Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
EUR 34,98
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Aggiungi al carrelloPaperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.45.
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Editore: W. W. Norton & Company, NY, 1938
Lingua: Inglese
Da: Dividing Line Books, Ridgewood, NY, U.S.A.
EUR 179,86
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Aggiungi al carrelloHardcover. Condizione: Very Good. NY: W. W. Norton & Company, 1938. Revised and expanded edition, following the first of 1932. 207pp; index; illus; plates. 4to. Speckled tan cloth stamped in blue to front board and spine; lacking the jacket. Light soiling to boards; front jacket flap and former owner's name mounted to front pastedown; toning to endleaves. Very good. Early reprint edition of this cornerstone work of 20th century design, which elaborated the principles of the Bauhaus school and the related New Vision photography movement. Translated by Daphne M. Hoffman. Here issued as No.1 in The New Bauhaus Books series, edited by Walter Gropius and L. Moholy-Nagy.
Editore: W.W. Norton and Compagny Inc. New-York, 1938
Lingua: Francese
Da: Albe livres, Lagny-sur-Marne, Francia
EUR 120,00
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Aggiungi al carrelloCouverture rigide. Condizione: Bon. Pas de jaquette. Ouvrage de référence, sur les éléments de l'éducation du Bauhaus, à partir de la théorie et de la pratique multi artistique, et de l'architecture moderne, qui arrivent aux Etats Unis, avec ses grandes figures telle que celle de Moholy-Nagy. Volume N°1 des "Bauhaux Books" commencé en Allemagne. 207 pages. Etat bon, légère déchirure sur la tranche en haut. Intérieur bon.
Editore: Norton, New York, 1938
Da: M.POLLAK ANTIQUARIAT Est.1899, ABA, ILAB, Tel-Aviv, Israele
EUR 89,93
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Aggiungi al carrelloOriginal Cloth. Condizione: Very Good. 207pp. THE NEW BAUHAUS BOOKS .ED WALTER GROPIUS. NO. 1. SPINE WITH SOME WEAR AND MARKINGS. BINDING WITH MINIMAL MARKINGS, Hinges slightly open but firm. OTHERWISE A VERY GOOD AND CLEAN COPY.
Editore: London : Faber, 1939
Da: MW Books, New York, NY, U.S.A.
EUR 125,36
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Aggiungi al carrelloRevised Edition. Near fine copy in the original publisher's gilt-blocked cloth, edges very slightly toned. Tape repair to the hinges. Corners sharp with an overall tight, bright and clean impression. Provenance; from the East Sussex County Library with its bookplate and library marks. Series; The new Bauhaus books ; no. 1. Physical description; 207 pages. Subjects; Composition Art. Painting. Sculpture. Architecture. Design. Fundamentals of Design. 1 Kg.
Editore: W. W. Norton & Co Inc, 1938
Da: Suibhne's Rare and Collectible Books, Newbury, OH, U.S.A.
Prima edizione
EUR 89,93
Convertire valutaQuantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Near Fine. No Jacket. 1st Edition. G1 W W Norton & Co, 1938. Hardcover. Condition: near fine 1st Edition. Hardcover. 4to. W. W. Norton & Company, Inc. , , New York, 1938. 207 pgs. No 1 of the New Bauhaus Books. First Edition/First Printing. Bound in oatmeal cloth with blue titles present to the spine and the front board., clean and unmarked.
Editore: London : Faber, 1939
Da: MW Books Ltd., Galway, Irlanda
EUR 125,00
Convertire valutaQuantità: 1 disponibili
Aggiungi al carrelloRevised Edition. Near fine copy in the original publisher's gilt-blocked cloth, edges very slightly toned. Tape repair to the hinges. Corners sharp with an overall tight, bright and clean impression. Provenance; from the East Sussex County Library with its bookplate and library marks. Series; The new Bauhaus books ; no. 1. Physical description; 207 pages. Subjects; Composition Art. Painting. Sculpture. Architecture. Design. Fundamentals of Design. 1 Kg.
Editore: W. W. Norton & Co, New York, 1938
Da: Lux Mentis, Booksellers, ABAA/ILAB, Portland, ME, U.S.A.
Prima edizione
EUR 224,82
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Aggiungi al carrelloCondizione: Good+. No DJ. First Edition Thus. First Edition Thus. No 1 of the New Bauhaus Books. "The New Vision was written to inform laymen and artists about the basic elements of the Bauhaus education: the merging of theory and practice in design. "America is the bearer of a new civilization whose task is simultaneously to cultivate and to industrialize a continent. It is the ideal ground on which to work out an educational principle which strives for the closest connection between art, science, and technology. "To reach this objective one of the problems of Bauhaus education is to keep alive in grown-ups the child's sincerity of emotion, his truth of observation, his fantasy and his creativeness. That is why the Bauhaus does not employ a rigid teaching system. Teachers and students in close collaboration are bound to find new ways of handling materials, tools and machines for their designs. "This book contains an extract of the work in our preliminary course, which naturally develops from day to day while practiced." [Forward] Noted flaws notwithstanding, a presentable copy of this cornerstone work. Minor shelf/edge wear, light soiling to boards, toning at the endpages, light sporadic foxing throughout, else tight, bright, and unmarred; DJ lacking. Beige linen boards, blue ink lettering. 8vo. 207pp. Illus. (b/w plates).
