9788392404439 - as soon as i open my eyes i see a film: experiment in the art of yugoslavia in the 1960s and 1970s (15 risultati)

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Paperback. Condizione: New. In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art" - works on the borderline of the form that balanced between amateurism and professionalism and breached modernist conventions. These arti…sts seized upon the opportunities to disseminate their art offered by film clubs - public institutions that brought together amateur artists and served as enclaves of freedom. "As Soon as I Open My Eyes I See a Film" explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe.

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Condizione: New. In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art". This book explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. Num… Pages: 344 pages, 40 colour plates, 120 halftones. BIC Classification: 1DVWY; ACXJ. Category: (P) Professional & Vocational. Dimension: 240 x 174 x 14. Weight in Grams: 534. . 2011. Paperback. . . . .

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Paperback. Condizione: new. Paperback. In the late 1960s and 70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with anti-artworks on the borderline of the form that balanced between amateurism and professionalism and breached modernist conventions. These… artists seized upon the opportunities to disseminate their art offered by film clubspublic institutions that brought together amateur artists and served as enclaves of freedom. As Soon as I Open My Eyes I See a Film explores the crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art". This book explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condizione: New. In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art". This book explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. Num… Pages: 344 pages, 40 colour plates, 120 halftones. BIC Classification: 1DVWY; ACXJ. Category: (P) Professional & Vocational. Dimension: 240 x 174 x 14. Weight in Grams: 534. . 2011. Paperback. . . . . Books ship from the US and Ireland.
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Paperback. BW wraps with glassine cover. 259 pp. Filled with plates in mostly BW, some in color. Inspired by the first exhibition organized in the Musem of Modern Art in Warsaw. VG. Minor edge wear to glassine, but otherwise clean and tight.

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Paperback. Condizione: new. Paperback. In the late 1960s and 70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with anti-artworks on the borderline of the form that balanced between amateurism and professionalism and breached modernist conventions. These… artists seized upon the opportunities to disseminate their art offered by film clubspublic institutions that brought together amateur artists and served as enclaves of freedom. As Soon as I Open My Eyes I See a Film explores the crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art". This book explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Paperback. Condizione: New. In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art" - works on the borderline of the form that balanced between amateurism and professionalism and breached modernist conventions. These arti…sts seized upon the opportunities to disseminate their art offered by film clubs - public institutions that brought together amateur artists and served as enclaves of freedom. "As Soon as I Open My Eyes I See a Film" explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe.

Lingua: Inglese
Editore: Museum; University of Chicago Press (Distribution), 2011
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Paperback. Condizione: New. Orderbook - wwb -----AS SOON AS I OPEN MY EYES I SEE A FILM: EXPERIMENT IN THE ART OF YUGOSLAVIA IN THE 1960S AND 1970S. Ed. By Ana Janevski. Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw, 2008. Published 2010. Museum under construction/Muzeum w budowie, 4. Distributed in the U. S. A. By University of… Chicago Press. 260 pp. With 165 ills. (46 col. ). 24 x 18 cm. ISBN 9788392404439 In English. This book was published following a 2008 exhibition with the same name, but does not specifically document the show. Indexing: Western, Europe â" Yugoslavia, Serbia, Croatia â" Post-1945 â" Video/Film/Performance, Several Media Plans: 71,75,68 Worldwide Number: 075408Paperbound $29.00x (libraries receive a 10% discount on this title); *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 260 pp. ; 165 illus. (46 in color. ) -- with a bonus offer--; In the late 1960s and â70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with âanti-artââ"works on the borderline of the form that balanced between amateurism and professionalism and breached modernist conventions. These artists seized upon the opportunities to disseminate their art offered by film clubsâ"public institutions that brought together amateur artists and served as enclaves of freedom. As Soon as I Open My Eyes I See a Film explores the crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe.