9783969122624 - parallel lines: high modernism in croatia 1949-1998 di dan, c¿lin; branko, franceschi; ¿imi¿, lorena (13 risultati)

Parallel Lines: High Modernism in Croatia 1949? "1998
Dan, Calin; Bu?, Georgiana; Šimic, Lorena; Gruenwald, Max-Theodor; Franceschi, Branko; Branko, Franceschi
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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Altre immaginiLingua: Inglese
Editore: Dr. Cantz'sche Verlagsgesellschaft mbH and Co. KG, DE, 2026
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. 1. Parallel Lines. High Modernism in Croatia 1949-1998 documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominfor…m resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its "New Tendencies," became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav "socialism with a human face." Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.

Parallel Lines: High Modernism in Croatia 1949? ?1998
Dan, Calin; Bu?, Georgiana; Šimic, Lorena; Gruenwald, Max-Theodor; Franceschi, Branko; Branko, Franceschi
- Brossura
Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New.

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Da: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, GermaniaRheinberg-Buch Andreas Meier eK
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Taschenbuch. Condizione: Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948'…s Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.; 'Parallel Lines. High Modernism in Croatia 1949-1998' dokumentiert die gleichnamige Ausstellung in Bukarests Nationalmuseum für Zeitgenössische Kunst im Jahr 2025. Gemeinsam mit dem Nationalmuseum für Moderne Kunst in Zagreb organisiert, beleuchtete sie mit 188 Positionen die Kunstszene nach der Kominform-Resolution von 1948, die Jugoslawiens Bruch von sowjetischem Einfluss markierte. Die 60er Jahre sahen Zagreb mit seinen 'Neuen Tendenzen' als Zentrum experimenteller Kunst in Antwort auf die Malerei des sozialistischen Realismus. Parallel Lines verweist auf das Nebeneinander institutionell geförderter und alternativer Kunst im jugoslawischen 'Sozialismus mit menschlichem Antlitz'. Mit öffentlichen Dialogen und Debatten sorgten die parallelen Strömungen für eine dynamische Kulturlandschaft. 232 pp. Englisch.

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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948'…s Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.; 'Parallel Lines. High Modernism in Croatia 1949-1998' dokumentiert die gleichnamige Ausstellung in Bukarests Nationalmuseum für Zeitgenössische Kunst im Jahr 2025. Gemeinsam mit dem Nationalmuseum für Moderne Kunst in Zagreb organisiert, beleuchtete sie mit 188 Positionen die Kunstszene nach der Kominform-Resolution von 1948, die Jugoslawiens Bruch von sowjetischem Einfluss markierte. Die 60er Jahre sahen Zagreb mit seinen 'Neuen Tendenzen' als Zentrum experimenteller Kunst in Antwort auf die Malerei des sozialistischen Realismus. Parallel Lines verweist auf das Nebeneinander institutionell geförderter und alternativer Kunst im jugoslawischen 'Sozialismus mit menschlichem Antlitz'. Mit öffentlichen Dialogen und Debatten sorgten die parallelen Strömungen für eine dynamische Kulturlandschaft. 232 pp. Englisch.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 232 pages. 10.94x0.55x9.29 inches. In Stock.

Parallel Lines: High Modernism in Croatia 1949? ?1998
Dan, Calin; Bu?, Georgiana; Šimic, Lorena; Gruenwald, Max-Theodor; Franceschi, Branko; Branko, Franceschi
- Brossura
Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New.

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Da: Wegmann1855, Zwiesel, GermaniaWegmann1855
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EUR 25,95 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Taschenbuch. Condizione: Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948'…s Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.

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Da: moluna, Greven, Germaniamoluna
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Condizione: New.

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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germaniabuchversandmimpf2000
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Taschenbuch. Condizione: Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948'…s Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.GPSR Kontakt, Heinrich-Schütz-Allee 35, 34131 Kassel 232 pp. Englisch.

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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Neuware - 'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948…'s Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.; 'Parallel Lines. High Modernism in Croatia 1949-1998' dokumentiert die gleichnamige Ausstellung in Bukarests Nationalmuseum für Zeitgenössische Kunst im Jahr 2025. Gemeinsam mit dem Nationalmuseum für Moderne Kunst in Zagreb organisiert, beleuchtete sie mit 188 Positionen die Kunstszene nach der Kominform-Resolution von 1948, die Jugoslawiens Bruch von sowjetischem Einfluss markierte. Die 60er Jahre sahen Zagreb mit seinen 'Neuen Tendenzen' als Zentrum experimenteller Kunst in Antwort auf die Malerei des sozialistischen Realismus. Parallel Lines verweist auf das Nebeneinander institutionell geförderter und alternativer Kunst im jugoslawischen 'Sozialismus mit menschlichem Antlitz'. Mit öffentlichen Dialogen und Debatten sorgten die parallelen Strömungen für eine dynamische Kulturlandschaft.
Altre immagini- Brossura
Da: preigu, Osnabrück, Germaniapreigu
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Taschenbuch. Condizione: Neu. Parallel Lines: High Modernism in Croatia 1949-1998 | C¿lin Dan (u. a.) | Taschenbuch | 232 S. | Englisch | 2026 | Dr. Cantz'sche Verlagsges | EAN 9783969122624 | Verantwortliche Person für die EU: DCV Dr. Cantz'sche Verlagsgesellschaft, Prinz-Eugen-Str. 17a, 13347 Berlin, h[dot]baumgarten[at]dcv-bo…oks[dot]com | Anbieter: preigu.

Lingua: Inglese
Editore: Dr. Cantz'sche Verlagsgesellschaft mbH and Co. KG, DE, 2026
- Brossura
- Prima edizione
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 49,65
EUR 75,96 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 3 disponibili
Paperback. Condizione: New. 1. Parallel Lines. High Modernism in Croatia 1949-1998 documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominfor…m resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its "New Tendencies," became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav "socialism with a human face." Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.