by line selected articles di ernest hemingway william white editor (10 risultati)

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. First Edition. Hardback. Unprice clipped dust jacket. Some small ink marks and blemishes to dust jacket, slight rubbing. Housed in a protective cover. Boards clean. Internally clean and bright. Hard to find in the UK.

Paperback. Condizione: Very Good. 1967 Scribner hard cover - 1st edition 1st printing - no dust jacket - some staining to cover and page edge - otherwise binding strong contents clean - enjoy.

Softcover. 12mo., 428 pp. Bantam Q3788. First softcover printing. Organized chronologically from 1920 through 1956. Very Good in color illustrated wraps.

Hardcover. Condizione: Fine. Hardcover with DJ. BCE. Untrimmed fore edges. Faded top stain. Cloth. Lettering gold. Clean unmarked. Handsome copy. 489pp.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 8vo., 479pp. Beautiful First British Edition. Bound in red cloth with titles in gilt upon a black cloth spine label. Square, tight and clean throughout with little or no wear. Equally attractive unclipped dust-jacket, (45s. net), has gentle wear to top edge and tips. fresh and bright with no chipping, creases, or tears. A gorgeous collectable copy at a great price.

Hardcover. Condizione: Fine condition. Phillips, Alan (illustratore). Collector's edition illustrated by Alan Phillips. Bound in dark blue composition leather, decorated in gilt and red stamping with silk moire end papers. Ownership embossment on title page, otherwise fine.

Condizione: Near Fine. Condizione sovraccoperta: Very Good+. First Edition; First Printing. Near Fine first edition, first printing with "A-3.67 (V) " on cp. Free of former owner writing or bookplates. Very good plus, non price clipped ($8.95) DJ. Modest light shelfwear/tone. Jacket is in a fresh, protective mylar cover. (THIS BOOK IS IN OUR POSSESSION. WE SHIP MOST BOOKS SIX DAYS A WEEK AND WILL CONFIRM WITH TRACKING NUMBER FOR DOMESTIC ORDERS OR CUSTOMS NUMBER FOR NON DOMESTIC).

Hardcover. Collector's Edition. Fine in full dark blue leather covered boards with three raised bands on the spine with gilt text and decorations stamped in the compartments and with gilt and red tool work on both the front and rear boards. The end papers are silk with a matching silk placement ribbon sewn-in at the head of the spine. All three edges of the text block are in gilt. A small quarto measuring 9 1/4 by 6 inches. 489 pages of text including an index. Illustrated by Alan Phillips and edited by William White. A beautiful, tight, clean copy with no names, dates, notations with a blank Easton Press book plate laid-in ready to take the name of the book's next owner.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 8vo., 489pp. Beautiful First Edition with Scribner's "A" on copyright page as called for. . Bound in red cloth with titles in gilt upon a black cloth spine label. Square, tight and clean throughout with little or no wear save a touch of softness to heel but barely. Very attractive unclipped dust-jacket, ($8.95), has a couple tiny, almost invisible, closed edge-tears. A touch of toning and edge-wear. Still bright with no chipping, or creases. A sharp collectable copy at a great price.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. Fine condition red cloth boards with black front cover facsimile author signature with gold spine lettering enclosed within a gold and black block border, contained within a very good condition non price-clipped color illustrated dust jacket. Includes List of Other Books by Ernest Hemingway; Preliminary Page entitled: Hemingway Needs No Introduction; and Index. A small unobtrusive former owner stamped name and address at the center of the rear inner cover. Two tiny repaired closed tears at the upper rear jacket edge; the jacket is otherwise in near fine to fine condition (see photographs). All pages are in fine unmarked condition and the spine/binding is exceedingly tight and square (see photographs). "Although Hemingway's world-wide fame as a writer was based on his works of fiction - the short stories and novels through which he created a virtually new voice for contemporary literature - it is important to remember that for over four decades he also carried on a vigorous career in journalism. He himself was sometimes included to minimize the value of the material that he wrote as a reporter, and yet the professional training and diversified experiences that he received writing for newspapers and magazines were impoortant not only for the subject matter of his imaginative writing but also for the special characteristics of the literary style he evolved. This career began with his early apprenticeship as a cub reporter for The Kansas City Star in which he learned valuable lessons of objectivity, simplicity and brevity under the tutelage of the famous newspaper editor C.G. Wellington. In the early twenties his desire to become a writer was further advanced by the lively imaginative articles he wrote for The Toronto Star. It was as a correspondent for that paper that he was able to go to Paris, where out of the craft of creative journalism he developed the unique methods of his own literary art. In later years this journalistic career was never broken: in Key West in the thirties with his wry, inimitable articles and letters for Esquire; in the first-hand reporting of the Spanish Civil War; in the penetrating polotical and military analyses of the Sino-Japanese war in his articles for PM in 1941; in his later coverage of World War II in Europe; and finally in the mellow ironical chronicle of his last African adventures. Few correspondents have produced a more impressive body of first-rate work. In this book, prepared with the guidance of an authority in the field of journalism, the reader is given a generous and representative collection of Hemingway's best work as a reporter. Read in the light of his accomplishments as a writer of fiction, the collection as a whole is a source of unusual interest. For we are shown here the raw material, so to speak, out of which a highly original genius formed many of his literary creations." - from the inner front and rear jacket flaps.