Editore: W.W. Norton & Company, 1938
Da: Weinberg Modern Books, New York, NY, U.S.A.
Prima edizione
EUR 1.124,10
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Aggiungi al carrelloHardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Revised and expanded edition of Laszlo Moholoy Nagy's seminal The New Vision, published in 1938 by W.W. Norton & Company. First edition thus, following the initial American edition published in 1930/32 by Warren & Brewer. No. 1 in the New Bauhaus series co-edited by Moholy and Walter Gropius. Book design and typography by Moholy. The Norton edition incorporates student work from Moholy s first year helming Chicago s New Bauhaus, so that in dialogue with works by modern masters such as Oskar Schlemmer, Pablo Picasso, Constantin Brancusi, Piet Mondrian, Naum Gabo, Hans Arp, and Moholy, and alongside early Bauhaus student work, we see design experiments by R.Koppe, Nathan Lerner, Grace Seelig, Gretchen Schoniger, Mizutani, and Wallace Kammen, the first fruits of Moholoy s pedagogy transplanted to American soil. 4to, 207 pages, hardcover with photographic dust jacket, 221 b/w photographs and illustrations. Oatmeal cloth with blue-stamped lettering. With a small blue label inside rear cover from Manhattan s fabled Gotham Book Mart. Light glue-burn to pastedowns. Light rubbing and soiling to dj, clipped at four corners, but not price-clipped. Considerable bumping and chipping to edges, with open tears along top edge, and additional at spine tail and bottom corner. There is a triangular loss at the top right of front cover, measured 2 x3 . Minor foxing to rear cover, with a pen mark across. The book itself is remarkably well-preserved. Highly scarce thus, and as collectible a copy of this foundational text as can likely be found.
Editore: New York, W. W. Norton & Company (1938)., 1938
Da: Antiquariat Haufe & Lutz, Karlsruhe, BW, Germania
Prima edizione Copia autografata
EUR 1.600,00
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Aggiungi al carrello(Revised and enlarged edition). Gr.-8°. 207 S. mit 221 Abb. Schwarzer Orig.-Leinenband. (New Bauhaus Books. Editors Walter Gropius, L. Moholy-Nagy. No. 1). Erste Ausgabe des ersten Bandes (mehr nicht erschienen) der Reihe "New Bauhaus Books". - Mit eigenhändiger Widmung von L. Moholy-Nagy "to my very nice collaborator in the old days Peter Piening New York Nov 1938 L. Moholy=Nagy". - "The New Vision was written to inform laymen and artists about the basic elements of the Bauhaus education: the merging of theory and practice in design. America is the bearer of a new civilization whose task is simultaneously to cultivate and to industrialize a continent. It is the ideal ground on which to work out an educational principle which strives for the closest connection between art, science, and technology. To reach this objective one of the problems of Bauhaus education is to keep alive in grown-ups the child's sincerity of emotion, his truth of observation, his fantasy and his creativeness. That is why the Bauhaus does not employ a rigid teaching system. Teachers and students in close collaboration are bound to find new ways of handling materials, tools and machines for their designs. This book contains an extract of the work in our preliminary course, which naturally develops from day to day while practiced" (L. Moholy-Nagy). - Peter Piening (1908-1977) war seit 1934 Art Director bei N. W. Ayer & J. Walter Thompson. Später Mitherausgeber des Life Magazine und 1942 bis 1946 Art Director von Fortune. Nach dem Krieg war er Dozent an der New York Art Student's League, der New York University und der Syracuse University. - Rücken etwas gebräunt, Deckel leicht fleckig, gutes Exemplar. - Inscribed by L. Moholy-Nagy for P. Piening. - Peter Piening studied at the Bauhaus with Laszlo Moholy-Nagy, Paul Klee and Mies van der Rohe. He received his PhD from the University of Berlin in 1931 and in the same year began working at the Ullstein publishing house. After working several years as a freelance designer in Paris he came to America in 1934. He worked as an art director for N. W. Ayer and J. Walter Thompson. He was on the editorial staff at Life magazine and in 1942 was appointed art director of Fortune magazine. He held that position until 1946. He taught at the New York Art Student's League and at New York University. In 1958 he was appointed to the faculty at Syracuse University. - Spine browned, covers a little bit soiled. Sprache: englisch.