EUR 129,04
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
hardcover. Condizione: New. 1st.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 129,02
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Da: Revaluation Books, Exeter, Regno Unito
EUR 138,90
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 377 pages. 8.27x0.75x10.63 inches. In Stock.
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 141,77
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Hardcover. Condizione: new. Hardcover. For most of its history, as one might reasonably imagine, music has involved composites of sounds and the bodily actions that produce them. To whatever extent this proposition might be accurate, it suggests that music has been, and to varying extents remains, a genre of theatre. But the possibility of separating sounds from their visible, corporeal sources--as in listening to singing that is performed in a dark cave or performed behind a rood screen, or in listening to LP recordings in one's den--became a distinct way of experiencing, understanding, and teaching music, especially in various forms of higher education. By contrast, the current interest in embodiment, branching off from gender studies, invites us to appreciate the roles of corporeality in shaping musical experience, which this collection of seventeen essays explores in the genres of opera, theatre, contemporary classical post-tonal music, the music of Jimi Hendrix, and the role of album cover art in shaping listening experiences. Beyond repertoire are essays on innate, acquired, and culturally imposed bodily limitations; eurhythmics; human-computer integration exercises; the cognitive semiotics of musical motion; and the corporeal bases of aesthetic evaluation of musical experiences. This volume explores the role of corporeality in shaping musical experience Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 204,30
Quantità: 20 disponibili
Aggiungi al carrelloCondizione: New. 2025. 1st Edition. hardcover. . . . . .
Da: Rarewaves.com UK, London, Regno Unito
EUR 148,34
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Aggiungi al carrelloHardback. Condizione: New.
EUR 170,70
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Aggiungi al carrelloBuch. Condizione: Neu. Neuware.
Condizione: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.
EUR 267,29
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. For most of its history, as one might reasonably imagine, music has involved composites of sounds and the bodily actions that produce them. To whatever extent this proposition might be accurate, it suggests that music has been, and to varying extents remains, a genre of theatre. But the possibility of separating sounds from their visible, corporeal sources--as in listening to singing that is performed in a dark cave or performed behind a rood screen, or in listening to LP recordings in one's den--became a distinct way of experiencing, understanding, and teaching music, especially in various forms of higher education. By contrast, the current interest in embodiment, branching off from gender studies, invites us to appreciate the roles of corporeality in shaping musical experience, which this collection of seventeen essays explores in the genres of opera, theatre, contemporary classical post-tonal music, the music of Jimi Hendrix, and the role of album cover art in shaping listening experiences. Beyond repertoire are essays on innate, acquired, and culturally imposed bodily limitations; eurhythmics; human-computer integration exercises; the cognitive semiotics of musical motion; and the corporeal bases of aesthetic evaluation of musical experiences. This volume explores the role of corporeality in shaping musical experience Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Da: CitiRetail, Stevenage, Regno Unito
EUR 162,79
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. For most of its history, as one might reasonably imagine, music has involved composites of sounds and the bodily actions that produce them. To whatever extent this proposition might be accurate, it suggests that music has been, and to varying extents remains, a genre of theatre. But the possibility of separating sounds from their visible, corporeal sources--as in listening to singing that is performed in a dark cave or performed behind a rood screen, or in listening to LP recordings in one's den--became a distinct way of experiencing, understanding, and teaching music, especially in various forms of higher education. By contrast, the current interest in embodiment, branching off from gender studies, invites us to appreciate the roles of corporeality in shaping musical experience, which this collection of seventeen essays explores in the genres of opera, theatre, contemporary classical post-tonal music, the music of Jimi Hendrix, and the role of album cover art in shaping listening experiences. Beyond repertoire are essays on innate, acquired, and culturally imposed bodily limitations; eurhythmics; human-computer integration exercises; the cognitive semiotics of musical motion; and the corporeal bases of aesthetic evaluation of musical experiences. This volume explores the role of corporeality in shaping musical experience This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.