Isbn: 9789089642134 - between stillness and motion: film, photography, algorithms (5 risultati)

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9789089642134.…

Hardcover. Condizione: Very Good. Excellent used condition hardcover, printed boards; no jacket, Ships from Berlin Bookshop BXn30.

Condizione: as new. Amsterdam :Amsterdam University Press, 2011. Hardcover. 0 pp. (Film culture in transition). Includes bibliographical references (p. 225-233). Since the development of film as an artistic medium in the 1890s, there has been an inherent tension between still photographic images and moving cinematic images, from their form and function to the messages they convey and their impact on the beholder and on culture at large. This volume, one of the first book-length works to analyze, critique, and further the international debate about the meaning and use of motion and stillness in film and photography, takes these concepts out of the theoretical arena of cinematic studies and applies them to the wider and ever-changing landscape of images and media.With contributions from such acclaimed international scholars as Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom, and Christa Blümlinger, these collected essays examine the strategic uses of stillness and motion in art from the mid-nineteenth century to the technologically driven present. Condition : as new copy. ISBN 9789089642134. Keywords : FiLM, Cinematography.…

Hardcover. Condizione: Very Good. no. 2025 octobercinema-3rd shelf.

Hardcover. Condizione: New. Since the development of film as an artistic medium in the 1890s, there has been an inherent tension between still photographic images and moving cinematic images, from their form and function to the messages they convey and their impact on the beholder and on culture at large. This volume, one of the first book-length works to analyze, critique, and further the international debate about the meaning and use of motion and stillness in film and photography, takes these concepts out of the theoretical arena of cinematic studies and applies them to the wider and ever-changing landscape of images and media. With contributions from such acclaimed international scholars as Tom Gunning, Thomas Elsaesser, Mark B. N. Hansen, George Baker, Ina Blom, and Christa Blümlinger, these collected essays examine the strategic uses of stillness and motion in art from the mid-nineteenth century to the technologically driven present.…