Isbn: 9798259503670 - the urban birdsong decoder (7 risultati)

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  • Lingua: Inglese

    Editore: Nimble Books, 2026

    9798259503670

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    Da: California Books, Miami, FL, U.S.A.California Books

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  • Lingua: Inglese

    Editore: Nimble Books, 2026

    9798259503670

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    Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US

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    PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

  • Lingua: Inglese

    Editore: Nimble Books, 2026

    9798259503670

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    Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK

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    PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

  • Lingua: Inglese

    Editore: Nimble Books, 2026

    9798259503670

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    Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail

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    EUR 33,10

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    Paperback. Condizione: new. Paperback. A city bird is easiest to misidentify when the listener starts with a name instead of a pattern. In Opening Matter: The City Has a Sound Map, the controlling focus is color guide framing, real-audio spectrogram discipline, and differential diagnosis. The Cornell source packet supports species descriptions, occurrence checks, audio-archive use, and spectrogram workflow, but it does not authorize invented recordings or decorative fake sonograms (Cornell Lab of Ornithology, 2025). The first discipline of urban listening is to collect evidence before naming the singer. The reader should listen for pitch, rhythm, phrase length, repetition, texture, habitat, time of day, and season before reaching for a species name. A single cue can start a hypothesis; it should not end the diagnosis (Cornell Lab of Ornithology, 2025). This guide treats birdsong as a field problem with multiple clues, not as a magic trick of perfect memory. Urban acoustics complicate the work. Traffic masks low notes, glass and walls bounce sound, and a singer may be above or behind the listener. The book therefore emphasizes listening position and repeated checks over instant certainty (Cornell Lab of Ornithology, 2025). Cue What to note Caution --------- Pitch high, middle, low; rising or falling Do not identify from pitch alone. Rhythm even, bouncing, accelerating, broken Compare several phrases. Texture clear, buzzy, raspy, liquid, mechanical Account for traffic masking. Place canopy, shrub, roof, wire, ground edge Use habitat as probability, not proof. The safest identification is a convergence: sound, place, season, behavior, and probability. Where the manuscript discusses spectrograms, it labels deterministic teaching diagrams as simulated plates unless they are generated from verified Macaulay Library or xeno-canto audio with license and metadata tracked (Cornell Lab of Ornithology, 2025); (xeno-canto Foundation, 2025). Spectrograms are useful only when their provenance is honest. The field-guide promise is practical: help a reader hear differences among common urban birds, build a careful note-taking habit, and avoid overclaiming an ID from a short chip or an unseen singer (Cornell Lab of Ornithology, 2025). A city bird is easiest to misidentify when the listener starts with a name instead of a pattern. In Opening Matter: The City Has a Sound Map, the controlling focus is color guide framing, real-audio spectrogram discipline, and differential diagnosis. The Cornell source packet supports species descriptions, occurrence checks, audio-archive use, and spectrogram workflow, but it does not authorize invented recordings or decorative fake sonograms (Cornell Lab of Ornithology, 2025). The first discipline of urban listening is to collect evidence before naming the singer. The reader should listen for pitch, rhythm, phrase length, repetition, texture, habitat, time of day, and season before reaching for a species name. A single cue can start a hypothesis; it should not end the diagnosis (Cornell Lab of Ornithology, 2025). This guide treats birdsong as a field problem with multiple clues, not as a magic trick of perfect memory. Urban acoustics complicate the work. Traffic masks low notes, glass and walls bounce sound, and a singer may be above or behind the listener. The book therefore emphasizes listening position and repeated checks over instant certainty (Cornell Lab of Ornithology, 2025). A city bird is easiest to misidentify when the listener starts with a name instead of a pattern. In Opening Matter: The City Has a Sound Map, the controlling focus is color guide framing, real-audio spectrogram discipline, and differential diagnosis. The Cornell source packet supports species descriptions, occurrence checks, audio-archive use, a. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Lingua: Inglese

    Editore: Nimble Books, 2026

    9798259503670

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    Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH

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    Condizione: Nuovo

    EUR 42,50

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    Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A city bird is easiest to misidentify when the listener starts with a name instead of a pattern. In Opening Matter: The City Has a Sound Map, the controlling focus is color guide framing, real-audio spectrogram discipline, and differential diagnosis. The Cornell source packet supports species descriptions, occurrence checks, audio-archive use, a.…

