9789058679987 - Ohne Worte: Vocality and Instrumentality in 19th-Century Music di Torbianelli, Edoardo; Roudet, Jeanne; Bartoli, Jean-Pierre; Seaton, Douglass; Mossburger, Hubert (11 risultati)

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Paperback. Condizione: new. Paperback. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental. Contributors: Jean-Pierre Bartoli (Universite Paris-Sorbonne), Hubert Mossburger (Staatlichen Hochschule fur Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Universite Paris-Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Kunste Bern) What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. 2015. 1st Edition. Paperback. . . . . .

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 1st edition. 100 pages. French language. 9.75x6.00x0.75 inches. In Stock.

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Condizione: New. 2015. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. KlappentextrnrnThe musical thought and practice of canonical composers.What can music tell us - without words? Can it depict scenes, narrate stories,elucidate beliefs? And can it be an instrument through which we accessthe inner live.

Paperback. Condizione: new. Paperback. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental. Contributors: Jean-Pierre Bartoli (Universite Paris-Sorbonne), Hubert Mossburger (Staatlichen Hochschule fur Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Universite Paris-Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Kunste Bern) What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. Neuware - The musical thought and practice of canonical composersWhat can music tell us-without words Can it depict scenes, narrate stories, elucidate beliefs And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).ContributorsJean-Pierre Bartoli (Université Paris-Sorbonne), Hubert Moßburger (Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Université Paris-Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Künste Bern).