Isbn: 9798182718981 - the bleeding margin issue no. 2 (6 risultati)

Condizione: New.

Paperback. Condizione: new. Paperback. The Bleeding Margin, Issue No. 2 pushes deeper into horror as lived experience, where violence is intimate, morality is unstable, and terror emerges from systems as often as from the supernatural.Across more than 100 pages of fiction, poetry, interviews, and visual art, this issue confronts war, surveillance, moral panic, institutional cruelty, online vigilantism, inherited trauma, and the quiet brutality of everyday spaces. The stories gathered here move through post-apocalyptic desolation, combat and bodily collapse, obsessive digital cultures, social erasure, and acts of violence that linger long after they are witnessed-or ignored.This issue features interviews with Stephen Graham Jones and Paul Tremblay, alongside in-depth author Q&As that accompany every piece, pulling back the curtain on craft, obsession, ethics, and intent. The result is not commentary layered on top of the work, but a second descent, one that exposes how these stories were made, and why they refuse easy closure.Visual art drawn from museum and private collections runs throughout the issue, functioning not as illustration but as pressure: interruptions, echoes, and wounds embedded between texts. Together, the writing and art insist on a central truth: that horror is not spectacle, nor metaphor alone, but a way of reckoning with power, memory, injustice, and the body. The Bleeding Margin, Issue No. 2 features horror fiction and author interviews. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. The Bleeding Margin, Issue No. 2 pushes deeper into horror as lived experience, where violence is intimate, morality is unstable, and terror emerges from systems as often as from the supernatural.Across more than 100 pages of fiction, poetry, interviews, and visual art, this issue confronts war, surveillance, moral panic, institutional cruelty, online vigilantism, inherited trauma, and the quiet brutality of everyday spaces. The stories gathered here move through post-apocalyptic desolation, combat and bodily collapse, obsessive digital cultures, social erasure, and acts of violence that linger long after they are witnessed-or ignored.This issue features interviews with Stephen Graham Jones and Paul Tremblay, alongside in-depth author Q&As that accompany every piece, pulling back the curtain on craft, obsession, ethics, and intent. The result is not commentary layered on top of the work, but a second descent, one that exposes how these stories were made, and why they refuse easy closure.Visual art drawn from museum and private collections runs throughout the issue, functioning not as illustration but as pressure: interruptions, echoes, and wounds embedded between texts. Together, the writing and art insist on a central truth: that horror is not spectacle, nor metaphor alone, but a way of reckoning with power, memory, injustice, and the body. The Bleeding Margin, Issue No. 2 features horror fiction and author interviews. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Bleeding Margin, Issue No. 2 pushes deeper into horror as lived experience, where violence is intimate, morality is unstable, and terror emerges from systems as often as from the supernatural.Across more than 100 pages of fiction, poetry, interviews, and visual art, this issue confronts war, surveillance, moral panic, institutional cruelty, online vigilantism, inherited trauma, and the quiet brutality of everyday spaces. The stories gathered here move through post-apocalyptic desolation, combat and bodily collapse, obsessive digital cultures, social erasure, and acts of violence that linger long after they are witnessed-or ignored.This issue features interviews with Stephen Graham Jones and Paul Tremblay, alongside in-depth author Q&As that accompany every piece, pulling back the curtain on craft, obsession, ethics, and intent. The result is not commentary layered on top of the work, but a second descent, one that exposes how these stories were made, and why they refuse easy closure.Visual art drawn from museum and private collections runs throughout the issue, functioning not as illustration but as pressure: interruptions, echoes, and wounds embedded between texts. Together, the writing and art insist on a central truth: that horror is not spectacle, nor metaphor alone, but a way of reckoning with power, memory, injustice, and the body.…

Taschenbuch. Condizione: Neu. The Bleeding Margin Issue No. 2 | John Mark King (u. a.) | Taschenbuch | Englisch | 2026 | Capital Horror Press | EAN 9798182718981 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Paperback. Condizione: new. Paperback. The Bleeding Margin, Issue No. 2 pushes deeper into horror as lived experience, where violence is intimate, morality is unstable, and terror emerges from systems as often as from the supernatural.Across more than 100 pages of fiction, poetry, interviews, and visual art, this issue confronts war, surveillance, moral panic, institutional cruelty, online vigilantism, inherited trauma, and the quiet brutality of everyday spaces. The stories gathered here move through post-apocalyptic desolation, combat and bodily collapse, obsessive digital cultures, social erasure, and acts of violence that linger long after they are witnessed-or ignored.This issue features interviews with Stephen Graham Jones and Paul Tremblay, alongside in-depth author Q&As that accompany every piece, pulling back the curtain on craft, obsession, ethics, and intent. The result is not commentary layered on top of the work, but a second descent, one that exposes how these stories were made, and why they refuse easy closure.Visual art drawn from museum and private collections runs throughout the issue, functioning not as illustration but as pressure: interruptions, echoes, and wounds embedded between texts. Together, the writing and art insist on a central truth: that horror is not spectacle, nor metaphor alone, but a way of reckoning with power, memory, injustice, and the body. The Bleeding Margin, Issue No. 2 features horror fiction and author interviews. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…