flagrante di killip chris (24 risultati)

Condizione: Good. Good+; Softcover; Covers are clean and glossy with just a few light scratches and a pattern of sun-fading to the back cover; Clean textblock edges; Very small (1/2") stain to the lower right page-edge of the last 5 pages, otherwise the endpapers and all text pages are clean and unmarked; Good binding; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); 1.4 lbs; White covers with black & white photo-illustration & title in black lettering; 1988, Martin Secker & Warburg Ltd; 90 pages; "In Flagrante," by Chris Killip.

Condizione: Wie neu. Errata Editions. 2014. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover with dustjacket (as issued). 185 x 250 mm. 108 pages. 65 Duotone and 4-color illustrations. Book design: Jeffrey Ladd. Editor: Ed Grazda. Series concept: Jeffrey Ladd. Essays by John Berger and Sylvia Grant, Gerry Badger, Jeffrey Ladd. Text in english. Perfect condition! Collector`s copy! "Chris Killip`s In Flagrante is often cited as the most important photobook to come from England in the 1980s. Published in 1988, In Flagrante describes the communities in Northern England that were devastated by the deindustrialisation common to policies carried out by Thatcher and her predecessors starting in the mid-1970s. Books on Books 4 presents Killip`s political yet lyric work and a new essay by Gerry Badger called Dispatches from a War Zone." (from the publisher)***************Errata Editions. 2014. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover mit Schutzumschlag. 185 x 250 mm. 108 Seiten. 65 Duotone und 4-Farb-Abbildungen. Essays von John Berger und Sylvia Grant, Gerry Badger, Jeffrey Ladd. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

hardcover. Condizione: Perfetto (Mint). Fotografie di Chris Killip Design del libro di Chris Killip e Victor Balko. Cm 29,5x37,5. pp. 110. . Perfetto (Mint). . Prima edizione Steidl rivista (First Revised Steil Edition). . Le fotografie che Chris Killip ha realizzato nel Nord dell'Inghilterra tra il 1973 e il 1985 sono state pubblicate per la prima volta da Secker & Warburg nel libro In Flagrante nel 1988. La nuova edizione in grande formato di Steidl è una presentazione radicalmente aggiornata, che mostra una singola immagine sul lato destro di ogni doppia pagina. In Flagrante Two è un'opera che crede fermamente nel primato della fotografia, abbracciando ambiguità e contraddizioni in una sequenza narrativa disadorna e priva di testo. Prima edizione Steidl rivista (First Revised Steil Edition). Book.

Soft cover. Condizione: Very Good. 1st Edition. Book is in very good condition. 96pp with b/w photographs.

Paperback. Condizione: Collectable - Good. First Edition. Good+ 1st ed 1988 Secker paperback, oversize format, landmark volume of gritty photography. Some corner curling with crease to lower front cover corner, sticker residue to base of rear cover, tight and unmarked. Size: 31cm. 92 pages. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Photography; Photography, Artistic; ISBN: 0436233568. ISBN/EAN: 9780436233562. Dewey Code: 779/.092/4. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 089658.

Hardcover. Condizione: Very Good. 1988 Martin Secker & Warburg large format hardcover first edition. Light reading wear, a little toning to dustjacket else very good condition.

Condizione: Sehr gut. Nathan Image, 1989. First french edition, first printing. Published one year after and in a much more smaller run (of only 1000 copies) than the original english edition (Martin Secker and Warburg, London, 1988). Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675. 302 x 245 mm (11 3/4 x 9 3/4 in), 104 pages. Paperback. 50 black&white photographs. Introduction by Chris Killip, essay by John Berger and Sylvia Grant; edited by Mark Holborn; design by Peter Dyer. Condition: Inside fresh and flawless; clean with no marks and with no foxing. Outside with light trace of use, but with no remarkable flaws or defects. Overall very fine condition! "In Flagrante is a singularly original work of art, both passionate and partisan. this is not an objective report. killip tells his personal tale through these pictures, but he also allows his subjects` collective story a clear voice of its own." "In Flagrante is a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography." (Gerry Bagder)***************Nathan Image, 1989. Französische Erstausgabe. Erschien ein Jahr nach und in einer sehr viel kleineren Auflage (von nur 1000 Exemplaren) als die englische Original-Ausgabe (Martin Secker und Warburg, London, 1988). Martin Parr, The Photobook vol 2, Seite 299. 802 photo books from the M. + M. Auer collection, Seite 675. 302 x 245 mm, 104 Seiten. Paperback. 50 schwarz-weiß Fotografien. Einführung durch Chris Killip, Essay von John Berger and Sylvia Grant; editiert von Mark Holborn; Design von Peter Dyer. Zustand: Innen sauber und frisch ohne Besitzvermerke und ohne Stockflecken. Aussen leicht gebrauchsspurig, aber ohne nennenswerte Mängel. Insgesamt sehr guter Zustand! Sprache: Französisch Gewicht in Gramm: 1600.

