Isbn: 9783932565809 - oswald matthias ungers: haus belvederestraße 60, köln-müngersdorf (19 risultati)

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Hardback. Condizione: New. A house is a representation of the idea of the world, of life, of existence. For the Cologne architect Oswald Mathias Ungers (19262007), owner of a famous collection of books on architecture, who also repeatedly addressed the theoretical aspects of building, the construction of his own house, in 1958/59, was more than a private adventure. For him it meant a chance to gain spatial experience and explore what was possible. It was a laboratory, a little universe, a piece of world. In the course of his life, Ungers built himself and his family no less than three houses, two in the Cologne suburb of Müngersdorf, one in the Eifel highlands. Even the first house, to which this richly illustrated volume is dedicated, caused an international sensation; it was considered to be an important example of so-called Brutalism. It showed "everything I knew how to do at the time", Ungers wrote regarding the building. He wanted a house that enveloped and sheltered, he wanted metamorphosis and transformation; architecture that was autonomous but at the same time respected the genius loci. At the time, architects preferred to build their private homes as freestanding bungalows in the countryside. Ungers, on the other hand, settled in a place where there were traces of the Roman past and purchased a plot of land adjacent to an already existing row of terraced houses. Three decades later, Ungers expanded the cataract of forms of his first home by adding a geometrically strict cube, intended to house his library. The shock aesthetics of the early work had evolved into the rigorous abstractness of his late work. This building too one of a kind, and in interplay with its predecessor became a manifesto. It corresponded to the idea of a house as a small town and the town as a large house, an idea that has run through European architectural history since Alberti. In spite of all their differences, the two contrasting formats make common cause. They show a world full of contradictions, illusions and realities that reflects the entire spectrum of the image of architecture, from the fiction to the reality of the function. Today the house and the library are the seat of the UAA, the Ungers Archiv für Architekturwissenschaft, and open to the public. The architectural historian Wolfgang Pehnt often visited Ungers. The author of an authoritative book about the architecture of Expressionism, he profited by Ungers' collection of material back in the years when Ungers was still interested in Expressionism. Thus he is familiar with the house in its details and has witnessed its modifications. As portrayed by him, the history of the origins of the house gives access to the impressive uvre of a great German architect.…

Hardcover. Condizione: new. Hardcover. "A house is a representation of the idea of the world, of life, of existence." Oswald Mathias Ungers (1926 to 2007)In the course of his life, Ungers built himself and his family no less than three houses, two in the Cologne suburb of Muengersdorf, and one in the Eifel highlands. Even the first house, to which this richly illustrated volume is dedicated, caused an international sensation; it was considered to be an important example of so-called Brutalism. It showed "everything I knew how to do at the time", Ungers wrote regarding the building. He wanted a house that enveloped and sheltered, he wanted metamorphosis and transformation; architecture that was autonomous but at the same time respected the genius loci. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. Num Pages: 64 pages, 70 illus. BIC Classification: AMB. Category: (G) General (US: Trade). Dimension: 311 x 292 x 14. Weight in Grams: 860. . 2016. 1st Edition. Hardcover. . . . .

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Condizione: New. Num Pages: 64 pages, 70 illus. BIC Classification: AMB. Category: (G) General (US: Trade). Dimension: 311 x 292 x 14. Weight in Grams: 860. . 2016. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

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Gebunden. Condizione: New. Das Haus ist ein Abbild der Idee von Welt, vonLeben, von Existenz. Fuer den Koelner ArchitektenOswald Mathias Ungers (1926 bis 2007), Besitzereiner beruehmten Sammlung von Buechern ueberArchitektur, der sich mit dem Bauen immer wieder.

Hardback. Condizione: New. New Book, Direct from Publisher.

