Laughter side imaginative introduction (13 risultati)

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

softcover. Condizione: Nearly fine copy. 1st. 8vo, 245 pp., Edited by Roger Poole and Henrik Stangerup.

Paperback. Condizione: Near Fine. First paperback edition. Near fine in illustrated wraps.

Soft cover. Condizione: Near Fine. A very clean, bright copy.

Soft cover. Condizione: Very Good Plus. First Edition. 1989. [viii], 245pp. "The Laughter Is on My Side entices us into Kierkegaard's way of looking at the world. Skillfully clearing a path to the heart of Kierkegaard's writings for those who may be unfamiliar with the great Danish thinker, Roger Poole and Henrik Stangerup rearrange some of his most pleasurable and most readable passages to form an entertaining "text-narrative"--not a selection in the ordinary sense but an innovative presentation that tells a new story." some light shelf wear to rear cover and top edge. The book is otherwise in excellent condition. There are no inscriptions and all contents are tight and clean.…

Paperback. Condizione: Brand New. 245 pages. 8.50x5.50x1.00 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - Here is an engaging alternative to the more solemn introductions to Sren Kierkegaard that are currently available: The Laughter Is on My Side entices us into Kierkegaard's way of looking at the world. Skillfully clearing a path to the heart of Kierkegaard's writings for those who may be unfamiliar with the great Danish thinker, Roger Poole and Henrik Stangerup rearrange some of his most pleasurable and most readable passages to form an entertaining 'text-narrative'--not a selection in the ordinary sense but an innovative presentation that tells a new story. The book replaces the inaccessible Kierkegaard of philosophical legend with an ironic, witty, shrewdly observant writer, writing for the amusement of writing, and not for the grimmer satisfactions of instructing or upbraiding. Above all, the Kierkegaard revealed by Poole and Stangerup becomes, in the deepest sense, our contemporary. Taking its title from the young Kierkegaard's nickname, 'The Fork,' the first section of the work is full of urbane and erotic materials and has much to say about his famous broken engagement to Regine Olsen. A section called 'Women' will be of special interest to feminists, particularly the three discourses from the Symposium section of Stages on Life's Way. 'The Midnight Hour' presents Kierkegaard's most anguished and existential passages: 'Do you not know there comes a midnight hour when everyone has to throw off his mask Do you think you can slip away a little before midnight in order to avoid this ' Lastly, '1848 : 1984' presents Kierkegaard as an incisive and relevant political thinker in a way that has never been attempted before.…

Paperback. Condizione: As New.

Condizione: Minor rubbing. VG. orig.wrappers Minor rubbing. VG. 22x14cm, 245 pp, PAPERBACK. "Here is an engaging alternative to the more solemn introductions to Søren Kierkegaard that are currently available: The Laughter Is on My Side entices us into Kierkegaard's way of looking at the world. Skillfully clearing a path to the heart of Kierkegaard's writings for those who may be unfamiliar with the great Danish thinker, Roger Poole and Henrik Stangerup rearrange some of his most pleasurable and most readable passages to form an entertaining "text-narrative"--not a selection in the ordinary sense but an innovative presentation that tells a new story. The book replaces the inaccessible Kierkegaard of philosophical legend with an ironic, witty, shrewdly observant writer, writing for the amusement of writing, and not for the grimmer satisfactions of instructing or upbraiding. Above all, the Kierkegaard revealed by Poole and Stangerup becomes, in the deepest sense, our contemporary. Taking its title from the young Kierkegaard's nickname, "The Fork," the first section of the work is full of urbane and erotic materials and has much to say about his famous broken engagement to Regine Olsen. A section called "Women" will be of special interest to feminists, particularly the three discourses from the Symposium section of Stages on Life's Way. "The Midnight Hour" presents Kierkegaard's most anguished and existential passages: "Do you not know there comes a midnight hour when everyone has to throw off his mask? Do you think you can slip away a little before midnight in order to avoid this?" Lastly, "1848 : 1984" presents Kierkegaard as an incisive and. …