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9789061869948 - Theory Into Practice: Composition, Performance And The Listening Experience di Cook, Nicholas; Johnson, Peter; Zender, Hans (17 risultati)
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Theory Into Practice : Composition, Performance And The Listening Experience
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Theory into Practice
Lingua: Inglese
Editore: Leuven University Press, BE, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Da: Rarewaves.com USA, London, LONDO, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. 'Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.A dutch edition is also available.
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Theory Into Practice : Composition, Performance And The Listening Experience
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Theory Into Practice
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Theory Into Practice
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Theory into Practice (Paperback)
Lingua: Inglese
Editore: Leuven University Press, Leuven, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
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Paperback. Condizione: new. Paperback. The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experience: Bach's 'Erbarme dich'" shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his "A Road Map for Orpheus?," states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions. The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Theory Into Practice : Composition, Performance And The Listening Experience
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Theory into Practice: Composition, Performance and the Listening Experience (Collected Writings of the Orpheus Institute)
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Theory Into Practice : Composition, Performance And The Listening Experience
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Theory into Practice: Composition, Performance and the Listening Experience (Collected Writings of the Orpheus Institute)
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Aggiungi al carrelloPaperback. Condizione: Brand New. illustrated edition. 119 pages. French language. 9.00x5.50x0.50 inches. In Stock.
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Theory into Practice (Paperback)
Lingua: Inglese
Editore: Leuven University Press, Leuven, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experience: Bach's 'Erbarme dich'" shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his "A Road Map for Orpheus?," states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions. The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Theory into practice : Composition, Performance and the Listening Experience
Lingua: Inglese
Editore: Leuven University Press Nov 1999, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - 'Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.
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Theory into Practice
Lingua: Inglese
Editore: Leuven University Press, BE, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Da: Rarewaves.com UK, London, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. 'Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.A dutch edition is also available.
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Theory into Practice: Composition, Performance and the Listening Experience (Collected Writings of the Orpheus Institute)
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Theory into Practice: Composition, Performance and the Listening Experience (Collected Writings of the Orpheus Institute)
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Condizione: New. Print on Demand pp. 120 Illustrated edition.
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Theory into Practice: Composition, Performance and the Listening Experience (Collected Writings of the Orpheus Institute)
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