ISBN: 9783936681703 - michael nether: on stage (23 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread copy in mint condition.

Condizione: New.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. pp. 72 71 Illus.

Hardcover. Condizione: new. Hardcover. Text in English & German. When at the end of the 1960s Michael Nether set out for Berlin, that city held enormous attraction for young intellectuals and artists, just as it had done in the Roaring Twenties. There were demonstrations and happenings, there was Kommune 1 with Rainer Langhans and Uschi Obermeier, and everywhere people held endless discussions that continued throughout the night. Scandalous theatrical performances and legendary concerts with musicians such as Bob Dylan, Mick Jagger, Leonard Cohen and George Moustaki gave expression to a new sensibility. And then there was Klaus Kinski, in his unforgettable performance of Jesus Christ and other one-man shows. Nether photographed what he saw face to face -- 'on stage' -- including stars of international cinema like Claudia Cardinale, Roman Polanski, Peter Ustinov or Pier Paolo Pasolini. One of his first photos was the scene of a 1969 student demonstration at the Berlin Gedaechtniskirche. Crowds of people throng the streets observed by countless curious passersby, and the police are there with their vans. The composition of the picture can hardly have happened by chance. Cars and the facades of buildings are points of reference past which people wind like a huge serpent. At the centre top of the picture there is a bright light. The photo sums up the atmosphere of departure and the state of mind of an entire generation. Here Nether demonstrates that he is an articulate documentary photographer. Towards the end of the 1970s, Nether returned to his home region of Swabia. Here he went into business with a partner, worked for advertising agencies -- for instance, taking photographs for Porsche in the company's research and development centre in Weissach -- but he also gradually made a name for himself as a photographic artist, with his own gallery in Bietigheim-Bissingen; particularly noteworthy were his pictures of prominent celebrities such as Wolf Biermann, Martin Walser, Woody Allen or Helmut Newton, as well as numerous photos of performances by the Stuttgart Ballet, but also of "street people". He succeeds in subtly communicating with the latter in these photos and making this dialogue visible. Today his main interest focuses on photographing portraits and nudes. In 2009 the International Center of Photography in New York purchased 100 photographs by Nether. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2013. Bilingual. Hardcover. Num Pages: 72 pages, 73 b/w photos. BIC Classification: AJCP. Category: (G) General (US: Trade). Dimension: 306 x 286 x 13. Weight in Grams: 928. . . . . .

Hardback. Condizione: New. Text in English and German. When at the end of the 1960s Michael Nether set out for Berlin, that city held enormous attraction for young intellectuals and artists, just as it had done in the Roaring Twenties. There were demonstrations and happenings, there was Kommune 1 with Rainer Langhans and Uschi Obermeier, and everywhere people held endless discussions that continued throughout the night. Scandalous theatrical performances and legendary concerts with musicians such as Bob Dylan, Mick Jagger, Leonard Cohen and George Moustaki gave expression to a new sensibility. And then there was Klaus Kinski, in his unforgettable performance of Jesus Christ and other one-man shows. Nether photographed what he saw face to face -- 'on stage' -- including stars of international cinema like Claudia Cardinale, Roman Polanski, Peter Ustinov or Pier Paolo Pasolini. One of his first photos was the scene of a 1969 student demonstration at the Berlin Gedächtniskirche. Crowds of people throng the streets observed by countless curious passersby, and the police are there with their vans. The composition of the picture can hardly have happened by chance. Cars and the façades of buildings are points of reference past which people wind like a huge serpent. At the centre top of the picture there is a bright light. The photo sums up the atmosphere of departure and the state of mind of an entire generation. Here Nether demonstrates that he is an articulate documentary photographer. Towards the end of the 1970s, Nether returned to his home region of Swabia. Here he went into business with a partner, worked for advertising agencies -- for instance, taking photographs for Porsche in the company's research and development centre in Weissach -- but he also gradually made a name for himself as a photographic artist, with his own gallery in Bietigheim-Bissingen; particularly noteworthy were his pictures of prominent celebrities such as Wolf Biermann, Martin Walser, Woody Allen or Helmut Newton, as well as numerous photos of performances by the Stuttgart Ballet, but also of "street people". He succeeds in subtly communicating with the latter in these photos and making this dialogue visible. Today his main interest focuses on photographing portraits and nudes. In 2009 the International Center of Photography in New York purchased 100 photographs by Nether.…

Condizione: New.

