9789024717231 - a discourse on novelty and creation di hausman, c. r. (11 risultati)
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Da: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.Zubal-Books, Since 1961
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Condizione: Very Good. 171 pp., paperback, some pencil underlining and marginalia, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
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Da: MostlyAcademic, Berrima, NSW, AustraliaMostlyAcademic
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Soft cover. Condizione: Fine.
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Da: JIM1024, WEST DES MOINES, IA, U.S.A.JIM1024
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EUR 75,92
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Paperback. Condizione: Very Good. Library withdrawn o-w interior is nearly like new- paperback has been rebound in plain blue board covers for preservation- an excellent copy to have for keeps-.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Da: moluna, Greven, Germaniamoluna
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Condizione: New.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Over the past two decades, the number of studies of creativity has in creased enormously. Although these studies represent a wide variety of perspectives, the largest proportion of them falls within the province of the social and behavioral scienc…es. Perhaps this is due to the impetus of experimental psychologists, who recognized the special problems that arise when originality is treated under a general theory of cognition. But what ever the reason, human creativity has come to be viewed as one of the major concerns of the twentieth century. It has been referred to as the most pressing problem of our time. In spite of the importance of the topic, few philosophers have either analyzed or speculated systematically about creativity, as a distinct topic. This neglect may be the expression of a tacit and sometimes explicit con viction that creativity must be taken for granted and not subjected to analytic scrutiny. In any case, the determination of so many behavioral and social scientists not to fall behind in the search for understanding creativity has led to a proliferation of publications that are unrelated to one another and that lack dearly ordered and reflective consideration of what creativity is. Too few writers have either acknowledged or examined what they presuppose about creative acts, about human activity, and a bout the nature of explanation when they focus on so complex a phenome non as creativity.
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Da: Mispah books, Redhill, SURRE, Regno UnitoMispah books
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Paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Lingua: Inglese
Editore: Springer Netherlands, Springer Netherlands Mai 1975, 1975
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Over the past two decades, the number of studies of creativity has in creased enormously. Although these studies represent a wide variety of perspectives, the largest proportion of them falls within the province of the social and b…ehavioral sciences. Perhaps this is due to the impetus of experimental psychologists, who recognized the special problems that arise when originality is treated under a general theory of cognition. But what ever the reason, human creativity has come to be viewed as one of the major concerns of the twentieth century. It has been referred to as the most pressing problem of our time. In spite of the importance of the topic, few philosophers have either analyzed or speculated systematically about creativity, as a distinct topic. This neglect may be the expression of a tacit and sometimes explicit con viction that creativity must be taken for granted and not subjected to analytic scrutiny. In any case, the determination of so many behavioral and social scientists not to fall behind in the search for understanding creativity has led to a proliferation of publications that are unrelated to one another and that lack dearly ordered and reflective consideration of what creativity is. Too few writers have either acknowledged or examined what they presuppose about creative acts, about human activity, and a bout the nature of explanation when they focus on so complex a phenome non as creativity. 172 pp. Englisch.
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Da: preigu, Osnabrück, Germaniapreigu
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Taschenbuch. Condizione: Neu. A Discourse on Novelty and Creation | C. R. Hausman | Taschenbuch | 171 S. | Englisch | Springer | EAN 9789024717231 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand.
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germaniabuchversandmimpf2000
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EUR 106,99
EUR 60,00 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Over the past two decades, the number of studies of creativity has in creased enormously. Although these studies represent a wide variety of perspectives, the largest proportion of them falls within the province of the social and behav…ioral sciences. Perhaps this is due to the impetus of experimental psychologists, who recognized the special problems that arise when originality is treated under a general theory of cognition. But what ever the reason, human creativity has come to be viewed as one of the major concerns of the twentieth century. It has been referred to as the most pressing problem of our time. In spite of the importance of the topic, few philosophers have either analyzed or speculated systematically about creativity, as a distinct topic. This neglect may be the expression of a tacit and sometimes explicit con viction that creativity must be taken for granted and not subjected to analytic scrutiny. In any case, the determination of so many behavioral and social scientists not to fall behind in the search for understanding creativity has led to a proliferation of publications that are unrelated to one another and that lack dearly ordered and reflective consideration of what creativity is. Too few writers have either acknowledged or examined what they presuppose about creative acts, about human activity, and a bout the nature of explanation when they focus on so complex a phenome non as creativity.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 172 pp. Englisch.
