ISBN: 9781941701256 - the beginning of trees and the end: drawings and notebooks (23 risultati)

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Hardcover. Condizione: New. New, in plastic.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: As New. Still in shrinkwrap.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Very Good. Published on the occasion of the exhibtion Gordon Matta-Clark: Energy & Abstraction, David Zwirner, September 9 - October 24, 2015. Light yellowing on edges of pages. Some creases on bottom of spine.

Condizione: new.

Hardcover. Condizione: New. Fine hardcover. Clean and bright, as new. Still sealed in the publisher's plastic wrap. Unread and unopened. Illustrated throughout.

Hardback. Condizione: New.

Hardcover. Condizione: New in shrinkwrap. Cream and color-illustrated boards with black lettering. 179 pp. Color and illustrations. Published to accompany the exhibition held at David Zwirmer, New York, 2015.

Hardback. Condizione: New.

Hardcover. Condizione: new. Hardcover. Documenting the artist's extraordinary accomplishments as a draftsman, this publication originates from the 2015 solo presentation at David Zwirner, New York, entitled Energy & Abstraction, organized in close collaboration with Jane Crawford and Jessamyn Fiore from the Estate of Gordon Matta-Clark. Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark was always deeply, though less publicly, committed to drawing. His works on paper-which span three-dimensional reliefs, calligraphy, and notebook entries-capture the interdisciplinary spirit that defined the art world in the 1970s. Intricate and concise, they testify to his interest in the crossovers between visual and performance arts, as well as the broader integration within his oeuvre of the natural and built environment. This catalogue presents in vibrant detail selections from Matta-Clark's Cut Drawings, Energy Rooms, Energy Trees, and his own "calligraphy," many of which have never been published. Perhaps the best known of the group, the Cut Drawings explore parallel, smaller-format versions of his physical interventions in architecture; slicing meticulously through several layers of paper, gesso, or cardboard, Matta-Clark created sculptural flat works that emphasized the voids created by the extraction of matter. Drawings with his own "calligraphy" emphasize the medium of drawing as an independent form. Abstract letters make up a code that remains indecipherable, but points toward a visionary longing to invent new languages and structures of experience. Some of the most elaborate and colorful compositions include trees, several of which refer explicitly to Matta-Clark's Tree Dance performance at Vassar College in upstate New York in 1971. In full-color plates, the reader can see the physical structure of his trees "dissolving" into kinetic energy and, in some drawings, becoming reduced to a multitude of arrows. Near-abstract tree shapes also incorporate his calligraphic marks, with branches constructed from imaginary letters, again emphasizing the importance of language to a new visual experience. Matta-Clark's notebooks, which he often insisted on completing in a single sitting, are presented in elegantly curated groups. Combining elements of Surrealist automatic drawing with an interest in choreography, these works appealed to performance artists at the time-including Laurie Anderson and Trisha Brown. This unparalleled presentation of Matta-Clark's drawings is accompanied by new and exciting scholarship by Briony Fer, as well as a conversation between Jessamyn Fiore and contemporary artist Sarah Sze; it marks a major contribution to the literature on this highly influential artist. Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark was always committed to drawing. His works capture the interdisciplinary spirit that defined the art world in the 1970s. This book deals with the life of this artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. pp. 150.

Hardcover. Condizione: Brand New. 179 pages. 12.50x9.50x1.00 inches. In Stock.

Condizione: New. pp. 150.

Condizione: New. &Uumlber den AutorA central figure of the downtown New York art scene in the 1970s, Gordon Matta-Clark (1943&ndash1978) pioneered a radical approach to art making that directly engaged the urban environment and the communities within i.

Hardback. Condizione: New.

