9788855210324 - luca pignatelli. senza data. ediz. inglese (13 risultati)
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Paperback. Condizione: New. Senza data (Undated), an exhibition at the Stefano Bardini Museum in Florence, presents a series of works by Italian artist Luca Pignatelli painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets from the early 20th century. The painted carpets stand out immediately for their size… and their link with the vast collection of carpets in the museum. Luca Pignatelli studied architectural composition during the period influenced by the theories of Aldo Rossi and the idea of the sedimentary growth of history. He is an artist able to accept the challenge of large-scale paintings, working with unusual supports on which he overlays his own selection of images, icons of collective memory like trains, planes, machines, and relics of classical culture. This catalogue includes an interview with the artist and an essay by director of the Museo Novecento in Florence.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. Senza data (Undated), an exhibition at the Stefano Bardini Museum in Florence, presents a series of works by Italian artist Luca Pignatelli painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets from the early 20th century. The painted carpets stand out immediately for… their size and their link with the vast collection of carpets in the museum. Luca Pignatelli studied architectural composition during the period influenced by the theories of Aldo Rossi and the idea of the sedimentary growth of history. He is an artist able to accept the challenge of large-scale paintings, working with unusual supports on which he overlays his own selection of images, icons of collective memory like trains, planes, machines, and relics of classical culture. This catalogue includes an interview with the artist and an essay by director of the Museo Novecento in Florence. AUTHOR: Sergio Risaliti is a prominent Italian art historian, curator, writer, and journalist. Together with Francesca Campana Comparini, he curated the exhibition Jackson Pollock, La figura della furia, at the Palazzo Vecchio in Florence in 2014. He has curated exhibitions at the Forte di Belvedere in Florence since 2014 and has been the director of the Museo Novecento in Florence since 2017. SELLING POINTS: . Works by a well-known contemporary Italian artist that evoke a sense of timelessness and reflect on memory, antiquity, and history . Originally published to accompany the Senza data (Undated) exhibition at the Stefano Bardini Museum in Florence from 26 January to 25 March 2019 This catalogue for a show by Italian artist Luca Pignatelli features a series of works painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Di Mano in Mano Soc. Coop, Cambiago, MI, ItaliaDi Mano in Mano Soc. Coop
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Brossura. Testo in inglese. Text in English.Con immagini a colori e in bianco e nero f.t. Numero di tavole: 0 pp.111 9788855210324 altezza 28 larghezza 20.9 Esemplare in buone condizioni.Copertina con lievi segni di usura ai bordi e agli angoli. Testo in inglese.Text in English. Book in good condition.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Paperback. Condizione: Brand New. 112 pages. 11.00x8.00x0.39 inches. In Stock.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condizione: new. Paperback. Senza data (Undated), an exhibition at the Stefano Bardini Museum in Florence, presents a series of works by Italian artist Luca Pignatelli painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets from the early 20th century. The painted carpets stand out immediately for… their size and their link with the vast collection of carpets in the museum. Luca Pignatelli studied architectural composition during the period influenced by the theories of Aldo Rossi and the idea of the sedimentary growth of history. He is an artist able to accept the challenge of large-scale paintings, working with unusual supports on which he overlays his own selection of images, icons of collective memory like trains, planes, machines, and relics of classical culture. This catalogue includes an interview with the artist and an essay by director of the Museo Novecento in Florence. AUTHOR: Sergio Risaliti is a prominent Italian art historian, curator, writer, and journalist. Together with Francesca Campana Comparini, he curated the exhibition Jackson Pollock, La figura della furia, at the Palazzo Vecchio in Florence in 2014. He has curated exhibitions at the Forte di Belvedere in Florence since 2014 and has been the director of the Museo Novecento in Florence since 2017. SELLING POINTS: . Works by a well-known contemporary Italian artist that evoke a sense of timelessness and reflect on memory, antiquity, and history . Originally published to accompany the Senza data (Undated) exhibition at the Stefano Bardini Museum in Florence from 26 January to 25 March 2019 This catalogue for a show by Italian artist Luca Pignatelli features a series of works painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 38,27
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Paperback. Condizione: New. Senza data (Undated), an exhibition at the Stefano Bardini Museum in Florence, presents a series of works by Italian artist Luca Pignatelli painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets from the early 20th century. The painted carpets stand out immediately for their size… and their link with the vast collection of carpets in the museum. Luca Pignatelli studied architectural composition during the period influenced by the theories of Aldo Rossi and the idea of the sedimentary growth of history. He is an artist able to accept the challenge of large-scale paintings, working with unusual supports on which he overlays his own selection of images, icons of collective memory like trains, planes, machines, and relics of classical culture. This catalogue includes an interview with the artist and an essay by director of the Museo Novecento in Florence.