Condizione: New. 2013. Bilingual. Hardcover. Num Pages: 72 pages, 73 b/w photos. BIC Classification: AJCP. Category: (G) General (US: Trade). Dimension: 306 x 286 x 13. Weight in Grams: 928. . . . . . Books ship from the US and Ireland.

Condizione: New. pp. 72.

Condizione: New. pp. 72.

Hardcover. Condizione: new. Hardcover. Text in English & German. When at the end of the 1960s Michael Nether set out for Berlin, that city held enormous attraction for young intellectuals and artists, just as it had done in the Roaring Twenties. There were demonstrations and happenings, there was Kommune 1 with Rainer Langhans and Uschi Obermeier, and everywhere people held endless discussions that continued throughout the night. Scandalous theatrical performances and legendary concerts with musicians such as Bob Dylan, Mick Jagger, Leonard Cohen and George Moustaki gave expression to a new sensibility. And then there was Klaus Kinski, in his unforgettable performance of Jesus Christ and other one-man shows. Nether photographed what he saw face to face -- 'on stage' -- including stars of international cinema like Claudia Cardinale, Roman Polanski, Peter Ustinov or Pier Paolo Pasolini. One of his first photos was the scene of a 1969 student demonstration at the Berlin Gedaechtniskirche. Crowds of people throng the streets observed by countless curious passersby, and the police are there with their vans. The composition of the picture can hardly have happened by chance. Cars and the facades of buildings are points of reference past which people wind like a huge serpent. At the centre top of the picture there is a bright light. The photo sums up the atmosphere of departure and the state of mind of an entire generation. Here Nether demonstrates that he is an articulate documentary photographer. Towards the end of the 1970s, Nether returned to his home region of Swabia. Here he went into business with a partner, worked for advertising agencies -- for instance, taking photographs for Porsche in the company's research and development centre in Weissach -- but he also gradually made a name for himself as a photographic artist, with his own gallery in Bietigheim-Bissingen; particularly noteworthy were his pictures of prominent celebrities such as Wolf Biermann, Martin Walser, Woody Allen or Helmut Newton, as well as numerous photos of performances by the Stuttgart Ballet, but also of "street people". He succeeds in subtly communicating with the latter in these photos and making this dialogue visible. Today his main interest focuses on photographing portraits and nudes. In 2009 the International Center of Photography in New York purchased 100 photographs by Nether. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: New. Als sich Michael Nether Ende der 1960er Jahre nach Berlin aufmachte, kam er in eine Stadt, die, aehnlich wiein den roaring twenties , eine enorme Anziehung auf junge Intellektuelle und Kuenstler ausuebte. Protestdemonstrationen, Happenings, die Kommune 1 mit .

Condizione: As New. Unread book in perfect condition.

Buch. Condizione: Neu. Michael Nether - On Stage | Dt/engl | Michael Nether | Buch | 72 S. | Deutsch | 2013 | Edition Axel Menges | EAN 9783936681703 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.