  • Lingua: Inglese

    Editore: Nimble Books, 2026

    9798259503670

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    Da: CitiRetail, Stevenage, Regno UnitoCitiRetail

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    Condizione: Nuovo

    EUR 38,26

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    Quantità: 1 disponibile

    Paperback. Condizione: new. Paperback. A city bird is easiest to misidentify when the listener starts with a name instead of a pattern. In Opening Matter: The City Has a Sound Map, the controlling focus is color guide framing, real-audio spectrogram discipline, and differential diagnosis. The Cornell source packet supports species descriptions, occurrence checks, audio-archive use, and spectrogram workflow, but it does not authorize invented recordings or decorative fake sonograms (Cornell Lab of Ornithology, 2025). The first discipline of urban listening is to collect evidence before naming the singer. The reader should listen for pitch, rhythm, phrase length, repetition, texture, habitat, time of day, and season before reaching for a species name. A single cue can start a hypothesis; it should not end the diagnosis (Cornell Lab of Ornithology, 2025). This guide treats birdsong as a field problem with multiple clues, not as a magic trick of perfect memory. Urban acoustics complicate the work. Traffic masks low notes, glass and walls bounce sound, and a singer may be above or behind the listener. The book therefore emphasizes listening position and repeated checks over instant certainty (Cornell Lab of Ornithology, 2025). Cue What to note Caution --------- Pitch high, middle, low; rising or falling Do not identify from pitch alone. Rhythm even, bouncing, accelerating, broken Compare several phrases. Texture clear, buzzy, raspy, liquid, mechanical Account for traffic masking. Place canopy, shrub, roof, wire, ground edge Use habitat as probability, not proof. The safest identification is a convergence: sound, place, season, behavior, and probability. Where the manuscript discusses spectrograms, it labels deterministic teaching diagrams as simulated plates unless they are generated from verified Macaulay Library or xeno-canto audio with license and metadata tracked (Cornell Lab of Ornithology, 2025); (xeno-canto Foundation, 2025). Spectrograms are useful only when their provenance is honest. The field-guide promise is practical: help a reader hear differences among common urban birds, build a careful note-taking habit, and avoid overclaiming an ID from a short chip or an unseen singer (Cornell Lab of Ornithology, 2025). A city bird is easiest to misidentify when the listener starts with a name instead of a pattern. In Opening Matter: The City Has a Sound Map, the controlling focus is color guide framing, real-audio spectrogram discipline, and differential diagnosis. The Cornell source packet supports species descriptions, occurrence checks, audio-archive use, and spectrogram workflow, but it does not authorize invented recordings or decorative fake sonograms (Cornell Lab of Ornithology, 2025). The first discipline of urban listening is to collect evidence before naming the singer. The reader should listen for pitch, rhythm, phrase length, repetition, texture, habitat, time of day, and season before reaching for a species name. A single cue can start a hypothesis; it should not end the diagnosis (Cornell Lab of Ornithology, 2025). This guide treats birdsong as a field problem with multiple clues, not as a magic trick of perfect memory. Urban acoustics complicate the work. Traffic masks low notes, glass and walls bounce sound, and a singer may be above or behind the listener. The book therefore emphasizes listening position and repeated checks over instant certainty (Cornell Lab of Ornithology, 2025). A city bird is easiest to misidentify when the listener starts with a name instead of a pattern. In Opening Matter: The City Has a Sound Map, the controlling focus is color guide framing, real-audio spectrogram discipline, and differential diagnosis. The Cornell source packet supports species descriptions, occurrence checks, audio-archive use, a. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

  • Lingua: Inglese

    Editore: Nimble Books, 2026

    9798259503670

    • Brossura
    • Print on Demand

    Da: preigu, Osnabrück, Germaniapreigu

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    Condizione: Nuovo

    EUR 61,10

    EUR 70,00 spedizione 
    Spedito da Germania a U.S.A.

    Quantità: 5 disponibili

    Taschenbuch. Condizione: Neu. The Urban Birdsong Decoder | Nimble Books LLC | Taschenbuch | Sprint E | Englisch | 2026 | Nimble Books | EAN 9798259503670 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.