V&a printmaking - 2 serie (47 risultati)

Hardcover. Condizione: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condizione: Good. A celebration of the rich 20th- and 21st-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the post-war period and today, by artists such as Andy Warhol, Bridget Riley and Damien Hirst. Screenprints: A History, the first title in the V&A's new series on the history and practice of printmaking, is a celebration of the fine-art applications of this versatile medium, from the commercial origins of the screenprinting process in 1920s America, its pivotal role in 1960s Pop and Op Art among artists such as Andy Warhol and Bridget Riley, through to its adoption by Damien Hirst and the YBAs of the 1990s, and its enduring presence in contemporary art. This beautifully designed, strikingly illustrated introduction will appeal to art lovers and practising artists everywhere. The origins of the screenprinting process are introduced through early artistic precursors, such as the stencil and pochoir printing in the making of Henri Matisse?s Jazz, and other artists? books. Screenprinting became one of the most important techniques in the rise of artists? limited-edition fine art prints from the 1960s onwards, seen here in the work of notable figures such as Roy Lichtenstein and Eduardo Paolozzi, and contemporary artists such as Damien Hirst, who have variously engaged with the medium?s commercial origins and, conversely, its capacity for a hand-made aesthetic. Special focus is given to lesser-known names who pioneered the use of the screenprint in fine art in the UK, the USA and Europe, including Francis Carr and Ben Shahn, while tracing its global spread through Africa, the Caribbean and Australasia. An illustrated, step-by-step guide to the practical process further enriches this multifaceted account. The democratic medium has further lent itself to spontaneous graphic protest, notably in the Atelier Populaire posters made in Paris in 1968, featured here and embodying screenprinting?s unique qualities, rich colours and graphic impact.…

Hardback. Condizione: Good. A celebration of the rich 20th- and 21st-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the post-war period and today, by artists such as Andy Warhol, Bridget Riley and Damien Hirst. Screenprints: A History, the first title in the V&A's new series on the history and practice of printmaking, is a celebration of the fine-art applications of this versatile medium, from the commercial origins of the screenprinting process in 1920s America, its pivotal role in 1960s Pop and Op Art among artists such as Andy Warhol and Bridget Riley, through to its adoption by Damien Hirst and the YBAs of the 1990s, and its enduring presence in contemporary art. This beautifully designed, strikingly illustrated introduction will appeal to art lovers and practising artists everywhere. The origins of the screenprinting process are introduced through early artistic precursors, such as the stencil and pochoir printing in the making of Henri Matisse?s Jazz, and other artists? books. Screenprinting became one of the most important techniques in the rise of artists? limited-edition fine art prints from the 1960s onwards, seen here in the work of notable figures such as Roy Lichtenstein and Eduardo Paolozzi, and contemporary artists such as Damien Hirst, who have variously engaged with the medium?s commercial origins and, conversely, its capacity for a hand-made aesthetic. Special focus is given to lesser-known names who pioneered the use of the screenprint in fine art in the UK, the USA and Europe, including Francis Carr and Ben Shahn, while tracing its global spread through Africa, the Caribbean and Australasia. An illustrated, step-by-step guide to the practical process further enriches this multifaceted account. The democratic medium has further lent itself to spontaneous graphic protest, notably in the Atelier Populaire posters made in Paris in 1968, featured here and embodying screenprinting?s unique qualities, rich colours and graphic impact.…

Hardcover. Condizione: New. With dust jacket. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardback or Cased Book. Condizione: New. Linocuts: A History. Book.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. A celebration of the rich 20th- and 21st-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the post-war period and today, by artists such as Andy Warhol, Bridget Riley and Damien Hirst. Screenprints: A History, the first title in the VandA's new series on the history and practice of printmaking, is a celebration of the fine-art applications of this versatile medium, from the commercial origins of the screenprinting process in 1920s America, its pivotal role in 1960s Pop and Op Art among artists such as Andy Warhol and Bridget Riley, through to its adoption by Damien Hirst and the YBAs of the 1990s, and its enduring presence in contemporary art. This beautifully designed, strikingly illustrated introduction will appeal to art lovers and practising artists everywhere. The origins of the screenprinting process are introduced through early artistic precursors, such as the stencil and pochoir printing in the making of Henri Matisse's Jazz, and other artists' books. Screenprinting became one of the most important techniques in the rise of artists' limited-edition fine art prints from the 1960s onwards, seen here in the work of notable figures such as Roy Lichtenstein and Eduardo Paolozzi, and contemporary artists such as Damien Hirst, who have variously engaged with the medium's commercial origins and, conversely, its capacity for a hand-made aesthetic. Special focus is given to lesser-known names who pioneered the use of the screenprint in fine art in the UK, the USA and Europe, including Francis Carr and Ben Shahn, while tracing its global spread through Africa, the Caribbean and Australasia. An illustrated, step-by-step guide to the practical process further enriches this multifaceted account. The democratic medium has further lent itself to spontaneous graphic protest, notably in the Atelier Populaire posters made in Paris in 1968, featured here and embodying screenprinting's unique qualities, rich colours and graphic impact.…