Buch. Condizione: Neu. Neuware - Als sich Michael Nether Ende der 1960er Jahre nach Berlin aufmachte, kam er in eine Stadt, die, ähnlich wie in den 'roaring twenties', eine enorme Anziehung auf junge Intellektuelle und Künstler ausübte. Protestdemonstrationen, Happenings, die Kommune 1 mit Rainer Langhans und Uschi Obermeier und überall endlose nächtelange Diskussionen. In skandalträchtigen Theateraufführungen und legendären Konzerten mit Musikern wie Bob Dylan, Mick Jagger, Leonard Cohen und George Moustaki kam ein neues Lebensgefühl zum Ausdruck. Unvergeßlich zudem Klaus Kinski mit seiner Jesus-Performance und seinen anderen Darbietungen. Nether war hier stets auf Augenhöhe - 'on stage' -, auch mit den Stars des inter-nationalen Films wie Claudia Cardinale, Roman Polanski, Peter Ustinov oder Pier Paolo Pasolini.Eines seiner ersten Photos war die Szene einer Studentende-monstration an der Berliner Gedächtinskirche im Jahr 1969. Menschenmassen ziehen durch die Straßen, beobachtet von zahllosen neugierigen Passanten, die Polizei ist mit Mannschaftswagen ange-rückt. Die Komposition des Bildes kann kaum zufällig entstanden sein. Häuserfronten und Autos sind Fixpunkte, an denen sich die Menschen wie eine große Schlange vorbeiwinden. In der oberen Mitte des Bildes ist ein helles Licht zu sehen. In dem Photo ist die Aufbruchstimmung und der Seelenzustand einer ganzen Genera-tion verdichtet. Nether hat sich hier als stimmiger Dokumentarist erwiesen. Gegen Ende der 1970er-Jahre kehrte Nether in seine schwäbi-sche Heimat zurück. Hier machte er sich mit einem Partner selbständig, arbeitete für Werbeagenturen - so photographierte er unter anderem bei Porsche im Entwicklungszentrum der Firma in Weissach -, aber er machte sich auch nach und nach als Photo-Künstler, mit eigener Galerie in Bietigheim-Bissingen, einen Namen. Vor allem mit Photos von Prominenten, wie Wolf Biermann, Martin Walser, Woody Allen oder Helmut Newton, sowie zahlreichen Photos von Aufführungen des Stuttgarter Balletts, aber auch von Menschen 'von der Straße'. Ihm gelingt es, auf diesen Photos mit den Betroffenen auf eine leise Art zu kommunizieren und diesen Dialog sichtbar zu machen. Heute gilt sein Hauptinteresse der Porträt- und Aktphotographie.…

Hardback. Condizione: New. Text in English and German. When at the end of the 1960s Michael Nether set out for Berlin, that city held enormous attraction for young intellectuals and artists, just as it had done in the Roaring Twenties. There were demonstrations and happenings, there was Kommune 1 with Rainer Langhans and Uschi Obermeier, and everywhere people held endless discussions that continued throughout the night. Scandalous theatrical performances and legendary concerts with musicians such as Bob Dylan, Mick Jagger, Leonard Cohen and George Moustaki gave expression to a new sensibility. And then there was Klaus Kinski, in his unforgettable performance of Jesus Christ and other one-man shows. Nether photographed what he saw face to face -- 'on stage' -- including stars of international cinema like Claudia Cardinale, Roman Polanski, Peter Ustinov or Pier Paolo Pasolini. One of his first photos was the scene of a 1969 student demonstration at the Berlin Gedächtniskirche. Crowds of people throng the streets observed by countless curious passersby, and the police are there with their vans. The composition of the picture can hardly have happened by chance. Cars and the façades of buildings are points of reference past which people wind like a huge serpent. At the centre top of the picture there is a bright light. The photo sums up the atmosphere of departure and the state of mind of an entire generation. Here Nether demonstrates that he is an articulate documentary photographer. Towards the end of the 1970s, Nether returned to his home region of Swabia. Here he went into business with a partner, worked for advertising agencies -- for instance, taking photographs for Porsche in the company's research and development centre in Weissach -- but he also gradually made a name for himself as a photographic artist, with his own gallery in Bietigheim-Bissingen; particularly noteworthy were his pictures of prominent celebrities such as Wolf Biermann, Martin Walser, Woody Allen or Helmut Newton, as well as numerous photos of performances by the Stuttgart Ballet, but also of "street people". He succeeds in subtly communicating with the latter in these photos and making this dialogue visible. Today his main interest focuses on photographing portraits and nudes. In 2009 the International Center of Photography in New York purchased 100 photographs by Nether.…

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

4°, Ppbd. m. SU. 71 S., mit 73 s/w-Abb. Neuwertiges Ex. / Fine Copy ISBN: 9783936681703 Sprache: Deutsch Gewicht in Gramm: 918.

Hardcover. Condizione: New.

Hardback. Condizione: New. New Book, Direct from Publisher.