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Editore: Faber Faber, 2022
ISBN 10: 0571370276ISBN 13: 9780571370276
Da: Books Puddle, New York, NY, U.S.A.
Libro
Condizione: New.
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Editore: Harper Collins, 2013
ISBN 10: 0062315706ISBN 13: 9780062315700
Da: Strand Book Store, ABAA, New York, NY, U.S.A.
Libro
Hardcover. Condizione: Good.
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Scopri anche Rilegato Prima edizione
Editore: Faber & Faber, London, 2013
Da: judith stinton, Dorchester, Regno Unito
Libro Prima edizione
Soft cover. Condizione: As New. Sylvia Plath (illustratore). 1st Edition. First paperback edition.Tp cornrr very slightly bumped. In clean, bright unread condition.
Editore: New York : Harper & Row January 1971, 1971
Da: Open Books West Loop, Chicago, IL, U.S.A.
Hardcover. Condizione: Used. Book Club. Good, minimal shelfwear, clean text.
Editore: Faber 2013, 2013
Da: Peter J. Hadley Bookseller ABA ILAB, Ludlow, Regno Unito
Prima edizione
Fine in publishers cloth in like dustjacket. 1st edition, 1st issue. ISBN 0571295215.
Editore: HarperCollins, (New York), 2013
ISBN 10: 0062315706ISBN 13: 9780062315700
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition. Small quarto. Introduced by Frieda Hughes. 63pp. Fine in a fine dust jacket.
Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. Sylvia Plath (illustratore). First edition. The first edition of this beautiful publication of the sketches of Sylvia Plath. The first edition, first impression of this work, in the publisher's original price unclipped dust wrapper.In 1956 Sylvia Plath wrote to her mother, 'I feel I"m developing a kind of primitive style of my own which I am very fond of'.This volume collects drawings from 1955 to 1957, the period she spent at Newnham College, Cambridge. During this time, she married Ted Hughes and travelled with him to Paris and Spain. Included in this volume are sketches of cows, meadow flowers, Ted Hughes, and bowls of fruit. In the publisher's original cloth binding, with price unclipped dust wrapper. Externally, fine. Dust wrapper fine. Internally, firmly bound. Pages clean and bright. Fine. book.
Editore: Faber and Faber Limited, 2013
Da: Helen Deighton PBFA, Sturminster Newton, Regno Unito
Membro dell'associazione: PBFA
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First printing. Small Quarto viii 63pp. 45 illustrations of pen and ink drawings from England, France, Spain and the USA. Two page Biography and one page Bibliography. Black cloth, gilt. A fine copy with no marks or inscriptions. Black and white dustwrapper with titles in red on the front and along the spine, not price clipped.
Editore: Harper & Row, New York, 1971
Da: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, U.S.A.
Prima edizione
Hardcover. Condizione: Very good overall. Stated first US edition. Sylvia Plath [1932 - 1963] originally published The Bell Jar in London in 1963 under the pseudonym "Victoria Lucas"; this edition published in New York, 8 years later and under her own name. Collectors Book plate on inside cover. 8vo, (viii), 296pp, maroon cloth, white titles on spine, in a crisp, price-clipped dust jacket which is black with purple and white titles. Dj slt. rubbed, boards very slt sunned at top, otherwise vgc.
Editore: n.p., [Wellesley, MA], 1944
Da: Type Punch Matrix, Silver Spring, MD, U.S.A.
Prima edizione Copia autografata
Condizione: Very good plus. Rare original drawing by the eleven-year-old poet featuring a lute-playing cherub singing with a robin sitting on a perch. Plath made visual art throughout her life in a wide variety of mediums: from collage to oils, watercolor to pastels. This early piece, executed in colored pencil and crayon, features two figures often symbolic of poets and poetry - the songbird and the lute - and is emblematic of Plath's art at the time: "She derived most of her early artwork [. ] from popular images of fairies and Mother Goose figures that she copied from all forms of publications, at a time when the Victorian aesthetic of flower bouquets and bluebirds, rosy-cheeked children, and cherubic angels dominated commercial and popular art forms" (Connors 10). Plath did not merely dabble in art: it was in many ways central to her creative practice. Before she settled firmly on poetry in college, she seriously considered majoring in art. As Dorothy Moss, curator of the 2017 Smithsonian National Portrait Gallery exhibition of Plath's art, "One Life: Sylvia Plath," observed: "I think that once you know that she drew and painted and sketched constantly as a child, and realize that she went to college to major in art, you'll start seeing how vivid her descriptions are, and how beautifully she put visual images into words." Plath would later write to her mother (who has annotated the verso and dated the piece to "2/4/44"): "I feel I'm developing a kind of primitive style of my own which I am very fond of" (August 28th, 1956). Provenance: Acquired by the previous owner directly from Sylvia's mother Aurelia, who was a personal friend of the buyer. Plath's mother received little money from Plath's increasingly lucrative estate which was controlled by her husband, the poet Ted Hughes, and so she occasionally sold Plath's personal items to supplement her income. A charming and moving original work from one of the defining poets of the 20th century. 6'' x 4.5''. Original drawing on plain paper, executed in colored pencil and crayon. Initialed by Plath in the lower right corner: "By / SP." Plath's mother Aurelia's penciled annotation "By / Sylvia / 2/4/44" to verso. Mild toning, edgewear. Some faint discoloration here and there. Two pin holes to top corners. Right edge a little rough as if torn from notebook or other book. Else clean and sound.