Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 15,04
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 15,41
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: California Books, Miami, FL, U.S.A.
EUR 17,86
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 17,63
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 19,19
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. The theatre community is oftentimes neutral toward the church. Of course, not every theatre community member is against the church, but it has been Deborah Richardson-Moylan's experience that most theatre artists are, at best, neutral toward the Christian faith, if not downright negative. This is not surprising given the general makeup of theatre artists: self-defined outsiders who have found community within theatre itself. Historically, evangelical churches have built boundaries between who is in and who is out. Typically, artists and creatives have been deemed out for centuries. Couple that with the high percentage of the LGBTQ+ community that have found a home within the theatre community, and it is understandable that the church has been viewed as unaccepting and unwelcoming, maybe even hostile. How, then, does one foster a faith family within the theatre community? As both pastor and theatre artist, the author presents this book to suggest how: (1) to create a faith family out of the theatre community, (2) to create a means by which topics of faith are presented in the lingua franca of the theatre community, while being inclusive to those in the LGBTQ+ community, and finally (3) to remain authentically loving throughout the process. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 18,33
Quantità: Più di 20 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 17,64
Quantità: Più di 20 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 29,21
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. The theatre community is oftentimes neutral toward the church. Of course, not every theatre community member is against the church, but it has been Deborah Richardson-Moylan's experience that most theatre artists are, at best, neutral toward the Christian faith, if not downright negative. This is not surprising given the general makeup of theatre artists: self-defined outsiders who have found community within theatre itself. Historically, evangelical churches have built boundaries between who is in and who is out. Typically, artists and creatives have been deemed out for centuries. Couple that with the high percentage of the LGBTQ+ community that have found a home within the theatre community, and it is understandable that the church has been viewed as unaccepting and unwelcoming, maybe even hostile. How, then, does one foster a faith family within the theatre community? As both pastor and theatre artist, the author presents this book to suggest how: (1) to create a faith family out of the theatre community, (2) to create a means by which topics of faith are presented in the lingua franca of the theatre community, while being inclusive to those in the LGBTQ+ community, and finally (3) to remain authentically loving throughout the process. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Da: CitiRetail, Stevenage, Regno Unito
EUR 22,05
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. The theatre community is oftentimes neutral toward the church. Of course, not every theatre community member is against the church, but it has been Deborah Richardson-Moylan's experience that most theatre artists are, at best, neutral toward the Christian faith, if not downright negative. This is not surprising given the general makeup of theatre artists: self-defined outsiders who have found community within theatre itself. Historically, evangelical churches have built boundaries between who is in and who is out. Typically, artists and creatives have been deemed out for centuries. Couple that with the high percentage of the LGBTQ+ community that have found a home within the theatre community, and it is understandable that the church has been viewed as unaccepting and unwelcoming, maybe even hostile. How, then, does one foster a faith family within the theatre community? As both pastor and theatre artist, the author presents this book to suggest how: (1) to create a faith family out of the theatre community, (2) to create a means by which topics of faith are presented in the lingua franca of the theatre community, while being inclusive to those in the LGBTQ+ community, and finally (3) to remain authentically loving throughout the process. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 25,46
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The theatre community is oftentimes neutral toward the church. Of course, not every theatre community member is against the church, but it has been Deborah Richardson-Moylan's experience that most theatre artists are, at best, neutral toward the Christian faith, if not downright negative. This is not surprising given the general makeup of theatre artists: self-defined outsiders who have found community within theatre itself. Historically, evangelical churches have built boundaries between who is in and who is out. Typically, artists and creatives have been deemed out for centuries. Couple that with the high percentage of the LGBTQ+ community that have found a home within the theatre community, and it is understandable that the church has been viewed as unaccepting and unwelcoming, maybe even hostile.How, then, does one foster a faith family within the theatre community As both pastor and theatre artist, the author presents this book to suggest how: (1) to create a faith family out of the theatre community, (2) to create a means by which topics of faith are presented in the lingua franca of the theatre community, while being inclusive to those in the LGBTQ+ community, and finally (3) to remain authentically loving throughout the process.
Da: preigu, Osnabrück, Germania
EUR 21,80
Quantità: 5 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. All the World's a Stage | Developing and Implementing an Inclusive Theatre-Based Faith Community | Deborah L. Richardson-Moylan | Taschenbuch | Englisch | 2026 | Wipf and Stock | EAN 9798385256969 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.