9798987624920 - Contextures (13 risultati)

Paperback. Condizione: Good.

Soft cover. Condizione: New. Softcover, 112 pages 9 x 9.25 inches. Sealed, new. Contextures was originally published in 1978 by New York City's legendary Just Above Midtown gallery. Edited by gallery founder Linda Goode Bryant and Marcy S. Philips, the publication provides an extensive history of Black artists working in abstraction from 1945 to 1978, while also articulating a newly-emerging movement of Black Conceptual Art in the 1970s. This new edition is produced in facsimile form and is a co-publication with Pacific.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. A facsimile of the Just Above Midtown 1978 exhibition catalog that disrupted the white-dominated canon of postwar abstract artOriginally published in 1978 alongside an exhibition at the legendary Just Above Midtown gallery, Contextures was the first of its kind. More textbook than traditional catalog, the volume realized the vital mission of situating Black artists within the still-prevalent, white-dominated canon of postwar abstract art. Contextures not only provides an extensive history of Black artists working in abstraction from 1945 to 1978, but it also articulates the then newly emerging movement of Black Conceptual Art in the 1970s. Despite its historical importance and visionary scholarship, it was originally produced in a limited run of just a few hundred copies by the gallery and remains rare and largely unknown.The publication contains extensive writing by editors Linda Goode Bryant and Marcy S. Philips, drawn from interviews with the featured artists, as well as 58 black-and-white and 16 color images documenting the work of 25 artists, including Frank Bowling, Ed Clark, David Hammons, Suzanne Jackson and Betye Saar. This new edition is produced in facsimile form and features a newly commissioned afterword by Thomas (T.) Jean Lax, curator of the exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art, New York. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. A facsimile of the Just Above Midtown 1978 exhibition catalog that disrupted the white-dominated canon of postwar abstract artOriginally published in 1978 alongside an exhibition at the legendary Just Above Midtown gallery, Contextures was the first of its kind. More textbook than traditional catalog, the volume realized the vital mission of situating Black artists within the still-prevalent, white-dominated canon of postwar abstract art. Contextures not only provides an extensive history of Black artists working in abstraction from 1945 to 1978, but it also articulates the then newly emerging movement of Black Conceptual Art in the 1970s. Despite its historical importance and visionary scholarship, it was originally produced in a limited run of just a few hundred copies by the gallery and remains rare and largely unknown.The publication contains extensive writing by editors Linda Goode Bryant and Marcy S. Philips, drawn from interviews with the featured artists, as well as 58 black-and-white and 16 color images documenting the work of 25 artists, including Frank Bowling, Ed Clark, David Hammons, Suzanne Jackson and Betye Saar. This new edition is produced in facsimile form and features a newly commissioned afterword by Thomas (T.) Jean Lax, curator of the exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art, New York. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - A facsimile of the Just Above Midtown 1978 exhibition catalog that disrupted the white-dominated canon of postwar abstract art.