9781941753231 - louise nevelson: i must recompose the environment di bedford, jennifer wulffson; gordon, john (19 risultati)
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Da: Lakeside Books, Benton Harbor, MI, U.S.A.Lakeside Books
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Paperback. Condizione: New. Documenting Louise Nevelson's first museum retrospectiveIn 1967, for her first museum retrospective, Louise Nevelson (1899-1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her sh…ow across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. Louise Nevelson: I Must Recompose the Environment includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum's early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
Louise Nevelson : I Must Recompose the Environment
Nevelson, Louise (ART); Jones, Jennie (CON); Bedford, Jennifer Wulffson; Croquer, Luis (FRW); Gordon, John
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. Documenting Louise Nevelson's first museum retrospectiveIn 1967, for her first museum retrospective, Louise Nevelson (1899-1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her sh…ow across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. Louise Nevelson: I Must Recompose the Environment includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum's early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
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Paperback. Condizione: new. Paperback. Documenting Louise Nevelson's first museum retrospectiveIn 1967, for her first museum retrospective, Louise Nevelson (18991988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson instal…led her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. Louise Nevelson: I Must Recompose the Environment includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museums early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon. In 1967, for her first museum retrospective, Nevelson was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-encompassing, theatrical environment for her sculpture. This edition includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs, and texts that place this show in the context of her career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Louise Nevelson : I Must Recompose the Environment
Nevelson, Louise (ART); Jones, Jennie (CON); Bedford, Jennifer Wulffson; Croquer, Luis (FRW); Gordon, John
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: Russell Books, Victoria, BC, CanadaRussell Books
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Louise Nevelson : I Must Recompose the Environment
Nevelson, Louise (ART); Jones, Jennie (CON); Bedford, Jennifer Wulffson; Croquer, Luis (FRW); Gordon, John
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Louise Nevelson : I Must Recompose the Environment
Nevelson, Louise (ART); Jones, Jennie (CON); Bedford, Jennifer Wulffson; Croquer, Luis (FRW); Gordon, John
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Paperback. Condizione: New. Documenting Louise Nevelson's first museum retrospectiveIn 1967, for her first museum retrospective, Louise Nevelson (1899-1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her sh…ow across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. Louise Nevelson: I Must Recompose the Environment includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum's early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
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Condizione: New. KlappentextrnrnIn 1967, for her first museum retrospective, Nevelson was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-encompassing, theatrical environment for her sculpture. This edition includes previo.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condizione: new. Paperback. Documenting Louise Nevelson's first museum retrospectiveIn 1967, for her first museum retrospective, Louise Nevelson (18991988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson instal…led her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. Louise Nevelson: I Must Recompose the Environment includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museums early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon. In 1967, for her first museum retrospective, Nevelson was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-encompassing, theatrical environment for her sculpture. This edition includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs, and texts that place this show in the context of her career. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. Documenting Louise Nevelson's first museum retrospectiveIn 1967, for her first museum retrospective, Louise Nevelson (1899-1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her sh…ow across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. Louise Nevelson: I Must Recompose the Environment includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum's early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
