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Da: Majestic Books, Hounslow, Regno Unito
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Aggiungi al carrelloCondizione: New. pp. 278.
Condizione: New. pp. 278.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 67,16
Quantità: 10 disponibili
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 71,59
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 71,61
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 79,00
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 278.
Da: Revaluation Books, Exeter, Regno Unito
EUR 103,85
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Aggiungi al carrelloPaperback. Condizione: Brand New. 278 pages. 9.02x5.98x0.59 inches. In Stock.
Da: preigu, Osnabrück, Germania
EUR 63,10
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Opera in a Multicultural World | Coloniality, Culture, Performance | Mary Ingraham (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2020 | Taylor & Francis | EAN 9780367598792 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 205,37
Quantità: Più di 20 disponibili
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 214,76
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 221,61
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Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 243,81
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Aggiungi al carrelloCondizione: New.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 275,35
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Aggiungi al carrelloCondizione: New. Editor(s): Ingraham, Mary; Moodley, Roy; So, Joseph. Series: Routledge Research in Music. Num Pages: 278 pages, 9 black & white line drawings. BIC Classification: AVGC9; JFSL1; JHM. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 250 x 367 x 21. Weight in Grams: 526. . 2015. 1st Edition. hardcover. . . . .
Da: Revaluation Books, Exeter, Regno Unito
EUR 319,66
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 264 pages. 9.29x6.02x0.83 inches. In Stock.
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 347,51
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Editor(s): Ingraham, Mary; Moodley, Roy; So, Joseph. Series: Routledge Research in Music. Num Pages: 278 pages, 9 black & white line drawings. BIC Classification: AVGC9; JFSL1; JHM. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 250 x 367 x 21. Weight in Grams: 526. . 2015. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 72,03
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Through historical and contemporary examples, this book critically explores the relevance and expressions of multicultural representation in western European operatic genres in the modern world. It reveals their approaches to reflecting identity, transmitting meaning, and inspiring creation, as well as the ambiguities and contradictions that occur across the time and place(s) of their performance. This collection brings academic researchers in opera studies into conversation with previously unheard voices of performers, critics, and creators to speak to issues of race, ethnicity, and culture in the genre. Together, they deliver a powerful critique of the perpetuation of the values and practices of dominant cultures in operatic representations of intercultural encounters. Essays accordingly cross methodological boundaries in order to focus on a central issue in the emerging field of coloniality: the hierarchies of social and political power that include the legacy of racialized practices. In theorizing coloniality through intercultural exchange in opera, authors explore a range of topics and case studies that involve immigrant, indigenous, exoticist, and other cultural representations and consider a broad repertoire that includes lesser-known Canadian operas, Chinese- and African-American performances, as well as works by Haydn, Strauss, Puccini, and Wagner, and in performances spanning three continents and over two centuries. In these ways, the collection contributes to the development of a more integrated understanding of the interdisciplinary fields inherent in opera, including musicology, sociology, anthropology, and others connected to Theatre, Gender, and Cultural Studies.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 238,53
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 309,20
Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Through historical and contemporary examples, this book critically explores the relevance and expressions of multicultural representation in western European operatic genres in the modern world. It reveals their approaches to reflecting¿identity, transmitting meaning, and inspiring creation, as well as the ambiguities and contradictions that occur across the time and place(s) of their performance. This collection brings academic researchers in opera studies into conversation with previously unheard voices of performers, critics, and creators to speak to issues of race, ethnicity, and culture in the genre. Together, they deliver a powerful critique of the perpetuation of the values and practices of dominant cultures in operatic representations of intercultural encounters. Essays accordingly cross methodological boundaries in order to focus on a central issue in the emerging field of coloniality: the hierarchies of social and political power that include the legacy of racialized practices. In theorizing coloniality through intercultural exchange in opera, authors explore a range of topics and case studies that involve immigrant, indigenous, exoticist, and other cultural representations and consider a broad repertoire that includes lesser-known Canadian operas, Chinese- and African-American performances, as well as works by Haydn, Strauss, Puccini, and Wagner, and in performances spanning three continents and over two centuries. In these ways, the collection contributes to the development of a more integrated understanding of the interdisciplinary fields inherent in opera, including musicology, sociology, anthropology, and others connected to Theatre, Gender, and Cultural Studies.¿.