9781962728041 - the hashish films of customs officer henri rousseau and tatyana joukof shuffles the cards: (a novel against psicho-analise) di szittya, emil (27 risultati)
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Cambridge: Wakefield Press:, 2025. First printing, Paperback, Fine, 52 pp. Cover artwork by: Fedele Azeri An as new copy. First printing, Paperback, Fine. Fedele Azeri (illustratore).
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Paperback. Condizione: New. For devotees of Dada and Surrealism, this outlandish, unconventional collection of prose poems amplifies a formerly invisible voice of European modernismEmil Szittya's earliest known work of significance, The Hashish Films of Customs Officer Henri Rousseau and Tatyana Joukof Shuffles the Cards, was pu…blished in German in Budapest in 1916, yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that time. Prose poems for lack of a better word, Szittya's "hashish films" were almost lost to time but can now be recognized as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They nevertheless reflect the author's lifelong refusal to ally himself to any literary or artistic movement. It is a strange literary work as international and untethered as the author himself had been, a symbolic map of Montparnasse that incorporated the visual world of the painters around him.Emil Szittya was the most established pseudonym of the Hungarian-born Adolf Schenk (1886-1964). A vagabond in both his writing and his practice, his life intersected with notable names throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in the Resistance and working at the café Les Deux Magots before dying of tuberculosis.
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Paperback. Condizione: new. Paperback. For devotees of Dada and Surrealism, this outlandish, unconventional collection of prose poems amplifies a formerly invisible voice of European modernismEmil Szittyas earliest known work of significance, The Hashish Films of Customs Officer Henri Rousseau and Tatyana Joukof Shuffles the Car…ds, was published in German in Budapest in 1916, yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that time. Prose poems for lack of a better word, Szittyas "hashish films" were almost lost to time but can now be recognized as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They nevertheless reflect the authors lifelong refusal to ally himself to any literary or artistic movement. It is a strange literary work as international and untethered as the author himself had been, a symbolic map of Montparnasse that incorporated the visual world of the painters around him.Emil Szittya was the most established pseudonym of the Hungarianborn Adolf Schenk (18861964). A vagabond in both his writing and his practice, his life intersected with notable names throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in the Resistance and working at the cafe Les Deux Magots before dying of tuberculosis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: New. For devotees of Dada and Surrealism, this outlandish, unconventional collection of prose poems amplifies a formerly invisible voice of European modernismEmil Szittya's earliest known work of significance, The Hashish Films of Customs Officer Henri Rousseau and Tatyana Joukof Shuffles the Cards, was pu…blished in German in Budapest in 1916, yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that time. Prose poems for lack of a better word, Szittya's "hashish films" were almost lost to time but can now be recognized as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They nevertheless reflect the author's lifelong refusal to ally himself to any literary or artistic movement. It is a strange literary work as international and untethered as the author himself had been, a symbolic map of Montparnasse that incorporated the visual world of the painters around him.Emil Szittya was the most established pseudonym of the Hungarian-born Adolf Schenk (1886-1964). A vagabond in both his writing and his practice, his life intersected with notable names throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in the Resistance and working at the café Les Deux Magots before dying of tuberculosis.
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Paperback. Condizione: Brand New. 80 pages. 7.00x4.50x6.85 inches. In Stock.
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Paperback. Condizione: new. Paperback. For devotees of Dada and Surrealism, this outlandish, unconventional collection of prose poems amplifies a formerly invisible voice of European modernismEmil Szittyas earliest known work of significance, The Hashish Films of Customs Officer Henri Rousseau and Tatyana Joukof Shuffles the Car…ds, was published in German in Budapest in 1916, yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that time. Prose poems for lack of a better word, Szittyas "hashish films" were almost lost to time but can now be recognized as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They nevertheless reflect the authors lifelong refusal to ally himself to any literary or artistic movement. It is a strange literary work as international and untethered as the author himself had been, a symbolic map of Montparnasse that incorporated the visual world of the painters around him.Emil Szittya was the most established pseudonym of the Hungarianborn Adolf Schenk (18861964). A vagabond in both his writing and his practice, his life intersected with notable names throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in the Resistance and working at the cafe Les Deux Magots before dying of tuberculosis. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Paperback. Condizione: new. Paperback. For devotees of Dada and Surrealism, this outlandish, unconventional collection of prose poems amplifies a formerly invisible voice of European modernismEmil Szittyas earliest known work of significance, The Hashish Films of Customs Officer Henri Rousseau and Tatyana Joukof Shuffles the Car…ds, was published in German in Budapest in 1916, yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that time. Prose poems for lack of a better word, Szittyas "hashish films" were almost lost to time but can now be recognized as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They nevertheless reflect the authors lifelong refusal to ally himself to any literary or artistic movement. It is a strange literary work as international and untethered as the author himself had been, a symbolic map of Montparnasse that incorporated the visual world of the painters around him.Emil Szittya was the most established pseudonym of the Hungarianborn Adolf Schenk (18861964). A vagabond in both his writing and his practice, his life intersected with notable names throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in the Resistance and working at the cafe Les Deux Magots before dying of tuberculosis. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Condizione: New. For devotees of Dada and Surrealism, this outlandish, unconventional collection of prose poems amplifies a formerly invisible voice of European modernismEmil Szittya's earliest known work of significance, The Hashish Films of Customs Officer Henri Rousseau and Tatyana Joukof Shuffles the Cards, was pu…blished in German in Budapest in 1916, yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that time. Prose poems for lack of a better word, Szittya's "hashish films" were almost lost to time but can now be recognized as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They nevertheless reflect the author's lifelong refusal to ally himself to any literary or artistic movement. It is a strange literary work as international and untethered as the author himself had been, a symbolic map of Montparnasse that incorporated the visual world of the painters around him.Emil Szittya was the most established pseudonym of the Hungarian-born Adolf Schenk (1886-1964). A vagabond in both his writing and his practice, his life intersected with notable names throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in the Resistance and working at the café Les Deux Magots before dying of tuberculosis.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Neuware - For devotees of Dada and Surrealism, this outlandish, unconventional collection of prose poems amplifies a formerly invisible voice of European modernism.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. For devotees of Dada and Surrealism, this outlandish, unconventional collection of prose poems amplifies a formerly invisible voice of European modernismEmil Szittya's earliest known work of significance, The Hashish Films of Customs Officer Henri Rousseau and Tatyana Joukof Shuffles the Cards, was pu…blished in German in Budapest in 1916, yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that time. Prose poems for lack of a better word, Szittya's "hashish films" were almost lost to time but can now be recognized as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They nevertheless reflect the author's lifelong refusal to ally himself to any literary or artistic movement. It is a strange literary work as international and untethered as the author himself had been, a symbolic map of Montparnasse that incorporated the visual world of the painters around him.Emil Szittya was the most established pseudonym of the Hungarian-born Adolf Schenk (1886-1964). A vagabond in both his writing and his practice, his life intersected with notable names throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in the Resistance and working at the café Les Deux Magots before dying of tuberculosis.