Hardcover. Condizione: new. Hardcover. "A house is a representation of the idea of the world, of life, of existence." Oswald Mathias Ungers (1926 to 2007)In the course of his life, Ungers built himself and his family no less than three houses, two in the Cologne suburb of Muengersdorf, and one in the Eifel highlands. Even the first house, to which this richly illustrated volume is dedicated, caused an international sensation; it was considered to be an important example of so-called Brutalism. It showed "everything I knew how to do at the time", Ungers wrote regarding the building. He wanted a house that enveloped and sheltered, he wanted metamorphosis and transformation; architecture that was autonomous but at the same time respected the genius loci. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Buch. Condizione: Neu. Neuware - 'Das Haus ist ein Abbild der Idee von Welt, vonLeben, von Existenz.' Für den Kölner ArchitektenOswald Mathias Ungers (1926 bis 2007), Besitzereiner berühmten Sammlung von Büchern überArchitektur, der sich mit dem Bauen immer wiederauch theoretisch auseinandergesetzt hat, war1958/59 der Bau des eigenen Hauses mehr alsein privates Abenteuer. Für ihn bedeutete es denGewinn räumlicher Erfahrungen und eine Erprobungdes Möglichen. Es war ein Laboratorium,'ein kleines Universum', 'ein Weltstück'.Nicht weniger als drei Wohnhäuser hat Ungersfür sich und seine Familie im Laufe seines Lebensgebaut, zwei im Kölner Vorort Müngersdorf, einesin der Eifel. Schon das erste, dem dieser Bandgewidmet ist, erregte internationales Aufsehen; esgalt als wichtiges Beispiel des sogenannten Brutalismus.Es zeige 'alles, was ich damals konnte',schrieb Ungers zu dem Bau. Einhüllung und Bergung,Metamorphose und Transformation, Autonomieanspruchder Architektur, aber auch Rücksichtnahmeauf den genius loci waren gewollt.Architekten bauten damals gern Bungalows imGrünen für sich. Ungers dagegen siedelte sich ineinem Ort mit Spuren römischer Vergangenheit anund erwarb ein Grundstück, das an eine bereitsexistierende Zeile von Reihenhäusern anschloß.Drei Jahrzehnte später erweiterte Ungers denFormenkatarakt des Erstlings um einen geometrischstrengen Würfel, bestimmt für seine Bibliothek.Von der Überraschungsästhetik des Frühwerksführte der Weg zur rigorosen Abstraktheitdes Spätwerks. Auch dieses Gebäude in seinerAndersartigkeit und im Zusammenspiel mit seinemVorgänger wurde zu einem Manifest. Esentspricht der Auffassung vom Haus als kleinerStadt und der Stadt als großem Haus, eine Idee,die seit Alberti die europäische Architekturgeschichtedurchzieht. Trotz aller Unterschiede machendie beiden kontrastierenden Formate gemeinsameSache. Sie spiegeln 'eine Welt vollerWidersprüche, Illusionen und Wirklichkeiten, diedas ganze Spektrum vom Bild der Architektur, derFiktion bis zur Wirklichkeit der Funktion wiedergibt'. Heute ist das Haus der Sitz des UAA, desUngers Archivs für Architekturwissenschaft.Wolfgang Pehnt war oft bei Ungers zu Gast.Der Autor eines maßgeblichen Buches über dieArchitektur des Expressionismus hat schon in denJahren, als Ungers sich noch für den Expressionismusinteressierte, von dessen Materialsammlungprofitiert. So kennt er auch das Haus in allseinen Einzelheiten. In seiner Darstellung bietet dieEntstehungsgeschichte des Hauses einen Zugangzum eindrucksvollen Lebenswerk eines großendeutschen Architekten.…

Buch. Condizione: Neu. Oswald Mathias Ungers, Haus Belvederestraße 60, Köln-Müngersdorf | Dt/engl | Wolfgang Pehnt | Buch | 64 S. | Deutsch | 2016 | Edition Axel Menges | EAN 9783932565809 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu. …

Hardback. Condizione: New. A house is a representation of the idea of the world, of life, of existence. For the Cologne architect Oswald Mathias Ungers (19262007), owner of a famous collection of books on architecture, who also repeatedly addressed the theoretical aspects of building, the construction of his own house, in 1958/59, was more than a private adventure. For him it meant a chance to gain spatial experience and explore what was possible. It was a laboratory, a little universe, a piece of world. In the course of his life, Ungers built himself and his family no less than three houses, two in the Cologne suburb of Müngersdorf, one in the Eifel highlands. Even the first house, to which this richly illustrated volume is dedicated, caused an international sensation; it was considered to be an important example of so-called Brutalism. It showed "everything I knew how to do at the time", Ungers wrote regarding the building. He wanted a house that enveloped and sheltered, he wanted metamorphosis and transformation; architecture that was autonomous but at the same time respected the genius loci. At the time, architects preferred to build their private homes as freestanding bungalows in the countryside. Ungers, on the other hand, settled in a place where there were traces of the Roman past and purchased a plot of land adjacent to an already existing row of terraced houses. Three decades later, Ungers expanded the cataract of forms of his first home by adding a geometrically strict cube, intended to house his library. The shock aesthetics of the early work had evolved into the rigorous abstractness of his late work. This building too one of a kind, and in interplay with its predecessor became a manifesto. It corresponded to the idea of a house as a small town and the town as a large house, an idea that has run through European architectural history since Alberti. In spite of all their differences, the two contrasting formats make common cause. They show a world full of contradictions, illusions and realities that reflects the entire spectrum of the image of architecture, from the fiction to the reality of the function. Today the house and the library are the seat of the UAA, the Ungers Archiv für Architekturwissenschaft, and open to the public. The architectural historian Wolfgang Pehnt often visited Ungers. The author of an authoritative book about the architecture of Expressionism, he profited by Ungers' collection of material back in the years when Ungers was still interested in Expressionism. Thus he is familiar with the house in its details and has witnessed its modifications. As portrayed by him, the history of the origins of the house gives access to the impressive uvre of a great German architect.…

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