Isbn: 9783837636246 - fragments, futures, absence and the past: a new approach to photography (22 risultati)

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Paperback. Condizione: New. According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of "what has been", Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of "what could be, if", allowing one to think possible futures instead of harking back to the past.…

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Condizione: New. Num Pages: 206 pages, 361 b/w illus. BIC Classification: ABA; AJC; JFCA. Category: (G) General (US: Trade). Dimension: 225 x 150 x 15. Weight in Grams: 278. . 2017. Paperback. . . . .

Condizione: New. pp. 206.

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Condizione: New. Num Pages: 206 pages, 361 b/w illus. BIC Classification: ABA; AJC; JFCA. Category: (G) General (US: Trade). Dimension: 225 x 150 x 15. Weight in Grams: 278. . 2017. Paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Neuware -According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of 'what has been', Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of 'what could be, if', allowing one to think possible futures instead of harking back to the past. 206 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware -According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of 'what has been', Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of 'what could be, if', allowing one to think possible futures instead of harking back to the past. 206 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware -According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment. Instead of counting on the documentary quality of photography that speaks in the past tense of 'what has been', Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of 'what could be, if', allowing one to think possible futures instead of harking back to the past.…

Kartoniert / Broschiert. Condizione: New. According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at .

Taschenbuch. Condizione: Neu. Neuware - According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of 'what has been', Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of 'what could be, if', allowing one to think possible futures instead of harking back to the past.…

Taschenbuch. Condizione: Neu. Neuware -According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment. Instead of counting on the documentary quality of photography that speaks in the past tense of 'what has been', Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of 'what could be, if', allowing one to think possible futures instead of harking back to the past.transcript Verlag, Hermannstraße 26, 33602 Bielefeld 206 pp. Englisch.…

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Taschenbuch. Condizione: Neu. Fragments, Futures, Absence and the Past | Silke Helmerdig | Taschenbuch | 206 S. | Englisch | 2021 | transcript Verlag | EAN 9783837636246 | Verantwortliche Person für die EU: transcript Verlag, Gero Wierichs, Hermannstr. 26, 33602 Bielefeld, live[at]transcript-verlag[dot]de | Anbieter: preigu. …

Paperback. Condizione: New. According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of "what has been", Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of "what could be, if", allowing one to think possible futures instead of harking back to the past.…

Taschenbuch. Condizione: Neu. Neuware -According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment. Instead of counting on the documentary quality of photography that speaks in the past tense of 'what has been', Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of 'what could be, if', allowing one to think possible futures instead of harking back to the past. 206 pp. Englisch.…