9786200440211 - postmodern elements in select plays of sam shepard di raikar, meghana (6 risultati)
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Da: moluna, Greven, , Germaniamoluna
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Da: Majestic Books, Hounslow, , Regno UnitoMajestic Books
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germaniabuchversandmimpf2000
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Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Sam Shepard is often considered as one of the most celebrated postmodern American playwrights. The book has critically explored the postmodern elements in select twelve plays of Sam Shepard from a literary perspective. Sam Shepard cele…brates the possibility of multiple meanings within a single literary work and he deals with a subjective approach emphasizing more on destructured, decentred and dehumanized subjects in many of his plays. A blurring of the distinction between genres, fragmented narrations, pastiche, metafiction, intertextuality, historiographic metafiction, black humour, schizophrenia, faction, and self-reflexivity in writing are the major postmodern elements which have been observed in his early, middle and later plays.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 184 pp. Englisch.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 72,76
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Sam Shepard is often considered as one of the most celebrated postmodern American playwrights. The book has critically explored the postmodern elements in select twelve plays of Sam Shepard from a literary perspective. Sam Shepard celeb…rates the possibility of multiple meanings within a single literary work and he deals with a subjective approach emphasizing more on destructured, decentred and dehumanized subjects in many of his plays. A blurring of the distinction between genres, fragmented narrations, pastiche, metafiction, intertextuality, historiographic metafiction, black humour, schizophrenia, faction, and self-reflexivity in writing are the major postmodern elements which have been observed in his early, middle and later plays.
