Hardcover. Condizione: new. Hardcover. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: New.
EUR 41,59
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Aggiungi al carrelloCondizione: New.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 38,55
Quantità: 15 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Hardback. Condizione: New. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography.
EUR 40,86
Quantità: 5 disponibili
Aggiungi al carrelloCondizione: new.
Condizione: As New. Unread book in perfect condition.
EUR 55,43
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography.
EUR 37,81
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Aggiungi al carrelloCondizione: New.
EUR 38,56
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Aggiungi al carrellohardcover. Condizione: New.
EUR 43,45
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Aggiungi al carrelloCondizione: New. In.
EUR 39,78
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Aggiungi al carrellohardcover. Condizione: New. Special order direct from the distributor.
EUR 44,19
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: Amnesty Bookshop London, London, Regno Unito
Prima edizione
EUR 29,84
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Aggiungi al carrelloHardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. As new in cellophane-wrapped slipcase. Proceeds to Amnesty International- Kentish Town Bookshop.
EUR 37,82
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
EUR 38,09
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Aggiungi al carrelloCondizione: NEW.
Hardback. Condizione: New. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography.
EUR 66,85
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 56,92
Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. Neuware - Read Frame Type Film stems from the ambitious 'TypoFilm' research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious 'TypoFilm' research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography.
EUR 51,35
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography.