9788124603772 - a modern introduction of indian aesthetic theory: the development from bharata to jagannatha di s.s. barlingay (6 risultati)
Altre immagini- Rilegato
Da: Needham Book Finders, Santa Clarita, CA, U.S.A.Needham Book Finders
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 26,68
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. New Delhi, IN: D.K. Printworld (P) Ltd, 2007. Hard Cover w/ DJ. First published in India in 2007 (stated), 8vo, 374 pp. Text in English and Sanskrit. Bound in maroon cloth with gilt spine titles; binding sturdy. Front cover shows a faded strip near the lower…edge and light soiling along the top on the front and back, with minor edge wear and bumped corners (see images). Patterned endpapers are clean with a small bookstore sticker at the upper right front. Pages are clean and unmarked—no names, bookplates, or library markings; not ex-library but are not completely flat due to a publishing flaw. Dust jacket is clean and bright with light rubbing and a small bookstore sticker on the rear flap, protected in a fresh Brodart archival mylar cover. Book introduces key ideas in Indian aesthetic theory, including concepts of beauty, art, and emotional experience (rasa). The book explains classical Sanskrit theories alongside modern interpretations, demonstrating how art evokes meaning and emotion across various literary, dramatic, and visual forms. The book is in stock and ships quickly and securely packed in a new box.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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EUR 21,03
EUR 7,60 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 4 disponibili
Condizione: New. pp. xxvi + 374.
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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EUR 26,14
EUR 3,45 spedizioneSpedito in U.S.A.Quantità: 4 disponibili
Condizione: New. pp. xxvi + 374 Index 1st Edition Text in English & Sanskrit.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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EUR 20,31
EUR 9,95 spedizioneSpedito da Germania a U.S.A.Quantità: 4 disponibili
Condizione: New. pp. xxvi + 374 Acknowledgements Epilogue.
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Da: Books in my Basket, New Delhi, IndiaBooks in my Basket
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EUR 19,16
EUR 18,00 spedizioneSpedito da India a U.S.A.Quantità: 5 disponibili
Hardcover. Condizione: New. ISBN:9788124603772.
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Da: Vedams eBooks (P) Ltd, New Delhi, IndiaVedams eBooks (P) Ltd
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EUR 34,24
EUR 17,50 spedizioneSpedito da India a U.S.A.Quantità: 5 disponibili
Hardcover. Condizione: New. Contents: Foreword. Preface. 1. Prologue. 2. Psychology of Bhavas. 3. Theory of poetry. 4. Rasa theory--historical survey. 5. Bharata's Rasa theory. 6. Bharata's Rasa theory (continued)--Dharmi, Vrtti, Pravrti and Siddhi. 7. Rasa theory--additional evidence continued. 8. Rasa theory--Bhattanayak and A…bhinavagupta. 9. Post-Abhinavagupta development of Rasa theory. 10. Abhinaya. 11. Medium, language and parameters. 12. Observations and remarks: distinction between Rasa-dhvani and Rasa-siddhi. 13. Epilogue. Appendices. Bibliography. Index. "The foundation of the Indian aesthetic theory can be traced to Bharatamuni's Natyasastra where he gave his theory of beauty (theory of Rasa) which was later elaborately developed by learned scholars. In this work, Prof. Barlingay examines the development of the Rasa theory by various authorities on art and aesthetics and finally present his own critical understanding of it. The volume begins with a survey of the history of Indian art by examining painstakingly the relation between art and beauty, perception of time and space in art, and classification of arts. It then plunges into a detailed study of origin and development of Rasa theory: from Rasa in the Vedas and Upanisads to Bharata's Rasa theory and perspectives of Abhinavagupta, Bhattatauta, Bhatta Lollata, Kuntaka, Dandin, Mammata, Vamana, Rudrata, Visvanatha, Bhamaha, Jagannatha and others who enriched it further with their own theories. It explains how principles were employed and re-employed by the masters to reveal various meanings, inter-relationships, symbols, and perceptions of art. It highlights the salient features of each master's unique manner of interpretation of art concepts. The work is a must for scholars and students keen to study the fundamentals of concept and theory of Indian art, particularly with reference to drama and poetics.".
