ISBN: 9783039103119 - ripping open the set : french film design, 1930–1939 : 13 (20 risultati)

Condizione: New. pp. 250.

Condizione: New.

Condizione: New. pp. 250 15 Illus.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. pp. 250.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Paperback in like new condition. Shop stock with minor shelf-wear, no faults. TA. Used.

Paperback. Condizione: New. French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film's overall atmosphere, impact and critical afterlife. This was a period when sets were 'ripped open', as painted backdrops were replaced by three-dimensional constructions to ensure greater proximity to reality. Accomplished set designers such as Alexandre Trauner, Jacques Krauss and Eugène Lourié crafted a series of designs both realist and expressionistic that brought out the underlying themes of a film's narrative and helped create an exportable vision of 'Frenchness' that influenced other European and American film design practices. This book details the elaborate paraphrasing tendencies of French film design in the 1930s. The author explores the crucial role of the set designer in the film's evolutionary process and charts how the rapid development of studio practices enabled designers to become progressively more ambitious. The book examines key films such as Quatorze juillet (1932), Un Carnet de bal (1937), La Grande illusion (1937) and Le Jour se lève (1939) to demonstrate how set design works at establishing time and place, generating audience familiarity and recognition and underpinning each film's visual style.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film's overall atmosphere, impact and critical afterlife. This book details the elaborate paraphrasing tendencies of French film design in the 1930s. Series: New Studies in European Cinema. Num Pages: 250 pages, illustrations. BIC Classification: 1DDF; 3JJG; APFX. Category: (P) Professional & Vocational. Dimension: 227 x 150 x 15. Weight in Grams: 378. . 2013. New edition. Paperback. . . . .…

Condizione: As New. Unread book in perfect condition.

Condizione: New. French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film's overall atmosphere, impact and critical afterlife. This book details the elaborate paraphrasing tendencies of French film design in the 1930s. Series: New Studies in European Cinema. Num Pages: 250 pages, illustrations. BIC Classification: 1DDF; 3JJG; APFX. Category: (P) Professional & Vocational. Dimension: 227 x 150 x 15. Weight in Grams: 378. . 2013. New edition. Paperback. . . . . Books ship from the US and Ireland.…

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film's overall atmosphere, impact and critical afterlife. This was a period when sets were 'ripped open', as painted backdrops were replaced by three-dimensional constructions to ensure greater proximity to reality. Accomplished set designers such as Alexandre Trauner, Jacques Krauss and Eugène Lourié crafted a series of designs both realist and expressionistic that brought out the underlying themes of a film's narrative and helped create an exportable vision of 'Frenchness' that influenced other European and American film design practices. This book details the elaborate paraphrasing tendencies of French film design in the 1930s. The author explores the crucial role of the set designer in the film's evolutionary process and charts how the rapid development of studio practices enabled designers to become progressively more ambitious. The book examines key films such as Quatorze juillet (1932), Un Carnet de bal (1937), La Grande illusion (1937) and Le Jour se lève (1939) to demonstrate how set design works at establishing time and place, generating audience familiarity and recognition and underpinning each film's visual style.…

Taschenbuch. Condizione: Neu. Ripping Open the Set | French Film Design, 1930-1939 | Ben Mccann | Taschenbuch | New Studies in European Cinema | Kartoniert / Broschiert | Englisch | 2013 | Peter Lang | EAN 9783039103119 | Verantwortliche Person für die EU: Kolibri 360 GmbH, Ettore-Bugatti-Str. 6-14, 51149 Köln, produktsicherheit[at]kolibri360[dot]de | Anbieter: preigu. …

Paperback. Condizione: New. French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film's overall atmosphere, impact and critical afterlife. This was a period when sets were 'ripped open', as painted backdrops were replaced by three-dimensional constructions to ensure greater proximity to reality. Accomplished set designers such as Alexandre Trauner, Jacques Krauss and Eugène Lourié crafted a series of designs both realist and expressionistic that brought out the underlying themes of a film's narrative and helped create an exportable vision of 'Frenchness' that influenced other European and American film design practices. This book details the elaborate paraphrasing tendencies of French film design in the 1930s. The author explores the crucial role of the set designer in the film's evolutionary process and charts how the rapid development of studio practices enabled designers to become progressively more ambitious. The book examines key films such as Quatorze juillet (1932), Un Carnet de bal (1937), La Grande illusion (1937) and Le Jour se lève (1939) to demonstrate how set design works at establishing time and place, generating audience familiarity and recognition and underpinning each film's visual style.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film's overall atmosphere, impact and critical afterlife. This was a period when sets were 'ripped open', as painted backdrops were replaced by three-dimensional constructions to ensure greater proximity to reality. Accomplished set designers such as Alexandre Trauner, Jacques Krauss and Eugène Lourié crafted a series of designs both realist and expressionistic that brought out the underlying themes of a film's narrative and helped create an exportable vision of 'Frenchness' that influenced other European and American film design practices. This book details the elaborate paraphrasing tendencies of French film design in the 1930s. The author explores the crucial role of the set designer in the film's evolutionary process and charts how the rapid development of studio practices enabled designers to become progressively more ambitious. The book examines key films such as Quatorze juillet (1932), Un Carnet de bal (1937), La Grande illusion (1937) and Le Jour se lève (1939) to demonstrate how set design works at establishing time and place, generating audience familiarity and recognition and underpinning each film's visual style. 268 pp. Englisch.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. French film design throughout the 1930s was a period of ripping open film sets to make them not just descriptive, but also expressive. This book details the elaborate paraphrasing tendencies of French film design in the period, exploring the crucial role .…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film¿s overall atmosphere, impact and critical afterlife. This was a period when sets were ¿ripped open¿, as painted backdrops were replaced by three-dimensional constructions to ensure greater proximity to reality. Accomplished set designers such as Alexandre Trauner, Jacques Krauss and Eugène Lourié crafted a series of designs both realist and expressionistic that brought out the underlying themes of a film¿s narrative and helped create an exportable vision of ¿Frenchness¿ that influenced other European and American film design practices.This book details the elaborate paraphrasing tendencies of French film design in the 1930s. The author explores the crucial role of the set designer in the film¿s evolutionary process and charts how the rapid development of studio practices enabled designers to become progressively more ambitious. The book examines key films such as Quatorze juillet (1932), Un Carnet de bal (1937), La Grande illusion (1937) and Le Jour se lève (1939) to demonstrate how set design works at establishing time and place, generating audience familiarity and recognition and underpinning each film¿s visual style. 268 pp. Englisch.…