ISBN: 9798990629929 - movement research performance journal #62: we exist in the ambivalence of those motherfuckers (6 risultati)

Paperback. Condizione: new. Paperback. What began as a project responding to the fiftieth anniversary of the end of the Vietnam War became a project of inhabiting the Movement Research Performance Journal (MRPJ) from within the landscape of contemporary Vietnamese performance art. The result, Issue #62, is a window onto a community of insiders who reflect a set of concerns, questions, historical trajectories, and aesthetic legacies that differ from what has more often been foregrounded in our U.S./New York City-centric publication. Like other documents of this kind, which endeavor to portray a performance scene that will be foreign to many readers, the texts from this group of intergenerational, contemporary artists demonstrate a careful navigation of the dialectics of inside and outside, self and other, performer and audience, seeing and being seen, that informs every exchange across cultural difference. The texts are also not monolithic, suggesting a range of relations to the Vietnam of the past and present, from within Vietnams national borders and among the diaspora. Especially for contributors living and working in Vietnam, writing has also been a practice of choreographing words within a political landscape where to speak publicly, in itself, is a performance of negotiated risk. Embracing the complexities of these differing positions has been the focus of our editorial processone that has asked the editorial team to embrace the limits of our own knowledge, to recognize we will not be able to recognize all valences others may discover in these texts, and not to edit these layers out of the works that follow. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. What began as a project responding to the fiftieth anniversary of the end of the Vietnam War became a project of inhabiting the Movement Research Performance Journal (MRPJ) from within the landscape of contemporary Vietnamese performance art. The result, Issue #62, is a window onto a community of insiders who reflect a set of concerns, questions, historical trajectories, and aesthetic legacies that differ from what has more often been foregrounded in our U.S./New York City-centric publication. Like other documents of this kind, which endeavor to portray a performance scene that will be foreign to many readers, the texts from this group of intergenerational, contemporary artists demonstrate a careful navigation of the dialectics of inside and outside, self and other, performer and audience, seeing and being seen, that informs every exchange across cultural difference. The texts are also not monolithic, suggesting a range of relations to the Vietnam of the past and present, from within Vietnams national borders and among the diaspora. Especially for contributors living and working in Vietnam, writing has also been a practice of choreographing words within a political landscape where to speak publicly, in itself, is a performance of negotiated risk. Embracing the complexities of these differing positions has been the focus of our editorial processone that has asked the editorial team to embrace the limits of our own knowledge, to recognize we will not be able to recognize all valences others may discover in these texts, and not to edit these layers out of the works that follow. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. Neuware.

Paperback. Condizione: new. Paperback. What began as a project responding to the fiftieth anniversary of the end of the Vietnam War became a project of inhabiting the Movement Research Performance Journal (MRPJ) from within the landscape of contemporary Vietnamese performance art. The result, Issue #62, is a window onto a community of insiders who reflect a set of concerns, questions, historical trajectories, and aesthetic legacies that differ from what has more often been foregrounded in our U.S./New York City-centric publication. Like other documents of this kind, which endeavor to portray a performance scene that will be foreign to many readers, the texts from this group of intergenerational, contemporary artists demonstrate a careful navigation of the dialectics of inside and outside, self and other, performer and audience, seeing and being seen, that informs every exchange across cultural difference. The texts are also not monolithic, suggesting a range of relations to the Vietnam of the past and present, from within Vietnams national borders and among the diaspora. Especially for contributors living and working in Vietnam, writing has also been a practice of choreographing words within a political landscape where to speak publicly, in itself, is a performance of negotiated risk. Embracing the complexities of these differing positions has been the focus of our editorial processone that has asked the editorial team to embrace the limits of our own knowledge, to recognize we will not be able to recognize all valences others may discover in these texts, and not to edit these layers out of the works that follow. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New. New Book, Direct from Publisher.