finding di rasch bodo (19 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 3rd Edition. This is a fine hardcover 3rd edition copy in a fine DJ, black spine.

Condizione: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condizione: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good Jacket. 3rd ed. Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Hardback. Condizione: New. 2019 Edition "Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. Jacket has moderate wear and a tiny (5mm) tear to top rear corner. A 'Received' label to ffep (institutional?). A crease to ffep and a date to half-title page. Some minor marks to preliminaries, otherwise internally clean. Binding tight. 240pp Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity. Size: 220mm x 240mm. Book.

Hardback. Condizione: New. 2019 Edition "Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity.

Condizione: Very Good. Very Good in a Good dust jacket; Hardcover; 2001 printing; Dust jacket is moderately shelfworn and edgeworn with one edge-scuff, but is overall good and intact, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards; Unblemished textblock edges; Small sticker to the last endpaper, otherwise the endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium-Large Format (Quatro, 9.75" - 10.75" tall); 2.4 lbs; Black dust jacket with title in white lettering; 1996, Edition Axel Menges Publishing; 240 pages; "Finding Form: Towards an Architecture of the Minimal," by Frei Otto & Bodo Rasch.

Hardcover. Condizione: Brand New. 240 pages. 10.00x9.00x0.75 inches. In Stock.

Hardback. Condizione: New. 2019 Edition "Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity.

Condizione: New. Primeval architecture is an architecture of necessity.Nothing is there to excess, no matter whetherstone, clay, reeds or wood, animal skins orhair are used. It is minimal. It can be very beautifuleven amidst poverty and is good in t.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Buch. Condizione: Neu. Frei Otto, Bodo Rasch: Finding Form | Towards an Architecture of the Minimal, Catalogue to the Exhibition Munich 1992 | Frei/Rasch, Bodo/Pfafferodt, Gerd et al Otto | Buch | 240 S. | Englisch | 2018 | Edition Axel Menges | EAN 9783930698660 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.

Hardback. Condizione: New. 2019 Edition "Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity.

Condizione: Très bon état. in-4, cartonnage éditeur, jaquette, 237 pp., nombreuses reproductions en noir et en couleurs. TEXTE EN ANGLAIS. En très bon état.