.

Hardcover. Condizione: Very Good. crisp clean w/remainder mark, NICE! Standard-sized.

Hardcover without dustjacket as issued, 122 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Used - Very Good. In his introduction, 'Artforum' editor-in-chief Tim Griffin calls Alix Lambert a walking tribute to Frank O'Hara's adage 'Grace to be born and live variously as possible.' And Lambert does live variously, infiltrating subcultures from tattoo artists to boxers to pilots and NASA staff. Works like her well-known photo and document-based 'Wedding Series,' in which she married and divorced three men and one woman in the space of six months, and like the multimedia debacle that was Platipussy--a fake all-girl band complete with a video, album, T-shirts and tragedy--show viewers how the artist adapts subcultural signs to discern and evaluate the identity markers that define us. For 'Male Pattern Baldness' she shaved her head down the middle. This first book to document Lambert's extensive projects is an image-filled compendium covering the decade-and-a-half from 1991 to 2005 with humor, incisive cultural commentary and formal accomplishment. Texts include Griffin's introduction and a discussion of Platipussy by 'Vice' editor Amy Kellner. Edited by Ariana Speyer. Essay by Amy Kellner. Introduction by Tim Griffin.…

Hard Cover. Condizione: Very Good +. No Jacket. First Hardback Edition. 250 x 225mm. pp. 121. English text. A volume showcasing the photographic projects of Alix Lambert. Colour and black and white illustrations. Bound in original pictorial boards. Boards and pages clean and tight. Binding strong. No ownership inscription or underlining. …

Hardcover. Condizione: New. In his introduction, Artforum editor-in-chief Tim Griffin calls Alix Lambert a walking tribute to Frank OâHaraâs adage "Grace to be born and live variously as possible." And Lambert does live variously, infiltrating subcultures from tattoo artists to boxers to pilots and NASA staff. Works like her well-known photo and document-based "Wedding Series," in which she married and divorced three men and one woman in the space of six months, and like the multimedia debacle that was Platipussy--a fake all-girl band complete with a video, album, T-shirts and tragedy--show viewers how the artist adapts subcultural signs to discern and evaluate the identity markers that define us. For "Male Pattern Baldness" she shaved her head down the middle. This first book to document Lambertâs extensive projects is an image-filled compendium covering the decade-and-a-half from 1991 to 2005 with humor, incisive cultural commentary and formal accomplishment. Texts include Griffinâs introduction and a discussion of Platipussy by Vice editor Amy Kellner.…