Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Aggiungi al carrelloPaperback. Condizione: New. Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar and Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time.
Paperback. Condizione: new. Paperback. Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar & Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Aggiungi al carrelloPaperback. Condizione: Very Good. No jacket. Artguide, 2015. Paperback, sq4to, 99pp, illust. A good copy. 9785905110726/0.5cz . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).
Lingua: Inglese
Editore: Garage Museum of Contemporary Art, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
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Editore: Garage Museum of Contemporary Art, 2016
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar & Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: GARAGE MUSEUM OF CONTEMPORARY, 2016
ISBN 10: 5905110727 ISBN 13: 9785905110726
Da: moluna, Greven, Germania
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Aggiungi al carrelloCondizione: New. This book follows the making of the artist s largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky s advertising posters from the 1920s.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Since the beginning of his career in the 1950s, Russian artist Erik Bulatov (born 1933) has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism alongside Ilya Kabakov, Collective Actions and Komar & Melamid, among others, Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This volume follows the making of the artist's largest work to date: a 30-foot-high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s.
EUR 15,90
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Aggiungi al carrelloPaperback. Condizione: New. Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar and Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Erik Bulatov | Ruth Addison (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2016 | Artbook D.A.P. | EAN 9785905110726 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.