Buch. Condizione: Neu. Neuware - Documenting the artist's extraordinary accomplishments as a draftsman, this publication originates from the 2015 solo presentation at David Zwirner, New York, entitled Energy & Abstraction, organized in close collaboration with Jane Crawford and Jessamyn Fiore from the Estate of Gordon Matta-Clark. Well known for his radical 'anarchitectural' interventions throughout the 1970s, Gordon Matta-Clark was always deeply, though less publicly, committed to drawing. His works on paper-which span three-dimensional reliefs, calligraphy, and notebook entries-capture the interdisciplinary spirit that defined the art world in the 1970s. Intricate and concise, they testify to his interest in the crossovers between visual and performance arts, as well as the broader integration within his oeuvre of the natural and built environment. This catalogue presents in vibrant detail selections from Matta-Clark's Cut Drawings, Energy Rooms, Energy Trees, and his own 'calligraphy,' many of which have never been published. Perhaps the best known of the group, the Cut Drawings explore parallel, smaller-format versions of his physical interventions in architecture; slicing meticulously through several layers of paper, gesso, or cardboard, Matta-Clark created sculptural flat works that emphasized the voids created by the extraction of matter. Drawings with his own 'calligraphy' emphasize the medium of drawing as an independent form. Abstract letters make up a code that remains indecipherable, but points toward a visionary longing to invent new languages and structures of experience. Some of the most elaborate and colorful compositions include trees, several of which refer explicitly to Matta-Clark's Tree Dance performance at Vassar College in upstate New York in 1971. In full-color plates, the reader can see the physical structure of his trees 'dissolving' into kinetic energy and, in some drawings, becoming reduced to a multitude of arrows. Near-abstract tree shapes also incorporate his calligraphic marks, with branches constructed from imaginary letters, again emphasizing the importance of language to a new visual experience. Matta-Clark's not Elektronisches Buch, which he often insisted on completing in a single sitting, are presented in elegantly curated groups. Combining elements of Surrealist automatic drawing with an interest in choreography, these works appealed to performance artists at the time-including Laurie Anderson and Trisha Brown. This unparalleled presentation of Matta-Clark's drawings is accompanied by new and exciting scholarship by Briony Fer, as well as a conversation between Jessamyn Fiore and contemporary artist Sarah Sze; it marks a major contribution to the literature on this highly influential artist.…

Hardcover. Condizione: new. Hardcover. Documenting the artist's extraordinary accomplishments as a draftsman, this publication originates from the 2015 solo presentation at David Zwirner, New York, entitled Energy & Abstraction, organized in close collaboration with Jane Crawford and Jessamyn Fiore from the Estate of Gordon Matta-Clark. Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark was always deeply, though less publicly, committed to drawing. His works on paper-which span three-dimensional reliefs, calligraphy, and notebook entries-capture the interdisciplinary spirit that defined the art world in the 1970s. Intricate and concise, they testify to his interest in the crossovers between visual and performance arts, as well as the broader integration within his oeuvre of the natural and built environment. This catalogue presents in vibrant detail selections from Matta-Clark's Cut Drawings, Energy Rooms, Energy Trees, and his own "calligraphy," many of which have never been published. Perhaps the best known of the group, the Cut Drawings explore parallel, smaller-format versions of his physical interventions in architecture; slicing meticulously through several layers of paper, gesso, or cardboard, Matta-Clark created sculptural flat works that emphasized the voids created by the extraction of matter. Drawings with his own "calligraphy" emphasize the medium of drawing as an independent form. Abstract letters make up a code that remains indecipherable, but points toward a visionary longing to invent new languages and structures of experience. Some of the most elaborate and colorful compositions include trees, several of which refer explicitly to Matta-Clark's Tree Dance performance at Vassar College in upstate New York in 1971. In full-color plates, the reader can see the physical structure of his trees "dissolving" into kinetic energy and, in some drawings, becoming reduced to a multitude of arrows. Near-abstract tree shapes also incorporate his calligraphic marks, with branches constructed from imaginary letters, again emphasizing the importance of language to a new visual experience. Matta-Clark's notebooks, which he often insisted on completing in a single sitting, are presented in elegantly curated groups. Combining elements of Surrealist automatic drawing with an interest in choreography, these works appealed to performance artists at the time-including Laurie Anderson and Trisha Brown. This unparalleled presentation of Matta-Clark's drawings is accompanied by new and exciting scholarship by Briony Fer, as well as a conversation between Jessamyn Fiore and contemporary artist Sarah Sze; it marks a major contribution to the literature on this highly influential artist. Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark was always committed to drawing. His works capture the interdisciplinary spirit that defined the art world in the 1970s. This book deals with the life of this artist. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condizione: New.

Hardcover. Condizione: New.