Isbn: 9789042916159 - pictorial invention in netherlandish manuscript illumination of the late middle ages: the play of illusion and meaning: (low countries series 11): 16 (18 risultati)

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

paperback. Condizione: New. 1st.

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Soft cover. Condizione: As New. [vi], 54 pp., illustrated, tall 4to, card wrapper. As new.

hardcover. Condizione: Very Good. Pictorial Invention in Netherlandish Manuscript Illumination of the Late Middle Ages: The Play of Illusion and Meaning: (Low Countries Series 11): 16 (Corpus of Illuminated Manuscripts) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

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Paperback. Condizione: new. Paperback. Hand-painted books produced in the Low Countries during the late Middle Ages are dazzingly inventive, widely admired both in their own time and today. The makers of Flemish illuminated manuscripts experimented, sometimes flamboyantly, with all aspects of their design, manipulating elements of their format, layout, script, decoration and illustration in radically new and challenging ways. In this book, James H. Marrow discusses prominent features of many of the most exuberant illuminated manuscripts created by leading Flemish illuminators of the 15th and the 16th centuries, considering both the playful ways in which the makers of these books reconfigured their design and the ways they exploited these innovations to define and convey the meaning of their contents more effectively. Marrow considers how the designers of these manuscripts broke down the barriers between the different components of the book; how the shapes of some manuscripts became a kind of image; how script sometimes became decoration or one of several illusionistically treated elements or fields on the page; and how decoration and illustration were intermixed in diverse, witty, and provocative fashions. In this final stage in the evolution of the medieval book, leading Flemish illuminators fundamentally changed the structural dynamics of the page, enlarging its fields of visual and pictorial interest and exploiting novel juxtapositions of subject matter and scale, of viewpoint and different kinds of illusionism, to guide viewers beyond the here-and-now, to evoke multiple and alternative levels of truth, and to effect profound transformations of understanding. This is an incisive study of the course of these developments in the Low Countries and of some of the important ways in which they engaged issues central to the function of the visual arts. Discusses prominent features of many illuminated manuscripts created by leading Flemish illuminator of the 15th and 16th centuries, considering the playful ways in which the makers of these books reconfigured this design, and the ways they exploited these innovations to define and convey the meaning of their contents more effectively. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Brand New. 54 pages. 11.75x8.75x0.25 inches. In Stock.

Condizione: New. 2005. Paperback. . . . . .

Condizione: New. 2005. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 54 pages. 11.75x8.75x0.25 inches. In Stock.

hardcover. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condizione: New.

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Condizione: New. KlappentextDiscusses prominent features of many illuminated manuscripts created by leading Flemish illuminator of the 15th and 16th centuries, considering the playful ways in which the makers of these books reconfigured this design, and .

Buch. Condizione: Neu. Neuware - Discusses prominent features of many illuminated manuscripts created by leading Flemish illuminator of the 15th and 16th centuries, considering the playful ways in which the makers of these books reconfigured this design, and the ways they exploited these innovations to define and convey the meaning of their contents more effectively.…

Paperback. Condizione: new. Paperback. Hand-painted books produced in the Low Countries during the late Middle Ages are dazzingly inventive, widely admired both in their own time and today. The makers of Flemish illuminated manuscripts experimented, sometimes flamboyantly, with all aspects of their design, manipulating elements of their format, layout, script, decoration and illustration in radically new and challenging ways. In this book, James H. Marrow discusses prominent features of many of the most exuberant illuminated manuscripts created by leading Flemish illuminators of the 15th and the 16th centuries, considering both the playful ways in which the makers of these books reconfigured their design and the ways they exploited these innovations to define and convey the meaning of their contents more effectively. Marrow considers how the designers of these manuscripts broke down the barriers between the different components of the book; how the shapes of some manuscripts became a kind of image; how script sometimes became decoration or one of several illusionistically treated elements or fields on the page; and how decoration and illustration were intermixed in diverse, witty, and provocative fashions. In this final stage in the evolution of the medieval book, leading Flemish illuminators fundamentally changed the structural dynamics of the page, enlarging its fields of visual and pictorial interest and exploiting novel juxtapositions of subject matter and scale, of viewpoint and different kinds of illusionism, to guide viewers beyond the here-and-now, to evoke multiple and alternative levels of truth, and to effect profound transformations of understanding. This is an incisive study of the course of these developments in the Low Countries and of some of the important ways in which they engaged issues central to the function of the visual arts. Discusses prominent features of many illuminated manuscripts created by leading Flemish illuminator of the 15th and 16th centuries, considering the playful ways in which the makers of these books reconfigured this design, and the ways they exploited these innovations to define and convey the meaning of their contents more effectively. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condizione: New. New .Ships From Multiple Locations. book.