Isbn: 9789056628192 - from image to interaction: meaning and agency in the arts (3 risultati)

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  • Lingua: Inglese

    Editore: NAi Uitgevers / Publishers Stichting, 2011

    9056628194 / 9789056628192

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    Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books

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    Condizione: Usato - Molto buono

    EUR 14,55

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    Quantità: 1 disponibili

    Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Lingua: Inglese

    Editore: nai010 publishers, 2011

    9056628194 / 9789056628192

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    Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore

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    Condizione: Usato - Buono

    EUR 22,91

    EUR 5,23 spedizione 
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    Quantità: 4 disponibili

    Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

  • Lingua: Inglese

    Editore: NAi Publishers, 2011

    9056628194 / 9789056628192

    • Brossura

    Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS

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    Condizione: Nuovo

    EUR 1774,64

    EUR 2,62 spedizione 
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    Paperback. Condizione: New. In From Image to Interaction, Amsterdam-based essayist and media theorist Arjen Mulder retells the past 500 years of visual arts to construe their culmination in the interactive art of today. Mulder investigates the origins of modern art from Leonardo da Vinci and Michelangelo through Wassily Kandinsky, Piet Mondrian and Paul Klee, reframing art history throughout as media history, and accurately positioning these figures not only as great artists but also as great media theorists. This account of all art as a kind of "media art" underlines the experimental component of artistic endeavor: you test an idea (or a medium) which may stand or fall. Mulder's refreshingly unreverent approach to art history includes in-depth analysis of the sensations and experiences that are aroused by painting and photography, establishing corollaries in digital media and the interactive arts.