Condizione: Wie neu. Steidl, Gottingen. 2016. First edition, first printing (there was a second printing same year). Signed by Chris Killip! New, mint, unread; only opened once for signature. Wonderful enlarged version of the famous photobook classic from 1988: Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675. Hardcover with dustjacket. 364 x 288 mm. 110 pages. Photographs in tritone printing. Text in English. Scarce first printing! Perfect condition! Signed by the artist! Collector`s copy! "The photographs that Chris Killip made in Northern England between 1973 and 1985 were first published by Secker & Warburg in the book In Flagrante in 1988. The new oversized Steidl edition is a radically updated presentation, showing a single image on the right side of each double-page spread. In Flagrante Two is strident in its belief in the primacy of the photograph, embracing ambiguities and contradictions in an unadorned narrative sequence devoid of text." (from the publisher)***************Steidl, Göttingen. 2016. Erstausgabe. Originalausgabe (es gab im selben Jahr noch einen zweiten Druck). Signiert von Chris Killip! Wunderschöne, erweiterte neu-gestaltete Auflage des legendären Fotobuch-Klassikers von 1988: Martin Parr, The Photobook vol 2, Seite 299. 802 photo books from the M. + M. Auer collection, Seite 675. Hardcover mit Schutzumschlag. 364 x 288 mm. 110 Seiten. Fotos in Tritone. Text in englisch. Seltene Erstausgabe! Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

First edition, first impression. Inscribed by the photographer on the half title, "for Terry, thanks for your help, Chris, Mar 88". Terry Morden was curator at the National Museum of Photography, Film & Television, Bradford, now the National Science and Media Museum and had organized a Killip show in early 1988 titled Another Country. In Flagrante, Killip's "subjective book about my time in England" during its "de-industrialisation" (Killip's preface) is one of the greatest photobooks of the late 20th century, "a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography" (Gerry Badger). Killip has chosen for the book's epigraph Yeats's poem, "He wishes for the cloths of Heaven", with the famous closing lines, "tread softly because you tread on my dreams", a choice which Berger & Grant, in their essay, describe as "searingly apt. for it is as if all the photos here have been branded, like a hundred cattle, with the tenderness of those eight lines." Parr & Badger II, 299. Quarto. Original wrappers, lettering to front cover and spine in black. Illustrated throughout with full pagr photographs by Killip. A near fine copy.

Condizione: Sehr gut. Nathan Image, 1989. First french edition, first printing. Signed by Chris Killip! Signatures by this artist are very scarce! Published one year after and in a much more smaller run (of only 1000 copies) than the original english edition (Martin Secker and Warburg, London, 1988). Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675. 302 x 245 mm (11 3/4 x 9 3/4 in), 104 pages. Paperback. 50 black&white photographs. Introduction by Chris Killip, essay by John Berger and Sylvia Grant; edited by Mark Holborn; design by Peter Dyer. Condition: Very fine and and clean condition. No marks, no defects. Covers with minimalst trace of use. Overall very fine condition! Extremly hard-to-find book, especially in this condition! Signed by the artist! Collector`s copy! "In Flagrante is a singularly original work of art, both passionate and partisan. this is not an objective report. killip tells his personal tale through these pictures, but he also allows his subjects` collective story a clear voice of its own." "In Flagrante is a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography." (Gerry Bagder)***************Nathan Image, 1989. Französische Erstausgabe. Signiert von Chris Killip! Signaturen dieses Künsterlers sind sehr selten! Erschien ein Jahr nach und in einer sehr viel kleineren Auflage (von nur 1000 Exemplaren) als die englische Original-Ausgabe (Martin Secker und Warburg, London, 1988). Martin Parr, The Photobook vol 2, Seite 299. 802 photo books from the M. + M. Auer collection, Seite 675. 302 x 245 mm, 104 Seiten. Paperback. 50 schwarz-weiß Fotografien. Einführung durch Chris Killip, Essay von John Berger and Sylvia Grant; editiert von Mark Holborn; Design von Peter Dyer. Zustand: Wunderbar erhalten. Cover minimal berieben und benutzt, innen wie neu. Keine Besitzvermerke. Insgesamt von ungewöhnlich frischer, sehr guter Erhaltung! Signiert vom Künstler! Sammler-Objekt! Sprache: Französisch Gewicht in Gramm: 1600.

A first edition, first printing published by Secker and Warburg in 1988. Large 4to. (12 x 10 inches). Publisher's black cloth, title stamped in blind - a nice, clean copy. Pictorial dust wrapper is not price-clipped (£20.00). A very good copy in a like dust wrapper. Uncommon in hardback. The book is a collection of black and white photographs that document the decline of industry and the economic hardships faced by working-class communities in the north of England during the 1970s and 1980s. The title, "In Flagrante," suggests a sense of capturing these communities and individuals in the midst of their struggles. The photographs in the book provide a raw and poignant depiction of the social and economic changes that took place in this region, particularly in areas heavily reliant on industries like coal mining and steel production. Killip's images reveal the impact of de-industrialisation, unemployment, and social disintegration on the people and landscapes of these communities. "In Flagrante" is considered a significant documentary work that highlights the human stories behind the economic decline of the time.

First edition, a presentation copy inscribed to Hilary Gerrard on the half-title; black-and-white photographs printed in offset, text by John Berger and Sylvia Grant; black endpapers, black cloth-covered boards, upper side lettered in blind, spine lettered in silver, bowed, photo-illustrated dust-jacket printed in cream, text in black, toned; near-fine in an excellent dust-jacket; [viii], 96pp. Presentation copy inscribed to Hilary Gerrard, Ringo Starr's manager for over thirty years and a director of The Beatles company Apple Corps.:'To Hilary / With love! / Chris Killip'. These photographs show the effects of the decline of traditional British industry on the people living and working in and around Newcastle upon Tyne. Killip has said that he tried to make it evident from the outset that photographs are not to be trusted and that he wanted 'people to be conscious of the subjective nature of photography. As his introduction states, 'the objective history of England doesn't amount to much if you don't believe in it, and I don't, and I don't believe that anyone in these photographs does either as they face the reality of de-industrialisation in a system which regards their lives as disposable. The book is a fiction about metaphor. To which John Berger adds in the afterword: 'Fiction, I think. Because it is a story, not just information. About a human tragedy not an acci-dent. Metaphor because it is through metaphor that, at first and last, we seek for meaning.' The Open Book pp340-1; The Photobook: A History II, p299; Auer Collection p675; Errata Editions: Books on Books no. 4.