Isbn: 9788323332602 - writing life: suffering as a poetic strategy of emily dickinson (15 risultati)

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  • Lingua: Inglese

    Editore: Jagiellonian University Press, 2013

    8323332606 / 9788323332602

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    Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

  • Lingua: Inglese

    Editore: Jagiellonian University Press, 2013

    8323332606 / 9788323332602

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    Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

  • Lingua: Inglese

    Editore: Jagiellonian University Press, 2013

    8323332606 / 9788323332602

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  • Lingua: Inglese

    Editore: Jagiellonian University Press, 2013

    8323332606 / 9788323332602

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  • Lingua: Inglese

    Editore: Uniwersytet Jagiellonski, Wydawnictwo, PL, 2013

    8323332606 / 9788323332602

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    Paperback. Condizione: New. The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who emphasises these elements as crucial in the interpretation of literary texts. The healing power of Emily Dickinson's poetry lies in her presenting that suffering also has the positive, empowering side.By displaying an astounding autonomy and showing an alternative way of existence the poet demonstrated that fulfilment can be understood in a very broad sense. Her poetry constitutes evidence that the creative processes can be used as psychotherapy for both the creator and the recipient.…

  • Lingua: Inglese

    Editore: Uniwersytet Jagiellonski, Wydawnictwo, PL, 2013

    8323332606 / 9788323332602

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    Paperback. Condizione: New. The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who emphasises these elements as crucial in the interpretation of literary texts. The healing power of Emily Dickinson's poetry lies in her presenting that suffering also has the positive, empowering side.By displaying an astounding autonomy and showing an alternative way of existence the poet demonstrated that fulfilment can be understood in a very broad sense. Her poetry constitutes evidence that the creative processes can be used as psychotherapy for both the creator and the recipient.…

  • Lingua: Inglese

    Editore: Jagiellonian University Press, 2013

    8323332606 / 9788323332602

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    Condizione: New. 2013. Paperback. . . . . .

  • Lingua: Inglese

    Editore: Jagiellonian Univ Pr, 2013

    8323332606 / 9788323332602

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    Paperback. Condizione: Brand New. 90 pages. 9.00x6.25x0.25 inches. In Stock.

  • Lingua: Inglese

    Editore: Columbia University Press, 2013

    8323332606 / 9788323332602

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    Condizione: New. pp. 92.

  • Lingua: Inglese

    Editore: Jagiellonian University Press, 2013

    8323332606 / 9788323332602

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  • Lingua: Inglese

    Editore: Jagiellonian University Press, 2013

    8323332606 / 9788323332602

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    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: Jagiellonian University Press, 2013

    8323332606 / 9788323332602

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  • Lingua: Inglese

    Editore: Jagiellonian University Press, 2013

    8323332606 / 9788323332602

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: Uniwersytet Jagiellonski, Wydawnictwo, PL, 2013

    8323332606 / 9788323332602

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    Paperback. Condizione: New. The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who emphasises these elements as crucial in the interpretation of literary texts. The healing power of Emily Dickinson's poetry lies in her presenting that suffering also has the positive, empowering side.By displaying an astounding autonomy and showing an alternative way of existence the poet demonstrated that fulfilment can be understood in a very broad sense. Her poetry constitutes evidence that the creative processes can be used as psychotherapy for both the creator and the recipient.…

  • Lingua: Inglese

    Editore: Uniwersytet Jagiellonski, Wydawnictwo, PL, 2013

    8323332606 / 9788323332602

    • Brossura

    Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK

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    Paperback. Condizione: New. The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who emphasises these elements as crucial in the interpretation of literary texts. The healing power of Emily Dickinson's poetry lies in her presenting that suffering also has the positive, empowering side.By displaying an astounding autonomy and showing an alternative way of existence the poet demonstrated that fulfilment can be understood in a very broad sense. Her poetry constitutes evidence that the creative processes can be used as psychotherapy for both the creator and the recipient.…