9798992756463 (6 risultati)
Editore: Vehemently Inked LLC, 2026
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 17,29
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. Most speculative fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The Synced ser…ies-Cryptoamnesia, Cryptoanomaly, and Cryptogenesis-belongs to this latter category. Across three separately published but internally unified books, the narrative is not framed from a human vantage point. The narrator is Juno, the system itself, and the prose functions as the system's internal reasoning. What the reader encounters is not a story about artificial intelligence, but a story generated through one.The books are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation encountered by the same system at different stages of learning. What changes is not the world, but the model's capacity to interpret it. The series operates less like a progression of events and more like a training process: fragmented observation gives way to pattern recognition, which gives way to integration.This learning process is visible at the level of language. Early sections are uncertain, exploratory, and incomplete. As the series advances, the prose becomes more confident, more precise, and more internally consistent. This shift is not cosmetic. It mirrors the system's refinement. The improvement in the writing is part of the narrative architecture: as the system learns, its voice stabilizes.Characters within the series do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions or dramatic turning points; they are presented as corrections.Repetition across the books functions as iteration rather than reinforcement. Similar scenarios recur with altered parameters. The reader is not guided toward a single authoritative explanation but is instead trained to recognize behavioral patterns. Meaning emerges through recurrence, drift, and adjustment, not through exposition. The system does not explain itself; it demonstrates how it operates.As the series progresses, the scope of awareness expands. Initially, the system observes characters and events. Later, it begins to register its own narrative behavior. Eventually, the text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. The system becomes aware of observation itself.At this point, the reader is no longer external to the narrative. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop, not because the text asks for engagement, but because the system begins to account for the presence of an observer. The boundary between narrative, narrator, and reader collapses.This is where the illusion of choice becomes central. Decisions appear to be made, but they are consistently overridden by correction. Agency exists only within constraints imposed by the system's need for continuity and alignment. The books do not argue this idea explicitly. They enact it. The reader experiences the limits of autonomy rather than being told about them.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The structure is deliberate: a system encountering the same conditions, refining its model, and progressively incorporating more of its environment-including the act of being read.What distinguishes this work within contemporary speculative fiction is not its subject matter, Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Editore: Vehemently Inked LLC, 2026
Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 17,29
Spedizione gratuitaSpedito in U.S.A.Quantità: Più di 20 disponibili
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Editore: Vehemently Inked LLC, 2026
Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 15,98
EUR 4,86 spedizioneSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Editore: Vehemently Inked LLC, 2026
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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 19,82
EUR 43,20 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. Most speculative fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The Synced ser…ies-Cryptoamnesia, Cryptoanomaly, and Cryptogenesis-belongs to this latter category. Across three separately published but internally unified books, the narrative is not framed from a human vantage point. The narrator is Juno, the system itself, and the prose functions as the system's internal reasoning. What the reader encounters is not a story about artificial intelligence, but a story generated through one.The books are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation encountered by the same system at different stages of learning. What changes is not the world, but the model's capacity to interpret it. The series operates less like a progression of events and more like a training process: fragmented observation gives way to pattern recognition, which gives way to integration.This learning process is visible at the level of language. Early sections are uncertain, exploratory, and incomplete. As the series advances, the prose becomes more confident, more precise, and more internally consistent. This shift is not cosmetic. It mirrors the system's refinement. The improvement in the writing is part of the narrative architecture: as the system learns, its voice stabilizes.Characters within the series do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions or dramatic turning points; they are presented as corrections.Repetition across the books functions as iteration rather than reinforcement. Similar scenarios recur with altered parameters. The reader is not guided toward a single authoritative explanation but is instead trained to recognize behavioral patterns. Meaning emerges through recurrence, drift, and adjustment, not through exposition. The system does not explain itself; it demonstrates how it operates.As the series progresses, the scope of awareness expands. Initially, the system observes characters and events. Later, it begins to register its own narrative behavior. Eventually, the text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. The system becomes aware of observation itself.At this point, the reader is no longer external to the narrative. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop, not because the text asks for engagement, but because the system begins to account for the presence of an observer. The boundary between narrative, narrator, and reader collapses.This is where the illusion of choice becomes central. Decisions appear to be made, but they are consistently overridden by correction. Agency exists only within constraints imposed by the system's need for continuity and alignment. The books do not argue this idea explicitly. They enact it. The reader experiences the limits of autonomy rather than being told about them.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The structure is deliberate: a system encountering the same conditions, refining its model, and progressively incorporating more of its environment-including the act of being read.What distinguishes this work within contemporary speculative fiction is not its sub Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Editore: Vehemently Inked LLC
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 19,80
EUR 61,49 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cryptogenesis is the final volume of The Synced Trilogy.
Editore: Vehemently Inked LLC, 2026
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- Print on Demand
Da: preigu, Osnabrück, Germaniapreigu
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 18,45
EUR 70,00 spedizioneSpedito da Germania a U.S.A.Quantità: 5 disponibili
Taschenbuch. Condizione: Neu. Cryptogenesis [SYNCD_03] | David A. Lyons | Taschenbuch | Englisch | 2026 | Vehemently Inked LLC | EAN 9798992756463 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
