Isbn: 9783836597111 - bettina rheims: 40th ed. (31 risultati)

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. Since her first photographs in the late 70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional codes of representation and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.This Rheims retrospective showcases more than 300 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims, the collection brings together renowned series such as Chambre close, Heroines, and Rose, cest Paris. Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheimss subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer, and Naomi Campbell, the book showcases Rheimss particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood. Bettina Rheims assembles more than 300 of her favorite pictures from the past 35 years. Shooting anonymous subjects and global icons like Kate Moss and Naomi Campbell, Rheims has pushed at the breaking point between beauty and imperfection. This personal record brings together renowned series like Chambre close, Heroines, and Rose, cest Paris. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: New.

Hardback. Condizione: New. Since her first photographs in the late '70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional codes of representation and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.This Rheims retrospective showcases more than 300 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims, the collection brings together renowned series such as Chambre close, Héroïnes, and Rose, c'est Paris. Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheims's subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer, and Naomi Campbell, the book showcases Rheims's particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2024. 40th Edition. hardcover. . . . . .

Hardback. Condizione: New. Since her first photographs in the late '70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional codes of representation and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.This Rheims retrospective showcases more than 300 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims, the collection brings together renowned series such as Chambre close, Héroïnes, and Rose, c'est Paris. Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheims's subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer, and Naomi Campbell, the book showcases Rheims's particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood.…

Hardcover. Condizione: New.

Condizione: New.

Condizione: New. 2024. 40th Edition. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: New. Special order direct from the distributor.

Hardcover. Condizione: New.

Condizione: NEW.

Condizione: New. In English.

Hardcover. Condizione: Brand New. 40 edition. 456 pages. Multilingual language. 8.54x6.14x8.74 inches. In Stock.

Buch. Condizione: Neu. Neuware -Seit sie in den späten 70er-Jahren zur Fotografie fand, hat Bettina Rheims gängige Erwartungshaltungen torpediert. Von ihrer Serie über die Stripperinnen vom Pigalle (1980) bis zum Zyklus über das Leben Jesu in I.N.R.I. (1998), von ihrer Chanel-Werbung bis hin zu Gender Studies (2011): In ihrer Arbeit hat sie die traditionelle Ikonografie gehörig durchgerüttelt und unermüdlich die Bruchstelle zwischen zwei Gebieten ausgelotet, die die Menschen seit jeher faszinieren - die Schönheit und die Unvollkommenheit.Für diesen Band hat Rheims über 300 ihrer Lieblingsaufnahmen aus den letzten 35 Jahren zusammengestellt - couragierte und provokante Fotografie aus berühmten Fotoreihen wie Chambre close, Héroïnes und Rose, c'est Paris (in Zusammenarbeit mit Serge Bramly). Die Modefotografien wie auch die künstlerischen Aufnahmen in diesem Buch zeigen Bettina Rheims' besonderen Blick für die Fragilität und die Stärke der Frauen. Die magische Begegnung zwischen der Künstlerin und ihren Modellen bricht mit den traditionellen Codes der Erotik und führt zu einer ganz neuen Bildsprache der Weiblichkeit.; Mehrsprachige Ausgabe 456 pp. Englisch, Deutsch, Französisch.…

Buch. Condizione: Neu. Neuware -Seit sie in den späten 70er-Jahren zur Fotografie fand, hat Bettina Rheims gängige Erwartungshaltungen torpediert. Von ihrer Serie über die Stripperinnen vom Pigalle (1980) bis zum Zyklus über das Leben Jesu in I.N.R.I. (1998), von ihrer Chanel-Werbung bis hin zu Gender Studies (2011): In ihrer Arbeit hat sie die traditionelle Ikonografie gehörig durchgerüttelt und unermüdlich die Bruchstelle zwischen zwei Gebieten ausgelotet, die die Menschen seit jeher faszinieren - die Schönheit und die Unvollkommenheit.Für diesen Band hat Rheims über 300 ihrer Lieblingsaufnahmen aus den letzten 35 Jahren zusammengestellt - couragierte und provokante Fotografie aus berühmten Fotoreihen wie Chambre close, Héroïnes und Rose, c'est Paris (in Zusammenarbeit mit Serge Bramly). Die Modefotografien wie auch die künstlerischen Aufnahmen in diesem Buch zeigen Bettina Rheims' besonderen Blick für die Fragilität und die Stärke der Frauen. Die magische Begegnung zwischen der Künstlerin und ihren Modellen bricht mit den traditionellen Codes der Erotik und führt zu einer ganz neuen Bildsprache der Weiblichkeit.; Mehrsprachige Ausgabe 456 pp. Englisch, Deutsch, Französisch.…

Condizione: Nuevo. Bettina Rheims. 40th Ed. editado por Taschen.

Hardcover. Condizione: Brand New. 40 edition. 456 pages. Multilingual language. 8.54x6.14x8.74 inches. In Stock.

Hardcover. Condizione: new. Hardcover. Since her first photographs in the late 70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional codes of representation and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.This Rheims retrospective showcases more than 300 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims, the collection brings together renowned series such as Chambre close, Heroines, and Rose, cest Paris. Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheimss subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer, and Naomi Campbell, the book showcases Rheimss particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood. Bettina Rheims assembles more than 300 of her favorite pictures from the past 35 years. Shooting anonymous subjects and global icons like Kate Moss and Naomi Campbell, Rheims has pushed at the breaking point between beauty and imperfection. This personal record brings together renowned series like Chambre close, Heroines, and Rose, cest Paris. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: NEW.

Hardback. Condizione: New. Since her first photographs in the late '70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional codes of representation and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.This Rheims retrospective showcases more than 300 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims, the collection brings together renowned series such as Chambre close, Héroïnes, and Rose, c'est Paris. Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheims's subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer, and Naomi Campbell, the book showcases Rheims's particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood.…

Buch. Condizione: Neu. Neuware - Seit sie in den späten 70er-Jahren zur Fotografie fand, hat Bettina Rheims gängige Erwartungshaltungen torpediert. Von ihrer Serie über die Stripperinnen vom Pigalle (1980) bis zum Zyklus über das Leben Jesu in I.N.R.I. (1998), von ihrer Chanel-Werbung bis hin zu Gender Studies (2011): In ihrer Arbeit hat sie die traditionelle Ikonografie gehörig durchgerüttelt und unermüdlich die Bruchstelle zwischen zwei Gebieten ausgelotet, die die Menschen seit jeher faszinieren - die Schönheit und die Unvollkommenheit.Für diesen Band hat Rheims über 300 ihrer Lieblingsaufnahmen aus den letzten 35 Jahren zusammengestellt - couragierte und provokante Fotografie aus berühmten Fotoreihen wie Chambre close, Héroïnes und Rose, c'est Paris (in Zusammenarbeit mit Serge Bramly). Die Modefotografien wie auch die künstlerischen Aufnahmen in diesem Buch zeigen Bettina Rheims' besonderen Blick für die Fragilität und die Stärke der Frauen. Die magische Begegnung zwischen der Künstlerin und ihren Modellen bricht mit den traditionellen Codes der Erotik und führt zu einer ganz neuen Bildsprache der Weiblichkeit.; Mehrsprachige Ausgabe.…

Hardcover. Condizione: new. Hardcover. Since her first photographs in the late 70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional codes of representation and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.This Rheims retrospective showcases more than 300 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims, the collection brings together renowned series such as Chambre close, Heroines, and Rose, cest Paris. Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheimss subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer, and Naomi Campbell, the book showcases Rheimss particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood. Bettina Rheims assembles more than 300 of her favorite pictures from the past 35 years. Shooting anonymous subjects and global icons like Kate Moss and Naomi Campbell, Rheims has pushed at the breaking point between beauty and imperfection. This personal record brings together renowned series like Chambre close, Heroines, and Rose, cest Paris. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condizione: Neu. Bettina Rheims | Patrick Remy | Buch | 45th Edition | 456 S. | Deutsch | 2024 | Taschen GmbH | EAN 9783836597111 | Verantwortliche Person für die EU: Taschen Deutschland GmbH, Hohenzollernring 53, 50672 Köln, customerserviceb2b[at]taschen[dot]com | Anbieter: preigu.

Hardback. Condizione: New. Since her first photographs in the late '70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional codes of representation and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.This Rheims retrospective showcases more than 300 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims, the collection brings together renowned series such as Chambre close, Héroïnes, and Rose, c'est Paris. Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheims's subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer, and Naomi Campbell, the book showcases Rheims's particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood.…