Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
EUR 131,11
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Aggiungi al carrellohardcover. Condizione: New. 1st.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 131,38
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 138,54
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EUR 165,83
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Da: Revaluation Books, Exeter, Regno Unito
EUR 132,59
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Aggiungi al carrelloHardcover. Condizione: Brand New. 319 pages. 11.25x8.75x1.00 inches. In Stock.
Hardcover. Condizione: new. Hardcover. Early modern objects, images and artworks were often nodes of discussion and contestation. If images were sometimes contested by external and often competing agencies (religious and secular authorities, image theoreticians, various Inquisitions etc.), artists and objects were often just as likely to impose their own rules and standards through the continuation and/or contestation of established visual traditions, styles, iconographies, materialities, reproductions and reframings. While issues such as censorship and iconoclasm have already received much attention from scholars, the actual role and capacity of the image as agent-either in actual legal processes or, more generally, in the creation of new visual standards-has yet to be adequately thematised. At present, no comprehensive study collects the many diverse instances of the multi-layered normative power of images, objects and art. This volume "Contested forms" aims to provide a first exploration of image normativity by means of a series of case studies, which will focus in different ways on the intersections between the limits of the sacred image and the power of art, especially but not exclusively in Europe, between 1450 and 1650. Each essay will approach the question of normativity in sacred images from different perspectives. Dealing with different types of images and materials, authors will discuss the status of images and objects in trials, contested portraits, objects and iconographies, the limits to representations of suffering, the tensions between theology and art, and the significance of copies and adaptations that establish as well as contest visual norms from Europe and beyond. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 174,01
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 193,99
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Aggiungi al carrelloCondizione: New. 2022. Hardcover. . . . . .
EUR 156,66
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Da: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germania
EUR 199,90
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Aggiungi al carrelloCondizione: gut. 2022. Sacred Images and Normativity : Contested Forms in Early Modern Art In deutscher Sprache. pages.
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 247,97
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Aggiungi al carrelloCondizione: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.
EUR 240,74
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Early modern objects, images and artworks were often nodes of discussion and contestation. If images were sometimes contested by external and often competing agencies (religious and secular authorities, image theoreticians, various Inquisitions etc.), artists and objects were often just as likely to impose their own rules and standards through the continuation and/or contestation of established visual traditions, styles, iconographies, materialities, reproductions and reframings. While issues such as censorship and iconoclasm have already received much attention from scholars, the actual role and capacity of the image as agent-either in actual legal processes or, more generally, in the creation of new visual standards-has yet to be adequately thematised. At present, no comprehensive study collects the many diverse instances of the multi-layered normative power of images, objects and art. This volume "Contested forms" aims to provide a first exploration of image normativity by means of a series of case studies, which will focus in different ways on the intersections between the limits of the sacred image and the power of art, especially but not exclusively in Europe, between 1450 and 1650. Each essay will approach the question of normativity in sacred images from different perspectives. Dealing with different types of images and materials, authors will discuss the status of images and objects in trials, contested portraits, objects and iconographies, the limits to representations of suffering, the tensions between theology and art, and the significance of copies and adaptations that establish as well as contest visual norms from Europe and beyond. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.