Condizione: New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. A celebration of linocut's most influential practitioners as well as the schools and workshops around the world that have championed and developed the printing technique as an art form. Easier to work and cheaper than wood, linoleum has long enabled artists to create affordable and versatile colour prints. This beautifully illustrated book explores the origins of linocut and presents the pioneering figures who embraced and transformed the printmaking technique, from Claude Flight, Sybil Andrews, Edward Bawden and Cyril Power to modern and contemporary artists such as Leopoldo Mendez, Tayo Quaye and Grayson Perry, and many more. An accessible and eye-catching introduction to the distinctive aesthetics of linocut, it will appeal to those with a love of modern and contemporary art as well as practising artists everywhere. A beautifully illustrated global history of linocuts, from the emergence of the printing medium in the first decade of the twentieth century to works by today's practitioners around the world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. A celebration of the rich 20th- and 21st-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the post-war period and today, by artists such as Andy Warhol, Bridget Riley and Damien Hirst. Screenprints: A History, the first title in the V&A's new series on the history and practice of printmaking, is a celebration of the fine-art applications of this versatile medium, from the commercial origins of the screenprinting process in 1920s America, its pivotal role in 1960s Pop and Op Art among artists such as Andy Warhol and Bridget Riley, through to its adoption by Damien Hirst and the YBAs of the 1990s, and its enduring presence in contemporary art. This beautifully designed, strikingly illustrated introduction will appeal to art lovers and practising artists everywhere. The origins of the screenprinting process are introduced through early artistic precursors, such as the stencil and pochoir printing in the making of Henri Matisse's Jazz, and other artists' books. Screenprinting became one of the most important techniques in the rise of artists' limited-edition fine art prints from the 1960s onwards, seen here in the work of notable figures such as Roy Lichtenstein and Eduardo Paolozzi, and contemporary artists such as Damien Hirst, who have variously engaged with the medium's commercial origins and, conversely, its capacity for a hand-made aesthetic. Special focus is given to lesser-known names who pioneered the use of the screenprint in fine art in the UK, the USA and Europe, including Francis Carr and Ben Shahn, while tracing its global spread through Africa, the Caribbean and Australasia. An illustrated, step-by-step guide to the practical process further enriches this multifaceted account. The democratic medium has further lent itself to spontaneous graphic protest, notably in the Atelier Populaire posters made in Paris in 1968, featured here and embodying screenprinting's unique qualities, rich colours and graphic impact. A celebration of the rich twentieth and twenty-first-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the postwar period and today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: new.

Condizione: new.

Condizione: New. 2025. 1st Edition. hardcover. . . . . .

Hardback. Condizione: New. A celebration of linocut's most influential practitioners as well as the schools and workshops around the world that have championed and developed the printing technique as an art form. Easier to work and cheaper than wood, linoleum has long enabled artists to create affordable and versatile colour prints. This beautifully illustrated book explores the origins of linocut and presents the pioneering figures who embraced and transformed the printmaking technique, from Claude Flight, Sybil Andrews, Edward Bawden and Cyril Power to modern and contemporary artists such as Leopoldo Méndez, Tayo Quaye and Grayson Perry, and many more. An accessible and eye-catching introduction to the distinctive aesthetics of linocut, it will appeal to those with a love of modern and contemporary art as well as practising artists everywhere.…

Condizione: New.

Condizione: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

hardcover. Condizione: New. Brand New.

Hardcover. Condizione: Brand New. 256 pages. 8.30x1.10x10.60 inches. In Stock.

Hardcover. Condizione: Brand New. 272 pages. 10.25x7.87x10.60 inches. In Stock.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

hardcover. Condizione: New. Special order direct from the distributor.

Condizione: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.