ISBN: 9783865609908 - evan penny: re figured (12 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover without dustjacket as issued, 178 pages, in English, German and Italian; as new condition; clean and crisp, no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

rilegato. Condizione: As New. 2011.Testi in tedesco, inglese e italiano. Catalogo della mostra tenuta a Tübingen, Kunsthalle, 2 giugno - 4 settembre 2011; a Salzburg, Museum der Moderne, 12 novembre 2011-19 febbraio 2012; a Catanzaro, MARCA, 21 aprile-30 giugno 2012; a Toronto, Art Gallery of Ontario, 19 settembre 2012-6 gennaio 2013 Opera con copertina rigida. Numerose illustrazioni a colori e b/n nt e ft. 176 p. : ill. ; 30 cmN 151. Book.…

rilegato. Condizione: Good. 0. Copertina: cartonata. Legatura: a filo refe Evan Penny makes the kind of sculpture that is so realistic, so detailed and so obviously a display of skill that it literally stops people in their tracks.But this alone isn't why the artist's work grabs a viewer, holds onto their gaze and then begins to choreograph their movements around the solid objects he has planted in their space.Penny's standing nude figures and portrait heads invite you to stare, to examine every wrinkle, bump, fleshy imperfection and intimate crevasse.Penny's lifelike figures, modelled with great craftsmanship out of aluminium, silicone, epoxy resin and pigments, have a physical, highly sensuous presence.Nevertheless, they seem artificial. The work reflects on how the human image is presented by modern technologies such as photography, electronic image editing, offset printing and 3D scanning.English, German and Italian text. 9783865609908 Buono (Good) . Book.…

hardcover. Condizione: Gut. 176 Seiten; 9783865609908.3 Gewicht in Gramm: 2.

Condizione: very good. Condizione sovraccoperta: very good. 4to pp. 176. book.

Gebundene Ausgabe Opbd. 176 S. mit zahlr. Abb. - gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550. …

4°, Hardcover. Condizione: Gut. first Edition. 176 S. lot of pictures Sprache: Englisch Gewicht in Gramm: 1246.

Hardcover. Condizione: New. Canadian artist Evan Penny (born 1953) makes the kind of sculpture that is so realistic, so detailed and so plainly a demonstration of virtuoso ability that it can literally stop people in their tracks. Modeled with tremendous craftsmanship in aluminium, silicone, epoxy resin and pigments, his freestanding nude figures and portrait heads invite the viewer to examine every fleshy imperfection and intimate crevice. The twist in this extreme realism is their anamorphically skewed perspective, so that what appears to be a conventionally dimensioned figure from one angle turns out to be wildly distorted from another. Penny uses electronic image editing and 3D scanning to create these effects, which transform an initial experience of ultra-realism into a vertiginous encounter massively mediated by artifice and technology. This volume surveys Penny's sculptural works of the past three decades.…

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z ; 176 pages - Canadian artist Evan Penny (born 1953) makes the kind of sculpture that is so realistic, so detailed and so plainly a demonstration of virtuoso ability that it can literally stop people in their tracks. Modeled with tremendous craftsmanship in aluminium, silicone, epoxy resin and pigments, his freestanding nude figures and portrait heads invite the viewer to examine every fleshy imperfection and intimate crevice. The twist in this extreme realism is their anamorphically skewed perspective, so that what appears to be a conventionally dimensioned figure from one angle turns out to be wildly distorted from another. Penny uses electronic image editing and 3D scanning to create these effects, which transform an initial experience of ultra-realism into a vertiginous encounter massively mediated by artifice and technology. This volume surveys Penny's sculptural works of the past three decades. …