Editore: Museum of Modern Art; distributed by New York Graphic Society, New York, 1968
Lingua: Inglese
Da: Steven Wolfe Books, Newton Centre, MA, U.S.A.
EUR 21,95
Convertire valutaQuantità: 1 disponibili
Aggiungi al carrellohardcover. Condizione: Near Fine. Condizione sovraccoperta: includes dust-jacket. DETAILS: good price-clipped dust-jacket with a few small chips and stains at bottom of spine with some sort of small label removed, near fine small gray cloth. VENTURI, ROBERT. Complexity and contradiction in architecture. With an introduction by Vincent Scully. New York: Museum of Modern Art; distributed by New York Graphic Society, 1968, second printing, 135pp., . Series: Museum of Modern Art papers on architecture, 1. 14.00.
Editore: New York (The Museum of Modern Art), 1968
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
EUR 17,56
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Aggiungi al carrello135, (9)pp. 350 illus. Wraps. Second printing.
Editore: New York: Museum of Modern Art, in association with the Graham Foundation for Advanced Studies in the Fine Arts, Chicago. Distributed by Doubleday, Garden City, 1966., 1966
Da: Ted Kottler, Bookseller, Redondo Beach, CA, U.S.A.
Prima edizione
EUR 307,23
Convertire valutaQuantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. First printing. 143 pp; 350 illus. Original cloth. Near Fine, in near fine dust jacket (unclipped). The Museum of Modern Art Papers on Architecture 1. 'A controversial critic of the blithely functionalist and symbolically vacuous architecture of corporate modernism during the 1950s, Venturi has been considered a counterrevolutionary. He published his 'gentle manifesto,' Complexity and Contradiction in Architecture in 1966, described in the introduction by Vincent Scully to be 'probably the most important writing on the making of architecture since Le Corbusier's 'Vers Une Architecture', of 1923.' Derived from course lectures at the University of Pennsylvania, Venturi received a grant from the Graham Foundation in 1965 to aid in its completion. The book opened the way for a new appreciation of architectural history as inspiration for new designs, and made a case for 'the difficult whole' rather than the diagrammatic forms popular at the time. The book has been translated and published in 18 languages' (Wikipedia).