Isbn: 9783775711784 - alexander rodchenko: spatial constructions (13 risultati)

Hardcover. Condizione: Very Good. Book is in very good condition. 220pp with b/w photographs. 0.

Hardcover. Condizione: As New. Leichte Kratzer / Abnutzungen / Druckstellen. As spokesman of the Inkhuk group, which included Vladimir Tatlin as a leading member, Alexander Rodchenko was a decisive factor in the development of abstract art with his paintings, sculptures and architectural designs. This monograph focuses on Rodchenko's sculptures and presents a large number of works created by the Russian Constructivist. These can be loosely divided into three groups, beginning with the abstract sculptures dating from the year 1918, in which the artist renders the geometric surfaces of his pictures "spatially," assembling two-dimensional material, cardboard or plywood. Subsequently, works that are intended to be freely suspended within a given space form a second series of constructions: These light, perforated interlacings, consisting of similar geometrical contours, were flexible, kinetic sculptures, also viewed as the first mobiles. A third group represents Rodchenko's constructions of standard type squared timber produced in around 1920, which were never shown during his lifetime. These sculptures, constructed of raw wooden modules and reminiscent of Art Brut, demonstrate the universal validity of the principles governing the organization of forms, upon which the constructivists based the composition of their paintings. …

Hardcover. BW illustrated boards. 206 pp. Profusely illustrated in color and bw. As spokesman of the Inkhuk group, which included Vladimir Tatlin as a leading member, Alexander Rodchenko was a decisive factor in the development of abstract art with his paintings, sculptures and architectural designs. This monograph focuses on Rodchenko's sculptures and presents a large number of works created by the Russian Constructivist. These can be loosely divided into three groups, beginning with the abstract sculptures dating from the year 1918, in which the artist renders the geometric surfaces of his pictures "spatially," assembling two-dimensional material, cardboard or plywood. Subsequently, works that are intended to be freely suspended within a given space form a second series of constructions: These light, perforated interlacings, consisting of similar geometrical contours, were flexible, kinetic sculptures, also viewed as the first mobiles. A third group represents Rodchenko's constructions of standard type squared timber produced in around 1920, which were never shown during his lifetime. These sculptures, constructed of raw wooden modules and reminiscent of Art Brut, demonstrate the universal validity of the principles governing the organization of forms, upon which the constructivists based the composition of their paintings. Contents as follows: Alexander Rodchenko and spatial construction in the 20th century = Alexander Rodtschenko und die Raumkonstruktion im 20. Jahrhundert / Christoph Brockhaus -- On spatial constructions = Uber Raumkonstruktionen / Varvara Stepanova -- Alexander Rodchenko's spatial constructions = Alexander Rodtschenkos Raumkonstruktionen / Selim O. Chan-Magomedow -- Alexander Rodchenko -- the iconography of space = Alexander Rodtschenko -- die Ikonografie des Raums / Alexander Lavrentiev -- Note on the symposium: Construction and abstract art = Anmerkung zum Symposium: Konstruktion und abstrakte Kunst -- Drawings and plans = Zeichnungen und Pläne -- Inventory of space = Inventur des Raumes -- Reconstructions = Rekonstruktionen -- Photographs = Fotografien -- Biography = Biografie -- Bibliography = Bibliografie. VG: Exlibrary book. Stamps on top and bottom text blocks. Stamp on front free end page. Stamp, sticker, and due date card on back pasted end page.…

hardbound. Condizione: Very Good. Illustrated study of Rodchenko's sculptures/spatial constructions, from drawings and plans to the finalized objects; texts by Christoph Brockhaus, Varvara Stepanova, Selim O. Khan-Magomedov, and Alexander Lavrentiev; details of 32 constructions, including dates, materials, description, and b&w photo illustrations, followed by a section showing the 'Reconstructions' of the objects (colour and b&w photo illus), further to Rodchencko's deliberate destruction of the originals; Very Good and clean throughout, no dustwrapper (as issued). no dustwrapper. 206pp. 4to. Very Good. profusely illustrated (illustratore). …

Condizione: Wie neu. 1. 208 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 1202 Gebundene Ausgabe, Maße: 0 cm x 0 cm x 0 cm. …

Condizione: Very Good.

Encuadernación de tapa dura. Condizione: Casi nuevo. 2002. As spokesman of the Inkhuk group, which included Vladimir Tatlin as a leading member, Alexander Rodchenko was a decisive factor in the development of abstract art with his paintings, sculptures and architectural designsThis monograph focuses on Rodchenko's sculptures and presents a large number of works created by the Russian Constructivist. These can be loosely divided into three groups, beginning with the abstract sculptures dating from the year 1918, in which the artist renders the geometric surfaces of his pictures "spatially," assembling two-dimensional material, cardboard or plywood. Subsequently, works that are intended to be freely suspended within a given space form a second series of constructions: These light, perforated interlacings, consisting of similar geometrical contours, were flexible, kinetic sculptures, also viewed as the first mobiles. A third group represents Rodchenko's constructions of standard type squared timber produced in around 1920, which were never shown during his lifetime. These sculptures, constructed of raw wooden modules and reminiscent of Art Brut, demonstrate the universal validity of the principles governing the organization of forms, upon which the constructivists based the composition of their paintings. Catálogo de gran formato y peso de la exposición celebrada en la Galerie Gmurzynska (Köln, Alemania) en 2002. 206 pp. Idiomas: Alemán e inglés. Excelentes reproducciones en color. LIB 1.…

Condizione: Good. Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. ON 4-1 180618.…

Gebundene Ausgabe. Condizione: Sehr gut. Auflage: 1st ed. 208 Seiten Sehr gutes Exemplar. Sprache: deutsch/englisch. Sprache: Englisch Gewicht in Gramm: 1229.

Hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condizione: gut. 2002. Alexander Rodchenko: Spatial Constructions, Raumkonstruktionen In deutscher Sprache. pages.

Hardcover. Condizione: As New. One of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution, Aleksandr Rodchenko worked as a painter, graphic designer, photographer, photomontageist, architectural designer, and sculptor. He was alternately influenced by Suprematism, Productivism, Dada, Constructivism, Abstraction, and Abstract Expressionism--working in different modes throughout his artistic life. This monograph focuses on Rodchenko's sculptures, which can be loosely divided into three groups, beginning with abstract works dating from 1918; mobiles; and square timber works from circa 1920. Works are presented through vintage photographs, detailed descriptions, and reconstructions.…