ISBN: 9781933360485 - purity of aim: the book jacket designs of alvin lustig (22 risultati)

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Paperback. Condizione: New. This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation.Here is a colorful and well-researched representation of Alvin Lustig's book cover designs that were created primarily for New Directions Books and Noonday Press, among others. Lustig used the book cover as a vehicle of his bold graphic experimentation that was enhanced by a lifelong collaboration with James Laughlin, founder and publisher of New Directions Books. Ned Drew and Paul Sternberger cite many passages from these letters of correspondence betweenLustig and Laughlin which include a range of topics from the early 1940s up to Lustig's untimely death in 1955. As a modern designer, Lustig's interests spanned many fields: architectural, industrial and interior design which served as an expression of his deeply held convictions. For him, the designer was not a single-minded specialist, but an integrator of many art forms-and simultaneously, as he saw it, a spokesman for social change.NED DREW teaches at Rutgers University-Newark and is also the director of The Design Consortium, a student/teacher run design studio that focuses on non-profit, community-based projects. Paul Sternberger is an Associate Professor of Art History at Rutgers University-Newark. He is co-author with colleague Ned Drew of By It's Cover: Modern American Book Cover Design.…

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Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: New.

Paperback. Condizione: new. Paperback. This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation.Here is a colorful and well-researched representation of Alvin Lustig's book cover designs that were created primarily for New Directions Books and Noonday Press, among others. Lustig used the book cover as a vehicle of his bold graphic experimentation that was enhanced by a lifelong collaboration with James Laughlin, founder and publisher of New Directions Books. Ned Drew and Paul Sternberger cite many passages from these letters of correspondence betweenLustig and Laughlin which include a range of topics from the early 1940s up to Lustig's untimely death in 1955.As a modern designer, Lustig's interests spanned many fields: architectural, industrial and interior design which served as an expression of his deeply held convictions. For him, the designer was not a single-minded specialist, but an integrator of many art forms-and simultaneously, as he saw it, a spokesman for social change.NED DREW teaches at Rutgers University-Newark and is also the director of The Design Consortium, a student/teacher run design studio that focuses on non-profit, community-based projects.Paul Sternberger is an Associate Professor of Art History at Rutgers University-Newark. He is co-author with colleague Ned Drew of By It's Cover: Modern American Book Cover Design. This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Brand New. uk ed. edition. 88 pages. 7.50x7.40x0.40 inches. In Stock.

Condizione: New. 2010. UK ed. Paperback. . . . . .

Condizione: New. pp. 88 Illus.

Condizione: New. In English.

Condizione: New. 2010. UK ed. Paperback. . . . . . Books ship from the US and Ireland.

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Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. uk ed. edition. 88 pages. 7.50x7.40x0.40 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation.Here is a colorful and well-researched representation of Alvin Lustig's book cover designs that were created primarily for New Directions Books and Noonday Press, among others. Lustig used the book cover as a vehicle of his bold graphic experimentation that was enhanced by a lifelong collaboration with James Laughlin, founder and publisher of New Directions Books. Ned Drew and Paul Sternberger cite many passages from these letters of correspondence betweenLustig and Laughlin which include a range of topics from the early 1940s up to Lustig's untimely death in 1955. As a modern designer, Lustig's interests spanned many fields: architectural, industrial and interior design which served as an expression of his deeply held convictions. For him, the designer was not a single-minded specialist, but an integrator of many art forms-and simultaneously, as he saw it, a spokesman for social change.NED DREW teaches at Rutgers University-Newark and is also the director of The Design Consortium, a student/teacher run design studio that focuses on non-profit, community-based projects. Paul Sternberger is an Associate Professor of Art History at Rutgers University-Newark. He is co-author with colleague Ned Drew of By It's Cover: Modern American Book Cover Design.…

Paperback. Condizione: new. Paperback. This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation.Here is a colorful and well-researched representation of Alvin Lustig's book cover designs that were created primarily for New Directions Books and Noonday Press, among others. Lustig used the book cover as a vehicle of his bold graphic experimentation that was enhanced by a lifelong collaboration with James Laughlin, founder and publisher of New Directions Books. Ned Drew and Paul Sternberger cite many passages from these letters of correspondence betweenLustig and Laughlin which include a range of topics from the early 1940s up to Lustig's untimely death in 1955.As a modern designer, Lustig's interests spanned many fields: architectural, industrial and interior design which served as an expression of his deeply held convictions. For him, the designer was not a single-minded specialist, but an integrator of many art forms-and simultaneously, as he saw it, a spokesman for social change.NED DREW teaches at Rutgers University-Newark and is also the director of The Design Consortium, a student/teacher run design studio that focuses on non-profit, community-based projects.Paul Sternberger is an Associate Professor of Art History at Rutgers University-Newark. He is co-author with colleague Ned Drew of By It's Cover: Modern American Book Cover Design. This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: New. This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation.KlappentextrnrnThis concise overview of the work of designer Alvin Lustig (1915-55) focuses on his.

Paperback. Condizione: New. This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation.Here is a colorful and well-researched representation of Alvin Lustig's book cover designs that were created primarily for New Directions Books and Noonday Press, among others. Lustig used the book cover as a vehicle of his bold graphic experimentation that was enhanced by a lifelong collaboration with James Laughlin, founder and publisher of New Directions Books. Ned Drew and Paul Sternberger cite many passages from these letters of correspondence betweenLustig and Laughlin which include a range of topics from the early 1940s up to Lustig's untimely death in 1955. As a modern designer, Lustig's interests spanned many fields: architectural, industrial and interior design which served as an expression of his deeply held convictions. For him, the designer was not a single-minded specialist, but an integrator of many art forms-and simultaneously, as he saw it, a spokesman for social change.NED DREW teaches at Rutgers University-Newark and is also the director of The Design Consortium, a student/teacher run design studio that focuses on non-profit, community-based projects. Paul Sternberger is an Associate Professor of Art History at Rutgers University-Newark. He is co-author with colleague Ned Drew of By It's Cover: Modern American Book Cover Design.…