Isbn: 9786207775934 - cinema, filmmaking and emotion: the spectator's face as a decoding element in cinematic narrative (11 risultati)

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Taschenbuch. Condizione: Neu. Cinema, Filmmaking and Emotion | The Spectator's Face as a Decoding Element in Cinematic Narrative | Carlos Coelho Costa | Taschenbuch | 124 S. | Englisch | 2024 | Our Knowledge Publishing | EAN 9786207775934 | Verantwortliche Person für die EU: SIA OmniScriptum Publishing, Brivibas Gatve 197, 1039 RIGA, LETTLAND, customerservice[at]vdm-vsg[dot]de | Anbieter: preigu.…

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 124 pp. Englisch.

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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Film has the ability to induce and manipulate emotions in viewers by influencing their psychological state, so filmmakers need to use specific mise-en-scène structures according to their story (Munstenberg, 1970). The research developed in this book seeks to question part of the relationship between the mise-en-scène and the emotional reaction of viewers in a film narrative. At the center of our reflection is the question of the correspondence, in a film genre, between the rules of creation and the emotional effects reflected in the spectator's facial expressions. Based on a review of the literature on two conceptual areas, facial expressions and the theory and practice of cinema, the aim is to understand whether the emotional reaction of the spectators corresponds to what the director wanted when planning the cinematographic work. …

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Film has the ability to induce and manipulate emotions in viewers by influencing their psychological state, so filmmakers need to use specific mise-en-scène structures according to their story (Munstenberg, 1970). The research developed in this book seeks to question part of the relationship between the mise-en-scène and the emotional reaction of viewers in a film narrative. At the center of our reflection is the question of the correspondence, in a film genre, between the rules of creation and the emotional effects reflected in the spectator's facial expressions. Based on a review of the literature on two conceptual areas, facial expressions and the theory and practice of cinema, the aim is to understand whether the emotional reaction of the spectators corresponds to what the director wanted when planning the cinematographic work.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 124 pp. Englisch.…